Released 90 years after he was born and 30 years after his death, Inégrale / Le Temps Ne Fait Rien À L'Affaire is a comprehensive 19-disc collection that contains everything any hardened George Brassens fan could possibly want. Featuring a colossal 330 remastered tracks, the unique box set includes 14 original studio albums, a compilation of live performances, and two discs' worth of previously unpublished rarities and demos alongside posthumous material recorded with the help of Jean Bertola.

A spotty but basically worthwhile three-disc set, Collectables' 1966-1967 Unreleased Masters Collection scours the International Artists vault for previously unreleased songs, alternate takes, rehearsals, and demos of songs that appeared on The Psychedelic Sounds of the 13th Floor Elevators and Easter Everywhere, and a couple of live cuts for good measure…

Another Stoney Evening is the sixth album by the duo of David Crosby and Graham Nash, issued in 1998 on Grateful Dead Records, catalog GDCD 4057. It had been recorded at the Dorothy Chandler Pavilion in Los Angeles, California more than 26 years prior to its release.

Norah Jones's debut, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards. The 20th Anniversary Super Deluxe Edition captures the emergence of a singular talent and the full story of the making of this classic album. Featuring the original album remastered, plus 22 previously unreleased tracks, including early demos and an unheard first version of the album. 3 CD CaseBound book w/ 32-page booklet inside.

Scottish singer Maggie Reilly’s rich multi-octave voice recalls the spine-tingling operatics of Kate Bush, and works equally well on traditional folk songs, bluesy originals, and the hybrid Celtic-pop numbers that she is especially fond of. This is her 2000 album, and is heavy on heartfelt ballads tinged with electronica (“Talking to Myself,” “Reunion”).

Australia’s Lisa Mitchell has been something of a national treasure since she first captured hearts on Australian Idol in 2006. Since her breakthrough, her three albums have all hit the top 10 on the Australian album charts and she has scored five ARIA Award nominations.

Curated to create the ultimate chill-out experience, Ultimate… Chillout is a brand new, 72 track collection of chill hits over four albums, featuring some of the world's biggest recording artists. The compilation includes tracks from John Legend, Rag’n’ Bone Man, Meghan Trainor, Groove Armada, Leon Bridges, The Veronicas, and many more.

José Montserrate Feliciano García, better known simply as José Feliciano, is a Puerto Rican singer and songwriter, best known for many international hits, including his rendition of The Doors' "Light My Fire" and the best-selling Christmas single, "Feliz Navidad". His music is known for having a mix of styles, for example including both flamenco music and mellow easy listening influences in many songs. In the US, he received widespread popularity in the 1960s, particularly after his 1968 album, Feliciano!, came out and was a number two hit. He has released many albums over the years in both English and Spanish.

Triple-disc collection from Virgin Records featuring acoustic tracks from Al Stewart, America, Bert Jansch, Bob Dylan, Buffy Saint-Marie, David Gray, Don McLean, Kirsty MacColl, Gary Jules, Rickie Lee Jones, Paul Mc Cartney, Tracy Chapman, Jim Croce and many more. 2004.
Here’s a 65 track, 3 x CD compilation of ‘acoustic’ tracks from the 1950s through to the early 2000s. By far, one of the best compilations out there with well known hits brilliantly placed together with lesser known classics that didn’t always trouble the chart placings. There certainly isn’t a ‘filler’ track on any of the discs and even the more ‘folky’ disc 3 is superbly constructed to keep the listener enthralled throughout.

Amazon Review by For Tomorrow
Another great compilation from Rhino, this two-disc set contains some of the best acoustic music from some of the biggest artists out there, plenty of my favourites are represented with a track, but there were also a handful that were still new to me. That's the joy of compilations for me, you are able to discover a lot of talent through buying them.
It's a nice mix of old and new, with alternative versions used when needed, for example the acoustic versions of Bruno Mars' 'Grenade', James Blunt's '1973', 'Smile' by Lily Allen, the iTunes session of Lykke Li's 'I Follow Rivers', and a great live & acoustic performance from Scotland's finest young crooner Paolo Nutini on 'Last Request'.
This is a very appealing playlist of acoustic music. The only downside was that when I went to burn the CDs onto my laptop, the song titles and artist names couldn't be found, so I had to write them in myself. Well, copy and paste from this Amazon page, but still tedious and time consuming all the same.

"True Meanings" is the 14th studio album by English singer-songwriter Paul Weller, released on 14 September 2018. According to Metacritic, the album has received a score of 79/100 based on 11 reviews from critics, indicating "generally favourable reviews".

Subtitled "A Voluptuous Journey Through '70s French Erotic Cinema", this compilation sounds precisely as you would imagine, and for some that'll be a very good thing, but those of you looking for something beyond the vintage euro-funk fromage-athon might be a tad disappointed. So many European B-movies and exploitation flicks from the 1970s have yielded unfeasibly brilliant soundtracks, and while there's nothing at all wrong with any of the material compiled here, there's seldom anything beyond the usual easy listening sample-baiting silliness to arouse your excitement. Having said that, when this compilation scores, it scores big: Piierre Bachelat's soundtrack for Histoires d'O is a psychedelic synth standout, while his visionary 'Motel Show' from Le Dernier Amant Romantique' is as good an Italo disco find as has surfaced in recent times. A special mention should be granted to one of the pieces lifted from the Emmanuelle 4 OST: the rather distressing 'Bach Anal', which has to be one of the most outstandingly insidious puns in the history of word play. In its own Moog-fuelled, breathy chanteuse-fronted way it does sound a bit like J. S. Bach though, which is to its credit I suppose.

Idaho-bred singer/songwriter Josh Ritter's V2 Records debut follows in the footsteps of 2003's Hello Starling only in instrumentation. While he retains his literate tongue and expressive voice, there is far less humor on Animal Years than on his previous two outings. Producer Brian Deck (Iron & Wine, Modest Mouse) keeps Animal Years intimate but transient, like a circus train crawling through a small town on a busy Saturday afternoon. Essentially built around two startlingly affecting diatribes on the war in Iraq, Ritter utilizes the voices of Peter and Paul, as well as Laurel & Hardy, to eke some kind of explanation from both the Administration and the Creator.

Hello Starling is the third studio album by American singer-songwriter Josh Ritter. As Ritter's previous albums have done, Hello Starling was compared to other Americana greats such as Woody Guthrie, Townes Van Zandt, Bob Dylan, and Leonard Cohen. His voice on the album was described as smooth with sleepy, rough edges. George Graham praised the lyrics and vocal delivery. Hello Starling was reissued on January 17, 2010 as a two-disc Deluxe Edition. The Deluxe Edition includes the complete original studio album and a second bonus disc. The bonus disc contains solo acoustic versions of all the original tracks (re-recorded by Ritter in Nashville of June 2008) as well as four live bonus tracks, an introduction by Dennis Lehane, and a full color lyric and photo booklet with never-before-seen photos.

In an essay penned for NPR in advance of the release of his ninth studio long-player, Josh Ritter said of creating Gathering: "I had that feeling you get when the sky is suddenly dark before a summer storm; the thunder heads looming at the edge of the fields, the birds quiet. The smell of the gathering electricity in the atmosphere, the certainty of lightning." It's an apt summation of this 12-track set, which eases the listener in with a balmy, a cappella country-gospel opener ("Shaker Love Song [Leah]"), before letting the clouds open up with the one-two punch of "Showboat," a soulful and self-effacing countrypolitan rocker that sounds like a funked-up version of Glen Campbell's "Gentle on My Mind," and "Friendamine," an affable, country-blues boogie with an out-of-nowhere backwards organ solo.