It took decades for Andy Bey to become an overnight success, but in the mid-'90s he was finally recognized as a premier talent, and recorded a handful of finely crafted discs. A true jazz singer avoiding monochromatic crooning, his style is deeply blue-hued, silky smooth but never slick. This live club date at Birdland in New York City was recorded in 1997, around the time of his overdue success, but not released until a full decade later. The pacing of the program is a little up-and-down, which is atypical of the normally mellow Bey. He does sing more than his share of balladic material, and when he does, there is no more patient virtue expressed in all of jazz, his slight vibrato ruminating and tripping heartstrings. The title track and "Hey Love," the 4:00 A.M. mood for "On Second Thought," and the solo closer "Someone to Watch Over Me" dip into this dynamic, as drawn-out slow and steady as a daily sunset. To play this way may be the most difficult thing to do in music, but Bey is absolutely masterful. Like his parallel performing shadow Nat King Cole, Bey is also an excellent pianist, and a true player of the instrument.

This obscure LP finds Sonny Stitt sticking to tenor and playing a typical set filled with blues, standards and riff-filled originals. Organist Charles Kynard made his recording debut during this session, guitarist Ray Crawford and drummer Doug Sides are strong assets and the two versions of the emotional title cut are highpoints.

This exceptional release includes the complete recordings of Eddie "Lockjaw" Davis' collaboration with the inimitable organist. The band remains loose and relaxed throughout 24 classic standards, continuously feeding off of one another and always playing with style, grace and impeccable taste.

Houston Person is the real deal. With a lifetime of experience Houston continues to grace concert stages with his expressive style which stubbornly defies categorization. One moment he is letting loose with some hard-driving swing and the next he is caressing your ears with his mellifluous, baritonal utterances on a beautiful ballad. “I just play good music,” explains Houston.

An excellent album, The Serfs were usually billing themselves as Mike Finnigan and The Serfs by the time this was released. Really an R&B/Jazz/Funk album. Two of the tracks on this album were later re-recorded for The Jerry Hahn Brotherhood LP: Early Bird Cafe and Time's Caught Up With You.

Taking in Horace Silver's fertile '50s stretch (volume two covers the '60s), this Blue Note best-of disc is the perfect introductory set for listeners new to the hard bop giant. One of the first of the soul-jazz innovators (listen to that gospel-fired left hand and all that dancefloor-friendly material), Silver also wrote some of the most original cuts of the period and – like Art Blakey – provided a home for many of the best young players of the era. In fact, Silver headed up the first incarnation of the Jazz Messengers with Blakey, some of the fruits of which are heard here ("Preachin'," "Doodlin'," "Room 608"). Moving on to such classic LPs as Six Pieces of Silver ("Cool Eyes," "Senor Blues") and Blowin' the Blues Away ("Peace," "Sister Sadie"), Silver delivers some of the most sophisticated modern swing around with help from the likes of Hank Mobley, Junior Cook, Donald Byrd, Blue Mitchell, Doug Watkins, and Louis Hayes. A jazz primer with plenty of memorable tunes to boot.

John Wright, who is now quite obscure, recorded five albums during 1960-62 that emphasized the souful side of hard bop. In a trio with bassist Wendell Roberts and drummer Walter McCants on his debut session (which has been reissued on CD), Wright performs seven of his originals, all of which have something to do with Chicago. On titles such as "South Side Soul," "Salle St. After Hours" and "Amen Corner," Wright plays soulfully while swinging.

Strut present the definitive edition of Sun Ra’s classic ‘Lanquidity’ album from 1978 with brand new 4LP box set and 2CD editions, featuring the widely distributed version of the album alongside alternative mixes by Bob Blank originally released in limited quantities for a 1978 Arkestra gig at Georgia Tech. Both versions of the album are cut loud at 45 rpm over 2LPs each.

Among the main protagonists credited with linking the big band era with the soul jazz scene that emerged during the late 1950s, Eddie Lockjaw Davis remains a notable influence on jazz saxophonists to this day. While perhaps not always displaying the finesse of his contemporaries, Davis produced a tone that was wholly unique and capable of emitting an aggressive, bluesy sound alongside lines of great tenderness and sensitivity. The flexibility of his playing lent itself to rhythm and blues, swing, hard bop and Latin jazz over the years, and while his early career featured Davis supporting some of the finest artists of the period, his greatest records came when he took up the role of bandleader, notably during his tenancy with the Prestige label. This collection features the eight albums by Eddie Lockjaw Davis as leader released on the Prestige label between 1958 and 1961.