Zorn’s compositions for classical soloists with rhythm section are among the most successful and powerful meetings of classical and jazz ever conceived—completely notated virtuosic scores for classical players augmented by improvisers who illuminate the music with surprise, support, and an imaginative unpredictability. Mining this magical world since 2010, the project reached its apotheosis in the acclaimed 2021 release Heaven and Earth Magick. Here that same quartet divides into different groupings to present a varied and dramatic program of new music at its complex, mischievous best. Joined by electronic wizard Ikue Mori on one track, Fantasma—Illusions from a Surrealist Mirror is an endlessly imaginative and compelling new project of dynamic cross-genre music from Downtown magus John Zorn.

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music
he called The Bagatelles. After 5 years of performances around the world in venues large and small, the choicest
ensembles have gone into the studio and the recordings are finally being made available in a series of limited edition
4-CD BOX sets. Each set will present four ensembles performing a unique program of Zorn’s Bagatelles.

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. Volume four features the scintillating soundscapes of electronic music wizard Ikue Mori, and she has arranged these pieces with grace, elegance, and a meticulous sense of detail to create one of the most unique and fascinating renditions of Zorn’s Bagatelles

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. This third volume features three young rebels that rip and shred their way through some of the gnarliest compositions in the Book of Bagatelles. Wildly intense, searingly hot and raucous, this is an essential and totally radical reading of John Zorn’s Bagatelles.

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. The second volume features the telepathic interplay of two of the most important cellists working today—Erik Friedlander and Michael Nicolas. Touching, sensitive and deeply heartfelt, this is a further view into the world of Zorn’s Bagatelles.

May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented. This first volume features the remarkable Mary Halvorson Quartet. Dynamic, fiery and endlessly imaginative, this is a fascinating first peek into the world of Zorn’s Bagatelles.

The world class JACK Quartet, both individually and as an ensemble, have had a personal relationship with Zorn for well over a decade. Here they deliver passionate and virtuosic recordings of his complete string quartets. Zorn’s writing for strings is legendary, and his eight string quartets, written in a thirty-year period from 1988–2017, are some of the most important and original works of the late 20th–early 21st century. Each piece is a unique world of its own, but all carry a dramatic narrative arc, a connection to tradition, and all push the players technically right to the edge of impossibility. Imaginative, challenging, and filled with color and a wealth of emotions, this is new music at its best. Includes a 36-page booklet with extensive notes, scores, and appreciations by the musicians.

The Parachute Years: 1977–1981 is a compilation album 7-CD box set by John Zorn. It features recordings of Zorn's game pieces originally released as self-produced albums on the Parachute label as well as previously unreleased performances. All of the discs in this box set have been subsequently given their own releases on Zorn's Tzadik label. The first two discs feature Zorn's 1977 composition Lacrosse. The first disc was recorded at WKCR in June 1978 and features Mark Abbott, Polly Bradfield, Eugene Chadbourne, and LaDonna Smith and Zorn on 6 different takes of "Lacrosse". Takes 3, 4 and 6 were originally released on the Parachute Records double LP School (1978). The second disc is the original recording of "Lacrosse" which was made by Eugene Chadbourne, Henry Kaiser, Bruce Ackley, and Zorn (dubbed "Twins") in San Francisco, California in June 1977. The third disc features 17 takes (four electric and thirteen acoustic) of the composition Hockey. Five of these takes were first released on vinyl on Parachute Records in 1980, (tracks 4-9), along with Pool which features on disc four. The final three discs feature Zorn's Archery composition in previously unreleased rehearsal takes and versions released on Parachute Records in 1982.

This fifth CD by the Chaos Magick band is one of Zorn's greatest recent achievements. Three extended compositions that run the gamut from Funk, Metal, Contemporary Classical, and more blended into a dramatic narrative that is constantly surprising and yet deeply inevitable. Featuring four of the most accomplished performers in Zorn's inner circle, this is a mind blowing document of Zorn's kaleidoscopic compositional vision. Astonishing and utterly essential!

Calculus is another radical step forward for Zorn'two major 20-minute long-form compositions scored for piano trio. Featuring the incredible young pianist Brian Marsella along with the dynamic rhythm section of Trevor Dunn and Kenny Wollesen, this is a complex and exhilarating display of instrumental virtuosity at its most extreme. Drawing upon all of Zorn's musical obsessions, from thorny atonal- ity to touching minimalism, burning jazz, funk, folk, exotica, ambient, noise and more, this is some of the most ambitious and expansive music ever created for jazz piano trio. Passionately performed by three core members of Zorn's inner circle Calculus is an outrageous and kaleidocopic journey into the unknown!

Written in December of 2020, Multiplicities: A Repository of Non-Existent Objects is a collection of twenty musical aphorisms inspired by the writings and thought of Gilles Deleuze. Volume One, released in 2022, featured the first set of ten compositions performed by the powerful electric ensemble Chaos Magick.

Les Maudits presents three dynamic chamber pieces inspired by heroic "cursed" artists of French culture. Demolishing all boundaries and pushing the artistic envelope beyond all expectations Ubu is a triumphant return to the file-card studio technique that produced such masterpieces as Spillane, Elegy, Kristallnacht and Femina. A bizarre musical portrait of the subversive writer Alfred Jarry, Ubu is one of Zorn's greatest and most outrageous creations.Also included are two pieces performed by the International Contemporary Ensemble–one inspired by radical French poet Charles Baudelaire, and Oviri, a touching elegy to artist Paul Gauguin.

A sublime and transcendent memorial to one of Zorn’s earliest mentors—Ennio Morricone. Featuring the soulful guitar of Bill Frisell set within the magical sonorities of vibraphone, harp and bells the music takes on an epic orchestral sweep with the added presence of special guest keyboard wizard John Medeski on organ and piano. Filled with beautiful harmonies, a driving rhythmic pulse and stunning lyri-cism, this is some of the most lush and spiritual music Zorn has ever written. Truly music of the Angels—intimate chamber music to heal an aching heart performed by one of the world's most ethereal ensembles.

The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.

“In a Convex Mirror” features Zorn’s unique saxophone playing and keyboard stylings in an extended foray into the nexus of voudun and downtown improvisation. An intense student of Haitian drumming and a regular at ceremonies from NYC to Port-au-Prince Haiti, Ches Smith weaves a hypnotic tapestry of polyrhythms that are constantly in flux. The result is an exciting new context for Zorn the performer. With special guest Ikue Mori creating moody electronic soundscapes, the music is as hypnotic as it is exhilarating. Three pieces of sonic voodoo for the 21st century.