Zorn and Laswell have been friends and musical compatriots since they first met in 1978, and have been responsible for some of the most intense and memorable music in the late 20th and early 21st centuries. Recorded in early 2021, near the end of the year’s pandemic lockdown, it marks the first time Zorn had touched the saxophone in over fifteen months. Laswell had spent most of the year locked in his apartment. Something special was happening that day—and after the session Laswell felt rejuvenated—as if all the toxins and poisons had left his body. Soulful and essential, The Cleansing is an historic meeting—and the first recorded duo project by these two Downtown magicians.

The latest recording by Zorn’s newest ensemble Chaos Magick is a suite inspired by the ancient Greek legend of Orpheus and Eurydice. Combining contemporary classical with jazz, funk, rock, blues, film soundtrack, noise improvisation and so much more this is a wild and evocative trip thru Hell and back. Tight conductions, complex melodies, burning solos, telepathic group interaction and all the wit, humor, joy and mystery that one has come to expect from Zorn’s dedicated and passionate crew of virtuosi are in abundant display in this beautiful and unique rendering of the classic Orpheus legend.

Live at Tonic is perhaps the most revealing and astonishing record yet by Masada, because it was recorded before a very discriminating audience of enthusiasts not only in the band's hometown, but also in its home club. Live at Tonic is two complete sets, over two hours in length, in a typically gorgeous double-CD package. What's more, there is only one selection repeated in the two programs. Masada's music has long since transcended the group's ambitious beginnings. John Zorn has moved Masada into a space where the compositions he writes for the group become jump-off points not only into a singular kind of group interplay, but into a new tonal space altogether. Using Hebrew and Yiddish folk influences to craft root melodies, the harmonies created by the interaction of the group's front line of John Zorn on alto and Dave Douglas on trumpet…

The violent cover photo (which shows a man after he was shot dead) sets the stage for the rather passionate music on this John Zorn set. With guitarist Bill Frisell, keyboardist Wayne Horvitz, bassist Fred Frith, drummer Joey Baron, and guest vocalist Yamatsuka Eye making intense contributions, altoist Zorn performs his unpredictable originals, abstract versions of some movie themes (including "A Shot in the Dark," "I Want to Live," "Chinatown," and "The James Bond Theme"), plus Ornette Coleman's "Lonely Woman." The stimulating music rewards repeated listenings by more open-minded listeners.

The Gnostic Preludes is the fourth chapter in the mystically influenced recordings that began with In Search of the Miraculous and continued with Goddess: Music for the Ancient of Days and At the Gates of Paradise. Despite the wide range of Zorn's mystical investigations throughout his career, these four records - thus far - have more in common with one another than the rest of his catalog. While all have featured different groups, the one constant is vibraphonist Kenny Wollesen (who also plays bells). Harpist Carol Emmanuel appeared in the Goddess ensemble. The addition of Bill Frisell to these proceedings feels essential for what Zorn was trying to accomplish with this particularly intimate group of compositions. His instantly recognizable tone; easy, laid-back, readily accessible style, and his ability to become an equal part of an ensemble make him an ideal choice…

From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After 5 years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the recordings are finally being made available in a series of limited edition 4-CD BOX sets. Each set will present four ensembles performing a unique program of Zorn’s Bagatelles.

Singer Petra Haden excels in this beautiful and unique program of songs penned by the songwriting team of John Zorn and Jesse Harris. Friends for many years, they began working together on The Song Project in 2012, and eight years later this LP presents the full fruits of their collaboration: thirteen Zorn compositions with original lyrics by Jesse Harris. The melodies are catchy, the lyrics heartfelt, the grooves deep and the solos profound and exhilarating. Backed by the amazing Julian Lage, Jorge Roeder and Kenny Wollesen and produced by Jesse Harris, this is a LP that you will listen to again and again.

Brian Marsella’s dynamic trio steps out for another exciting outing performing a new collection of Zorn compositions inspired by the mysterious and occult cards of the Tarot. This beautiful and varied followup to the popular and critically acclaimed 2019 CD The Hierophant features the remaining thirteen Tarot cards in tight arrangements, highlighting the incredible versatility and virtuosity of this powerhouse all-star jazz trio. A classic reading of occult jazz from our favorite Downtown alchemist!