Osibisa made its greatest inroads into British and American popularity in the early '70s. By the time of 1974's Osibirock, the band was in transition, moving from one record label to another (this disc was released in the U.S. on Warner Bros. following a long stint on Decca) as musical tastes changed. At first, Osibisa's rock/highlife hybrid was a welcome change of pace from prevailing trends, and Americans whose ears had been opened to world rhythms by Santana's blend of rock with Afro-Cuban jazz heard a similar exotic, danceable music coming from the Ghanian-by-way-of-London band.

This 16-track compilation covers Senegalese singer/songwriter and multi-instrumentalist Youssou N'Dour's Columbia Records period, from 1991 to 1996. Perhaps the most popular pop culture figure in Senegal's history, N'Dour created a music of his own from various sources, which he called "mbalax" and which incorporates everything from jazz, soul, hard R&B styles, hip-hop, and even Cuban samba, and juxtaposes them with the folk melodies and polyrhythms of his native land. The cuts here, particularly "Old Man," "New Africa," "Yo le Le, (Fulani Rhythm)," and the covers of Smokey Robinson's "Don't Look Back," and Lennon and McCartney's "Ob-La-Di-Ob-La-Da," reveal N'Dour's idiosyncratic, yet very accessible grasp and integration of Western and African pop styles.

Angelique Kidjo has alienated some musicians and fans who want her to do traditional African music rather than mix and match her slashing delivery with rock, R&B and pop elements and arrangements. But Kidjo doesn't want to do a strictly African date. She recorded five numbers at Paisley Park studios, and they reflect the punchy guitar and synth-dominated Minneapolis sound. The other five tunes were recorded in London, with both a dance-soul flavor and nice horn backing and arrangements. Kidjo hasn't done a sellout album, despite singing in English on some cuts (another move designed to anger some of the hardcore). Rather, she's trying to link all her interests and do a respectable pop effort with some African elements.