Originally released on Mon 22 August 2005, Super Furry Animals’ third and final album to be recorded by Epic Records, Love Kraft is reissued on double vinyl, 2CDs, including the 22-track bonus CD, Kiss Me With Apocalypse via the Cardiff-based independent label, Strangetown Records. Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led Rock ‘N’ Roll Flu, plus the distorted space-jam of Cae Marw, the band’s deep-bass sketch of Palo Alto and ghostly, percussive morsel of Bedw Arian.

Oslo Kammerakademi performs chamber music for winds based on the historical Harmoniemusik instrumentation. Founded in 2009 by artistic director David Friedemann Strunck, the ensemble has established itself as a leader in Europe, with critically acclaimed CD recordings. Oslo Kammerakademi utilises historical brass instruments in repertoire from the Baroque, Classical and Romantic periods. This contributes to the ensemble's authentic sound and historically oriented performances. Since it was founded, Oslo Kammerakademi's ambition has been to embrace the full range of literature for the Harmonie ensemble - from its origin in Vienna in the 1780s to the music of our own time. Oslo Kammerakademi has released several CD recordings on the LAWO label. The first three recordings, formed a trilogy of Harmoniemusik from three eras. The ensemble's last release 'The Silk Road (LWC1271) earning overwhelmingly positive reviews. This latest recording features works by Mozart, Haydn and Beethoven.

Take Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor. Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.

Canadian ensemble Notturna offers a charming instrumental version of the opera L'Amant jaloux (the jealous lover) by André-Ernest-Modeste Grétry (1741-1813). This anonymous arrangement for flute, oboe, violin, viola, and bass was found in the Biblioteca Estense di Modena. Though undated, it was likely transcribed in 1778, the year Grétry composed the opera. Founded in 2006 and directed by oboist Christopher Palameta, Notturna is a chamber collective whose spirited and sensitive playing (Early Music America) draws on the transparency and expressiveness of early wind instruments to paint fresh pictures of an unexplored historical repertoire.

The Finnish-American composer Alex Freeman has been described as being ‘as comfortable in the realm of the pop ballad as in that of the concert hall’ and yet his songs ‘are imbued with the craftsmanship and care one would expect of a composer of his formidable academic training, just as his concert works carry the emotional immediacy of popular music.’ Himself a choral singer, Alex Freeman has written a number of works for choir: music that aims to be sonorous and melodic, but is carefully crafted to avoid the clichés that can burden conventional tonality.

Working in 17th-century Venice soon after the worlds first public opera houses opened there, composer Francesco Cavalli had no tradition to follow. He gave his fertile imagination free rein, tinkering with the brand-new art form to create the lively Venetian style of opera, with its melodious arias, sprightly dance rhythms, free-wheeling mythological or historical plots and generous dollops of comedy. Like most of Cavallis operas, Ilpermestra wasnt performed between the late 17th century and recent years. Ilpermestra was written on the occasion of the birth of King Philip IV of Spains first son in 1658. It was one of the most magnificent operas to have ever been staged. This is the world premiere recording of the opera, made after a live stage performance in Utrecht in 2006.

25 Jahre "Masters Of Chant"! Limited 2CD Digipak Edition. Seit 25 Jahren begeistern GREGORIAN weltweit Millionen von Menschen mit ihrer Fähigkeit, nahtlos von klassischen Chorälen zu Pop- und Rock-Songs zu wechseln. Mit ihren choreografierten Shows haben sie zudem neue Maßstäbe gesetzt. Die Idee zu GREGORIAN entstand, als der Hamburger Hit-Produzent Frank Peterson (Andrea Bocelli, Sarah Brightman, José Carreras, Justin Timberlake, Backstreet Boys u.v.m.) im Jahr 1989 das königliche Kloster von San Lorenzo de El Escorial in Spanien besuchte. Dort fand er die Inspiration, altertümliche gregorianische Musik mit modernen Songs zu mischen – ein einzigartiges Soundexperiment. Peterson setzte die Idee erstmals mit Michael Cretu und dem weltweiten Sound-Phänomen „Enigma“ um. Das erste Album „MCMXC a.D.“ erschien 1990 und wurde schon nach kurzer Zeit ein weltweiter Erfolg.

Gregorian has been captivating millions of fans for a quarter of a century and is now looking back on an impressive success story. After millions of albums sold, shows around the globe in front of more than 3.2 million concertgoers, and numerous gold and platinum awards, Gregorian continues to set new standards with its music and live shows - inspiring millions of people with its ability to switch seamlessly from classical chorales to pop and rock songs.

It's Not That Deep is the ninth studio album by the American singer Demi Lovato. This album was released on October 24, 2025, through Island Records. It features a dance-pop production, marking a contrast to her[a] previous rock-leaning projects, Holy Fvck (2022) and Revamped (2023). Zhone served as the album's executive producer and produced all of its tracks, with Leland, Oscar Linnander, and Keith Sorrells also contributing production. It's Not That Deep has spawned three singles: "Fast", "Here All Night" and "Kiss".

Celebrating the 20th anniversary of her breakthrough debut Eye to the Telescope, KT Tunstall returns with The Stargazer EP — a shimmering collection of previously unreleased and reimagined songs that complete the circle of her earliest creative era.

DANSE MACABRE: DE LUXE CD: Includes 3 new bonus tracks - the instrumental "MASQUE OF THE PINK DEATH," a cover of Electric Light Orchestra's "EVIL WOMAN," and "NEW MOON (DARK PHASE)," featuring Andy Taylor which is a reimagined cover of Duran Duran's classic song "New Moon On Monday" from their album Seven and The Ragged Tiger. The original record includes 3 new songs; haunting covers of songs by Billie Eilish, Talking Heads, The Rolling Stones and The Specials; new versions of Duran Duran classics, plus the rare B-side and fan favorite, "SECRET OKTOBER 31ST." Guest artists include producer/musician Nile Rodgers, Victoria De Angelis of M?neskin and former band members Andy Taylor and Warren Cuccurullo. Exquisitely packaged, the record features images adapted from a collection of authentic vintage seance photos that band member Nick Rhodes sourced at auction.

Lily Allen Sets Return With New Album, ‘West End Girl’ The record is scheduled to arrive on Oct. 24 as the follow-up to 2018’s No Shame. Lily Allen has announced her first album in seven years: West End Girl is out this Friday, October 24, via BMG. Its 14 songs were mostly written by Allen and her musical director, Blue May, and the pair executive-produced the LP alongside Seb Chew and Kito. Below, check out Spanish artist Nieves González’s cover art. In a press release, Allen said, “I’m nervous. The record is vulnerable in a way that my music perhaps hasn’t been before—certainly not over the course of a whole album. I’ve tried to document my life in a new city and the events that led me to where I am in my life now. At the same time, I’ve used shared experiences as the basis for songs which try to delve into why we humans behave as we do, so the record is a mixture of fact and fiction which I hope serves as a reminder of how stoic yet also how frail we humans can be. In that respect I think it’s very much an album about the complexities of relationships and how we all navigate them. It’s a story…” Since her last album, 2018’s No Shame, Allen has appeared in various West End London theater productions and co-founded the podcast Miss Me.

Brandi Carlile is back with her 8th studio album and first solo project in four years. After pouring herself into collaborations with musical icons and legends, the multi-GRAMMY Award-winning songwriter is looking inward, reflecting backward, and ultimately, returning home on her brand-new album, Returning To Myself. The ten-song collection is produced by Carlile, Andrew Watt, Aaron Dessner, and Justin Vernon.

So named because this consists of Skynyrd's earliest recordings and was released after the tragic plane crash, thereby seeming to close the door on the band's career, Skynyrd's First and… Last is more than a simple historic curiosity, but not too much more. This music is more notable for being interesting - in how it's possible to hear Ronnie VanZant coming into his own as a writer, or hearing future Blackfoot leader Ricky Medlocke's early songs - than it is for being good, which it certainly is. Taken on its own, separated from the rest of the group's catalog, this would likely be seen as a great forgotten hard rock album from an obscure Southern outfit, but since Skynyrd went on to greater things, this winds up as a footnote - enjoyable, yes, but not quite necessary.

Formed from the ashes of bands Moonhead and Lucas Tyson, the group's high standard of musicianship was well known in their native north-east where they attracted much attention and had a devoted following. It was felt that the quintet could achieve success on a national scale, provided management handled matters properly and they got the right breaks. In 1973 they recorded their debut album "Cirkus One" at Sound Associates/Emison & Air Studios and just 1000 copies were pressed up. It is widely regarded by many collectors today as the most musically accomplished private pressing of its kind to emerge out of the UK's then burgeoning progressive music scene, influenced by King Crimson and Yes.
"Page 12 On The Right" (2021) is their 6th studio album.