The National is the debut studio album by American indie rock band the National, released on October 30, 2001 on Brassland Records. Recorded prior to guitarist Bryce Dessner's full arrival into the band, The National was produced by both Nick Lloyd and the band itself. Now-bass guitarist Scott Devendorf performs both guitar and backing vocals on this album, with guitarist and multi-instrumentalist Aaron Dessner on bass guitar and guitar duties.

STRFKR has always been a constantly evolving entity, growing over the years from rambunctious beginnings into the manicured electro-pop perfection they exhibited on their last studio album, 2016’s pristine Being No One, Going Nowhere. New album Future Past Life breaks new ground, dialing back some of the high-gloss production they’re known for to craft songs that are stripped down, spaced out and somehow as visceral as they are dream-like. STRFKR goes deeper into these songs by breaking them down to their essential elements, finding a new immediacy when working with raw materials.

Mighty Rock is a compilation, curated by legendary broadcaster, host and voice over extroranaire Trevor Smith, who has worked with everyone from Jimmy Barnes and INXS through to Midnight Oil and JET. His voice is synonymous with Australian rock music having being one of the original employees of the Triple M Network. This compilation features a cross section of Australian rock band classics from across the decades. From Cold Chisel and Skyhooks to Silverchair and Gang Of Youths, arguably Australia's hottest band right now.

My Morning Jacket will celebrate the 20th anniversary of their sophomore studio album, At Dawn, by issuing an expanded version of the LP.

Before lockdown halted their tour in early 2020, singer Stuart Staples was already nurturing seeds for a different kind of Tindersticks album. If 2019’s No Treasure but Hope saw these mavens of intimate, expansive mood song rediscovering themselves as a unit, the follow-up reconfigures that unit so that everything familiar about Tindersticks sounds fresh again. Released through City Slang on February 19th, Distractions is an album of subtle realignments and connections from a restless, intuitive band: rich in texture and atmosphere, it lives between its open spaces and filigree details, always finding new ways to connect with a song.

The Last Exit is the fifth studio album from Still Corners, released on Wrecking Light Records. With the shimmering desert noir sound the band has become known for, The Last Exit takes you on a hypnotic journey, one filled with dilapidated towns, mysterious shapes on the horizon, and long trips that blur the line between what’s there and not there. Greg says, “We found something out there in the desert – something in the vast landscapes that went on forever." The Last Exit consists of eleven beautifully crafted songs with organic instrumentation, clean-toned guitar, spacious drums and the smoky croon of Tessa Murray. Album highlights include The Last Exit, White Sands and Shifting Dunes all of which evoke the vast space of the desert and rolling unconcerned skies.

Like their West Coast contemporaries in Death Cab for Cutie, Rilo Kiley steadily gained traction in indie pop circles throughout the late '90s and early 2000s before the record industry (and public at large) officially took note. Led by former child actors Jenny Lewis (vocals, guitar, keyboards) and Blake Sennett (guitar, vocals), the L.A.-based quartet held its first practice in 1998. Bassist Pierre de Reeder and drummer Dave Brock (later replaced by ex-Foundation Lassie member Jason Boesel) completed the lineup, and a weekly residency at the Spaceland nightclub in Silverlake allowed Rilo Kiley to hone its mix of classic pop, country, torch song, and folk. Collection includes: Take Offs and Landings (2001); The Execution of All Things (2002); More Adventurous (2004); Under the Blacklight (2007).