It should surprise no one who has ever followed the music of Nigerian drummer Tony Allen and/or South African trumpeter Hugh Masekela that this session exists. Though the great trumpeter passed away in 2018, his seven-decade-long career was filled with musical adventure across genres. For Allen, a co-creator of Afrobeat and a true progenitor of 21st century Afro-funk, innovation, experimentation, change, and disruption have been part of the game since he began playing. They were introduced to one another by Fela Kuti in the '70s and remained friends. The pair had talked for decades about making an album, and in 2010 they found time in between touring schedules to begin this project. Producer Nick Gold, acclaimed for numerous world music productions including The Buena Vista Social Club, recorded the meeting.

The diminutive but mighty acoustic bassist Malachi Favors was a charter member of the Art Ensemble of Chicago and Kahil El'Zabar's Ritual Trio, and since his passing both groups have suffered. This recording for El'Zabar and his revamped trio including longtime member saxophonist Ari Brown and guest violinist Billy Bang is the first offering with bassist Yosef Ben Israel filling the chair of the late Favors…

An album that fuses the influence of African music, jazz-rock, and free improvisation, Chris McGregor's Brotherhood of Breath shares affinities with the '70s music of Don Cherry and Miles Davis. Somewhat of a legendary album amongst collectors of British jazz and fusion, the LP was originally released in the '70s and in early 2002 finally became reissued by the Italian label Akarma. Enlisted on the session were the talents of a group of extraordinary musicians from the free jazz, progressive rock, and improvisation scenes. Chris McGregor led the group on piano and African xylophone with Malcolm Griffiths and Nick Evans on trombones, Mongezi Feza on pocket trumpet and Indian flute, Mark Charig on cornet, Harry Beckett on trumpet, and Dudu Pukwana on alto saxophone. Ronnie Beer's tenor saxophone is outstanding, and pitched up against Alan Skidmore's tenor and soprano saxophone, completing a massive horn section, are two bigger names: '70s U.K. jazzman Mike Osborne on alto saxophone and clarinet and John Surman on baritone and soprano saxophone.

For this excellent date, pianist Abdullah Ibrahim performs eight of his compositions with a particularly strong group of players: trombonist Robin Eubanks, John Stubblefield on tenor and flute, Horace Alexander Young switching between soprano, alto and piccolo, Howard Johnson on tuba, baritone and trumpet, bassist Buster Williams and drummer Brian Abrahams. But more important than the individual players are the colorful ensembles and the frequently memorable compositions. Highlights include "African River," "Sweet Samba," "Duke 88" and a beautiful version of "The Wedding".