What sweeps us off our feet, casts a spell upon us, and charms us? What befuddles, disconcerts, and bewitches us? What is the cause of so much anguish, but also of even more bliss, joy, and pleasure? What else but passion, an “intense, driving, or overmastering feeling” as states the dictionary, although words often only limply convey its full meaning. Music, on the other hand, seems to entertain intimate ties with passion.

Already a presence to be reckoned with by his early 20s, James Ehnes has risen steadily to claim a place among the finest violinists of the day. Critics were impressed with both his immaculate technique and his musical integrity, each of an order rare enough in a musician of any age. Ehnes has continued to consolidate his strengths, bringing audiences a brand of music-making that transcends the present and draws upon the richest traditions of ages past.

This release by Quebec violinist Angèle Dubeau is dedicated specifically to Dubeau's fellow survivors of serious illness, in her case cancer, expressing the aim of "luminous music that can bring interior peace through its strength and powerful evocation." As such it might seem to differ little from any number of other crossover releases filled with mellow tunes. But Dubeau's album has reached the Canadian top ten, indicating that plenty of healthy buyers have found it.

As mentioned in his autobiographies, Telemann's encounters with Eastern European gypsy music influenced his own compositions. The young composer must have been enthralled by the wonderful inventiveness of this music, as typified in this recording with the last movements of the Caprice Symphony and the Concerto in e minor for recorder and flute.

The lyrical element is the essence of Prokofiev's nature, whether it be that of the man or of his music and it is deliberately that he chooses to turn it to derision, to make it grotesque, to disfigure it. Through all the distortions, dilations, sudden stops and about-faces that the composer subjects them to, his themes and harmonies remain essentially lyrical.

Ideals of the French Revolution is the unusual title of this two-disc set by Kent Nagano and the Orchestre Symphonique de Montréal of music by Beethoven with texts by Goethe, Matthisson, and Paul Griffiths. The second, fairly conventional disc includes three works by Beethoven that could reasonably be said to embody the ideals of liberté, égalité, fraternité: his Fifth Symphony, excerpts from his incidental music for Goethe's Egmont, and his fourth setting of Matthisson's Opferlied (Song of Sacrifice). The far less conventional first disc, however, features a single work, called The General, setting a text by the aforementioned Griffiths, noted author and Beethoven scholar, to music drawn from Beethoven's incidental music for Egmont, König Stephan, and Leonore Prohaska, plus the Opferlied.

Les Cinquième et Sixième symphonies de Ludwig van Beethoven (1770-1827) ont vu le jour pour ainsi dire en même temps. Dès 1803, au milieu des esquisses de la Troisième, l’Héroïque , on retrouve une ébauche du début de la Cinquième Symphonie et un motif intitulé « murmure de ruisseaux » qui sera utilisé dans le second mouvement de la Sixième. Mais ce n’est qu’en 1805 que la Cinquième fut vraiment entreprise et, l’année suivante, la Sixième Symphonie. Beethoven les acheva toutes deux en 1808, non sans avoir fait plusieurs pauses pendant lesquelles il composa, entre autres, la Quatrième Symphonie, le Quatrième Concerto pour piano, le Concerto pour violon, la Messe en do majeur et la Fantaisie pour piano, orchestre et chœurs.

Quelques notes issues du contralto velouté de Marie-Nicole Lemieux suffisent pour tomber sous le charme. Timbre unique, sens inné de la ligne musicale, apprivoisement des textes de l’intérieur, charisme étonnant, aisance apparente dans tous les répertoires, présence scénique remarquable, la chanteuse semble posséder tous les atouts. La carrière de celle qui se produit maintenant sur les grandes scènes du monde entier devait prendre son envol en 2000, alors qu’elle remporte, presque coup sur coup, le Concours Joseph-Rouleau et le Concours musical international Reine Élisabeth de Belgique. Premiers jalons d’un parcours qui deviendrait rapidement stellaire. Nous la retrouvons ici dans une compilation regroupant certaines des plus belles pages enregistrées sous étiquette Analekta, signées Scarlatti, Handel, Vivaldi et Brahms.