Out of print in the U.S.! Digitally remastered two CD compilation from the '70s Soft Rock hitmakers with different artwork than the long-deleted U.S. version. From the late '60s to the early '80s, nobody created music as lush and beautiful as the Carpenters. They were in a class by themselves with Karen's haunting and lovely voice and Richard's expert arrangements. Unlike most of their compilations, Yesterday Once More creates different moods by featuring the tracks in non-chronological order. Disc One mixes Soft Pop and Soft Rock ('Superstar', 'I Won't Last a Day Without You' and their excellent cover of Klaatu's 'Calling Occupants of Interplanetary Craft') while Disc Two features a more mellow, ballad heavy mixture of audio wonder ('We've Only Just Begun', 'This Masquerade' and the all-time classic '(They Long to Be) Close to You'). a truly fantastic collection by the duo and a perfect selection for those wanting to relive the magic of the Carpenters. 27 tracks. Universal.

Seals & Crofts It's possible to hear the progression of soft rock through the music of Seals & Crofts, the duo who recorded some of the genre's perennials. Over the course of the 1970s, Seals & Crofts evolved from a gentle folk-rock duo to purveyors of slick, polished pop, two sounds that became inextricably associated with the Me Decade. Practitioners of the Baha'i Faith – at the height of their fame in the mid-'70s, they'd extol its virtues to fans – the duo were drawn to the quieter aspects of rock music, developing a signature sound distinguished by their easy melodicism and mellow vibe. Their craft was evident on their biggest hits. "Summer Breeze," "Diamond Girl," "We May Never Pass This Way (Again)," and "Get Closer" remained radio staples years after their initial run on the charts, surviving long after the pair called it a day at the dawn of the '80s.

The Best Of The Carpenters (1980 UK mail-order only 54-track Four LP box set, with each part housed in its own picture sleeve, all housed in a superb gold embossed 12" box with guarantee slip.

A singing trio of brothers — Barry Gibb, Robin Gibb, and Maurice Gibb. They were born on the Isle of Man to English parents, lived in Chorlton-cum-Hardy, Manchester, England, UK and during their childhood years moved to Brisbane, Australia, where they began their musical careers. Their worldwide success came when they returned to the UK and signed with producer Robert Stigwood.

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990, a period where they survived the departure of key band members while also subtly adapting to changing times. That's not an easy task for any rock band and it's especially difficult for a group like Chicago, a band that placed equal (if not greater) emphasis on horns as guitar. Picking up where Blood, Sweat & Tears left off, Chicago initially specialized in jazz-inflected prog-rock, using the sides of a vinyl record as canvasses for sprawling, adventurous rock. Chicago quickly learned how to channel this expansive sound into concise pop songs, scoring hits in the early 1970s with such punchy tunes as "25 or 6 to 4" and "Beginnings," while also showing facility with sweeter melodies on "Does Anybody Really Know What Time It Is?" and "Saturday in the Park." As the decade progressed, the band began to emphasize their softer side with bassist Peter Cetera singing such mellow standards as "If You Leave Me Now," "Baby, What a Big Surprise" and "Hard to Say I'm Sorry." The band stayed in this lane after Cetera's departure in the mid-1980s, not missing a beat with new lead vocalist BIll Champlin; he sang the number one hit "Look Away," as well as "I Don't Wanna Live Without Your Love" and "Look Away." Hits dried up in the 1990s but Chicago remained a pop/rock institution, with original members keyboardist Robert Lamm, trumpeter Lee Loughnane and trombonist James Pankow leading a rotating cast of supporting members through regular tours and albums.

Chicago was one of the most successful bands of the rock era, racking up 21 Billboard Top Ten hits between 1970 and 1990, a period where they survived the departure of key band members while also subtly adapting to changing times. That's not an easy task for any rock band and it's especially difficult for a group like Chicago, a band that placed equal (if not greater) emphasis on horns as guitar. Picking up where Blood, Sweat & Tears left off, Chicago initially specialized in jazz-inflected prog-rock, using the sides of a vinyl record as canvasses for sprawling, adventurous rock. Chicago quickly learned how to channel this expansive sound into concise pop songs, scoring hits in the early 1970s with such punchy tunes as "25 or 6 to 4" and "Beginnings," while also showing facility with sweeter melodies on "Does Anybody Really Know What Time It Is?" and "Saturday in the Park." As the decade progressed, the band began to emphasize their softer side with bassist Peter Cetera singing such mellow standards as "If You Leave Me Now," "Baby, What a Big Surprise" and "Hard to Say I'm Sorry." The band stayed in this lane after Cetera's departure in the mid-1980s, not missing a beat with new lead vocalist BIll Champlin; he sang the number one hit "Look Away," as well as "I Don't Wanna Live Without Your Love" and "Look Away." Hits dried up in the 1990s but Chicago remained a pop/rock institution, with original members keyboardist Robert Lamm, trumpeter Lee Loughnane and trombonist James Pankow leading a rotating cast of supporting members through regular tours and albums.

Fleetwood Mac While most bands undergo a number of changes over the course of their careers, few of them experienced a more radical stylistic evolution than Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into an incredibly popular and influential pop/rock act over the course of a decade. Originally, guitarists Peter Green and Jeremy Spencer provided the group with their gutsy psychedelic blues-rock sound, then the band moved toward pop/rock with the addition of keyboardist/songwriter Christine McVie. By the mid-'70s, Fleetwood Mac relocated to California, where they added the duo of Lindsey Buckingham and Stevie Nicks to their lineup; the latter pair's writing and vocals helped the band become one of the most popular groups of the late '70s.

This is the way a Joan Armatrading best-of collection should be assembled in the first place. The numerous single-disc compilations never came close to being representative of her achievement as a recording artist. Culling 43 tracks over eight years and 11 albums is even better in many ways than issuing an Armatrading box set. All of the expected material from the early years is included on disc one, such as "Cool Blue Stole My Heart," "Travel So Far," "Dry Land," "Down to Zero," "Love and Affection," "Help Yourself," "Woncha Come on Home," "Show Some Emotion," "Willow," "Barefoot and Pregnant," "Bottom to the Top," "You Rope You Tie Me," "Your Letter," and many more, including "The Flight of the Wild Geese" from the soundtrack to the film. It covers Armatrading's prolific period from 1975-1979, where a lot of old hippies, now upwardly mobile professionals seeking mellow escapes from their relentless and often ruthless pursuit of "the good life," got off the bus and remained stuck, listening only to her early records along with those of the Jacksons, Eagles, and James Taylor.

James Joseph Croce (January 10, 1943 – September 20, 1973) was an American folk and rock singer-songwriter. Between 1966 and 1973, Croce released five studio albums and numerous singles. He was killed, along with five others, in a plane crash on September 20, 1973, at the height of his popularity.

Jim Croce In the music industry, arguably the worst tragedy that can befall an artist is to die in his or her prime, when just beginning to break through to the mainstream and reach people on a national or international level. One such artist was Jim Croce, a songwriter with a knack for both upbeat, catchy singles and empathetic, melancholy ballads. Though Croce only recorded a few studio albums before an untimely plane crash, he continues to be remembered posthumously. Croce appealed to fans as a common man, and it was not a gimmick – he was a father and husband who went through a series of blue-collar jobs. And whether he used dry wit, gentle emotions, or sorrow, Croce sang with a rare form of honesty and power.

James Joseph Croce, born January 10, 1943, was an American folk-rock singer-songwriter. Between 1966 and 1973, he released five studio albums and numerous singles. During this period, Croce took a series of odd jobs to pay bills while he continued to write, record and perform concerts.

Australian singer/songwriter Richard Clapton played with several bands during the late '60s and '70s as he traveled across Europe before returning to Australia in 1972 to begin his solo career.
His debut single, "Last Train to Marseilles," released in October 1972, was not commercially successful and he joined the jazz-rock band Sun for a six-week stint. His debut album, Prussian Blue, was released in November 1973, but his first chart success was with the single "Girls on the Avenue," which reached number two nationally in March 1975. He released the Girls on the Avenue album followed by the album Main Street Jive in July 1976. A European tour followed at the end of the year. Clapton's contribution to the 1977 Highway One soundtrack album, "Capricorn Dancer," peaked at number 20.

Featuring the band’s latter day line-up, Chicago XXVI: Live in Concert is composed mostly of their wealth of hits, with three studio recordings ending the album, one of which, Jackie Wilson’s (Your Love Keeps Lifting Me) Higher and Higher, featuring non-band member Michael McDonald on lead vocals.

Originally formed in Yorkshire, England in 1966, Smokie hit the British pop charts several times during the late '70s with updated psychedelic pop, influenced by the band's stay on Mickie Most's Rak Records as well as the writers of most of the band's hit material, Rak's Nicky Chinn and Mike Chapman. Vocalist

Billy Joel is a New York icon who became one of the most successful singer/songwriters of the late 20th century. He first rose to success in the mid-'70s with a melodic piano-led pop sound that merged Beatlesque hooks with elements of rock, jazz, Tin Pan Alley, and even Broadway. A Long Island native with a powerful voice and knack for storytelling, Joel first made the pop charts with "Piano Man," a rousing barroom singalong with a bittersweet old-timey feel that became his signature song. Released in 1977, his fifth album, The Stranger, launched him into superstardom, yielding four Top 40 hits including "Only the Good Die Young" and the Grammy Award-winning soft rock ballad "Just the Way You Are."