Part Lies, Part Heart, Part Truth, Part Garbage 1982–2011 is a 2011 greatest hits album from alternative rock band R.E.M. Intended as a coda on their career, this is the first compilation album that features both their early work on independent record label I.R.S. Records in addition to their 10 studio releases through Warner Bros. Records. The double-disc retrospective was released through Warner Bros. on November 11, 2011, and was compiled by the band members; the existence of the compilation was revealed simultaneously with the group's announcement that they were disbanding on September 21, 2011.

Rhino announce details of special 20th Anniversary Editions of Hard-Fi debut album - Stars Of CCTV, "Stars of CCTV," released in 2005, is fused a blend of ska, rock, and reggae influences, exploring themes of suburban life and frustration, and has sold 1.2 million copies worldwide, with over 300,000 in the UK.

Some albums exist outside of time or place, gently floating on their own style and sensibility. Of those, the La’s lone album may be the most beguiling, a record that consciously calls upon the hooks and harmonies of 1964 without seeming fussily retro, a trick that anticipated the cheerful classicism of the Brit-pop ’90s. But where their sons Oasis and Blur were all too eager to carry the torch of the past, Lee Mavers and the La’s exist outside of time, suggesting the ’60s in their simple, tuneful, acoustic-driven arrangements but seeming modern in their open, spacy approach, sometimes as ethereal as anything coming out of the 4AD stable but brought down to earth by their lean, no-nonsense attack, almost as sinewy as any unaffected British Invasion band.

Released in 2015, Get To Heaven is the third studio album by British art-rock band Everything Everything. The album blends elements of indie rock, electronic, and experimental pop, showcasing the band's signature complex rhythms, sharp lyricism, and dynamic vocal performances by frontman Jonathan Higgs. Featuring standout tracks like Distant Past, Regret, and No Reptiles, the album explores themes of political unrest, media influence, and societal anxiety, wrapped in vibrant, high-energy production. Get To Heaven received widespread critical acclaim for its bold sound and thought-provoking lyrics, solidifying Everything Everything as one of the most innovative bands of the 2010s. With its infectious hooks, intricate instrumentation, and emotionally charged songwriting, Get To Heaven remains a defining album in modern alternative music, appealing to fans of intelligent, genre-blending rock.

Entité unique en son genre, les Talking Heads auront démontré la possibilité de faire rimer cérébral avec animal et de faire se rencontrer groove et rigueur en une recette art pop singulière, descendante du Velvet Underground autant que des rythmiques funk secouant New York à la fin des années 70, le tout sans sombrer dans la prétention. S'appuyant sur la section rythmique constituée de Tina Weymouth (basse) et Chris Frantz (batterie), futurs Tom Tom Club, ainsi que la guitare et les claviers de Jerry Harrison, la personnalité atypique et la voix unique de David Byrne trouvent un canevas de choix, menant à la publication d'une série de cinq albums hautement influents, entre 1977 et 1983, parmi lesquels les classiques Fear of Music (1979) et Remain in Light (1980) tandis que défilent les collaborateurs de choix à l'instar d'Adrian Belew ou Bernie Worrell avant la fin de l'aventure en 1991.

A feisty 4CD clamshell box set exploring the melting pot of British indie dance music that shook the lager drenched dancefloors in the second half of the 1990s. A supersonic soundclash of iconic electronic outfits like The Prodigy, Fatboy Slim, Basement Jaxx, Leftfield, Death In Vegas, Moloko, Orbital and Bentley Rhythm Ace, alongside floor-fillers from indie titans like Blur, Shed Seven, Charlatans, Super Furry Animals, Supergrass, Tricky, Sleeper, Gomez, Radiohead and Cornershop. Over four hours of party tunes and afters grooves, packed with punchy remixes from Chemical Brothers, Arthur Baker, Norman Cook, Midfield General, Mint Royale and Lynch Mob. As Britpop exploded across UK culture, Cool Britannia ruled the airwaves and was plastered across the pages of magazines and newspapers. Music festivals were making their great comeback and DJs and dance acts were sharing stages and headline slots with the biggest guitar bands around. This compilation takes a slippery trip through the hedonistic tunes that were filling the dancefloors, fields, front rooms and bedrooms across Great Britain as the country drank, danced and partied towards a new millennium. Featuring over 50 cuts across 4CDs bouncing from Britpop to Trip Hop and bopping from Big Beat to Techno with a superb selection of relentless remixes, chart-topers and chilled beats thrown in for good measure.

Originators of the "Hoboken Scene" The Lost Live Album from 1985 is released for the first time. Available only on CD, it captures their sound that took them everywhere from "Drums Along The Hudson" to "Beat Hotel."

Durry return with This Movie Sucks, an energetic and emotionally charged follow-up to their breakout debut, Suburban Legend. Described by the Minnesota siblings as “a kick in the teeth and a nice warm hug all rolled into one,” the album blends caustic humour and genuine heart to explore the chaos of modern life — from internet toxicity and economic anxiety to grief and personal loss.

NOW Music is very proud to present the second of our ‘Now That’s What I Call An Era’ releases. ‘The Albums 1980 > 1984’ celebrates 72 iconic albums that were released between 1980 and 1984, featuring a magnificent track from each - and none of them UK hit singles! Most of the albums being highlighted produced huge hit singles that have become both synonymous with the decade and enduringly popular – but these albums are of such a high quality – forever part of the artist’s legacy - that other tracks could have equally become hits – and some have become as well-loved by fans as the singles, and have for many artists always been an established part of their live shows.

Limited four CD set exploring the evolution of the 'new pop' movement, 1979-1983. Featuring The Human League, Fun Boy Three, Soft Cell, Scritti Politti, The Style Council, Heaven 17, The Cure, Eurythmics, Tears For Fears, Altered Images, Art Of Noise and countless other big names and lesser-known gems. A term forever associated with tastemaker NME scribe turned Svengali Paul Morley, 'New Pop' came to describe any forward-thinking British music of the early 1980s which wasn't 'rockist' (macho men with guitars, etc.) or overtly punky and anti-establishment in outlook. New Pop was an aspiration. Punk had shaken up the UK music industry - and more importantly, had inspired a generation of art students, budding musicians and others with a sense of what was possible.

late night drive home are releasing their debut album as "I watch my life". A criticism of their adolescence always existing in the shadow of the internet, the 13-track offering codes together vignettes of mistaking online connection for something real. With their success outgrowing the bedrooms they used to create in, late night drive home’s debut album is the first time they’ve worked in proper studios. And with this growth, we see them move from the indie-rock bucket to a more expansive, electronic realm.

The place where it all started - Unearthed. Slated by many fans as their favourite, this album definitely has the widest range of song styles - from melodic pop like tracks to brooding instrumentals, this record refuses to stay still yet its integrity remains intact for all its genre bending. This album has been lovingly restored and remastered and has never sounded better. Tracks 17 to 20 are previously unreleased bonus tracks from the era.

This compilation was curated by the Spanish edition of Rolling Stone magazine and features 100 iconic songs that shaped the history of popular music—mainly from the 1950s to the 1990s. The tracks are spread across five CDs and focus on English-language rock, blues, folk, and pop classics.

Months after the release of the harrowing The Holy Bible, Manic Street Preachers guitarist Richey James disappeared, leaving no trace of his whereabouts or his well-being. Ultimately, the remaining trio decided to carry on, releasing their fourth album, Everything Must Go, in 1996. Considering the tragic circumstances that surrounded it, Everything Must Go is the strongest, most focused, and certainly the most optimistic album the Manics ever released. Five of the songs feature lyrics Richey left behind before his disappearance, and while offering no motivation for his actions, they do hint at the depths of his despair.

What started as a simple digital exercise for New Jersey rockers The Feelies is a new collection of some of their harder-to-find cover songs. The jangle-pop heroes will release Rewind on June 20, a nine-track affair featuring versions of cuts by The Beatles ("She Said She Said," "Everybody's Got Something to Hide Except Me and My Monkey"), Neil Young ("Barstool Blues," "Sedan Delivery"), Bob Dylan ("Seven Days"), The Rolling Stones ("Paint It Black") and more. Most were recorded during the band's initial heyday in the '80s and early '90s, though "Seven Days" and a version of The Doors' "Take It As It Comes" were recorded in 2016 and released two years later on a Record Store Day EP.