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Praise - Love Without Reason [CD-Single] (1991)

Posted By: BlondStyle
Praise - Love Without Reason [CD-Single] (1991)

Praise - Love Without Reason [CD-Single] (1991)
Electronic, Leftfield, Downtempo | EAC Rip | FLAC, Tracks+CUE+LOG+Scans (PNG) | 18:48 | 166,61 Mb
Label: MPM Recordings/Epic (Europe) | Cat.# 656821 2 | Released: 1991

"Love Without Reason" is a non-album single by Praise which was released in 1991 on Epic. Praise was the London-based trio of accomplished musicians composers/instrumentalists Simon Goldberg and Geoff McCormack and vocalist Miriam Stockley. Their only album of the same name released in 1992 is an intriguing amalgam of dance music, new age and global beat. Though largely electronic, Praise's strange, sweeping music is warm and somehow organic.

Ofra Haza - Albums & Singles Collection 1987-2008 (8CD) [Re-Up]

Posted By: Designol
Ofra Haza - Albums & Singles Collection 1987-2008 (8CD) [Re-Up]

Ofra Haza - Albums & Singles Collection 1987-2008 (8CD)
EAC | FLAC | Image (Cue&Log) ~ 2.46 Gb | Mp3 (CBR320) ~ 1 Gb | Complete Scans
Genre: Worldbeat, Ethnic Pop, Middle Eastern Traditions | Time: 05:42:29

Collection includes: Im Nin 'alu (Played In Full Mix) (1987) Maxi-Single; Shaday (1988); 5 Tracks (1989) Japan Only EP; Desert Wind (1989); Kirya (1992); Ofra Haza (1997); Forever Ofra Haza: Her Greatest Songs Remixed (2008).

VA - Buddha-Bar XV By Ravin (2013) 2CDs

Posted By: Designol
VA - Buddha-Bar XV By Ravin (2013) 2CDs

VA - Buddha-Bar XV By Ravin (2013) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 960 Mb | Mp3 (CBR320) ~ 338 Mb | Scans ~ 101 mb
Lounge, Chillout, Ethnic | Label: George V Records | # 3271612 | Time: 02:27:01

After India’s heat and its vibrant colors, Buddha-Bar takes us to the wild East to discover Russia. Emblematic and mysterious country, Russia offers a wide array of climates, cultures and arts. That last aspect has seduced DJ Ravin and led him to have Buddha-Bar XV focused on this enchanting atmosphere. Take a journey to these unexplored territories; walk through Russia from east to west and from North to South to the sweet sounds of Russian traditional instruments and vocals. The first CD, acoustic and enchanting, will take you through the steppe, listening Bliss, Yasmine Hamdan, Thor… The second CD, more infused with electronic music, will immerse you in Russia’s warm nights with artists such as Dim Vach or Sean Bay.

Cheikh Lô - Bambay Gueej (1999)

Posted By: aasana
Cheikh Lô - Bambay Gueej (1999)

Cheikh Lô - Bambay Gueej (1999)
EAC Rip | FLAC (tracks+.cue) | 00:48:12 | 313,43 MB
Afro-Cuban Jazz, Afrobeat, World | Label: World Circuit

Lo explores a more organic sound on this effort while retaining the exciting rhythms so essential to his music, which are rooted in the rich pop of Senegal. With countryman Youssou N'Dour at the producing helm, Lo's piercing tenor voice and passionate delivery add keen excitement to the music. There are also plenty of punchy horn charts (with Pee Wee Ellis guesting). It's a delightful dance album made with great honesty.

Youssou N'Dour - 7 Seconds: The Best Of Youssou N'Dour (2004) [Re-Up]

Posted By: Designol
Youssou N'Dour - 7 Seconds: The Best Of Youssou N'Dour (2004) [Re-Up]

Youssou N'Dour - 7 Seconds: The Best Of Youssou N'Dour (2004)
EAC | FLAC | Tracks (Cue&Log) ~ 523 Mb | Mp3 (CBR320) ~ 194 Mb | Scans included
Afro-Pop, Worldbeat, West African | Label: Sony Greece/Ελευθεροτυπία | 01:15:41

This 16-track compilation covers Senegalese singer/songwriter and multi-instrumentalist Youssou N'Dour's Columbia Records period, from 1991 to 1996. Perhaps the most popular pop culture figure in Senegal's history, N'Dour created a music of his own from various sources, which he called "mbalax" and which incorporates everything from jazz, soul, hard R&B styles, hip-hop, and even Cuban samba, and juxtaposes them with the folk melodies and polyrhythms of his native land. The cuts here, particularly "Old Man," "New Africa," "Yo le Le, (Fulani Rhythm)," and the covers of Smokey Robinson's "Don't Look Back," and Lennon and McCartney's "Ob-La-Di-Ob-La-Da," reveal N'Dour's idiosyncratic, yet very accessible grasp and integration of Western and African pop styles.