This is a totally traditional surf instrumental cd. If you like trad-surf, this is a must for your collection. There's not a dud tune on the whole disc. Nineteen songs, all original, all cool, all instrumental…what more could you want? ~ R.Davey

Cloud Grazer is the unique collaboration between San Diego based guitarist and marine biologist, vanNorte, and Ukrainian DJ, producer, and aspiring diplomat, Skylined. They blend a youthful energy with an obstinate buoyancy, capturing the colors of the sea & surf with a sense of hope.

"Siniestro" is the ninth album by the Pilgrims and marks the 25th year of the five original members staking out their own special corner of the surf instrumental genre. Bobby, John, Ted, Scott and Dave are extremely excited by the 15 original and new songs that they have written, arranged and recorded themselves for “Siniestro”. That’s right, no producer or engineer on this one, they have made “Siniestro” just the way they want it. Recorded by the band in the abandoned Mt. Hood Masonic Lodge in Portland, this recording captures the live feel of a large reverberating room with the band getting back to their surf roots while clicking on all cylinders…

The Beach Boys had two minor single hits – "California Dreamin'" and "Rock 'N' Roll To The Rescue" – back on Capitol Records in 1986, and to mark their 25th anniversary, the label assembled this two-record set, adding the new songs to yet another selection of old songs…

This unique 2CD compilation pulls together a slew of previously unreleased material from America's favorite band, The Beach Boys. The collection includes the new stereo remix of Wild Honey, as well as unreleased outtakes from the session recordings. Also included are unreleased session tracks from the Smiley Smile sessions and live tracks from Hawaii, Washington, DC and Boston.

Having backed up Nick Lowe on his "Quality Holiday Revue" tour, masked instrumental rockers Los Straitjackets understand the virtues of The Greatest Living Englishman's songbook better than the average person. And while most people discussing Lowe's work focus on the wit and wisdom of his lyrics, the man can write a superior melody, and Los Straitjackets offer eloquent proof on their 2017 album, What's So Funny About Peace, Love and Los Straitjackets. This set offers a baker's dozen tunes from Lowe's catalog, ranging from early rockers like "Shake & Pop" and "Heart of the City" to smoother, more contemplative recent numbers like "I Read a Lot" and "Checkout Time," all interpreted in Los Straitjackets' trademark twangy style, borrowing from decades of instrumental rock styles and with no vocals to get in the way…

The Shadows have gotten a magnificent sendoff with this concert DVD from their final tour, undertaken in 2004 and featuring Hank Marvin, Bruce Welch, and Brian Bennett, supported by Mark Griffiths on bass and Cliff Hall on keyboards…

The Rumble Man was recorded Link Wray's UK tour of March ’96, the CD features Link rockin' his leathers off live. What you now hold in your hand is a piece of Rock 'n' Roll history. In his own words and music you are about to witness the greatest guitar player this planet has ever seen. So sit back, hit that volume control to distortion and listen to The Rumble Man.

Borne from three consecutive holiday seasons spent touring with Nick Lowe and his Quality Holiday Revue, Los Straitjackets went into the studio determined to cull and cut a set of Nick s standards in the way only Los Straitjackets could. What they emerged with is an astounding collection that finds Los Straitjackets inimitable vibe enmeshed with Nick Lowe s canonical songs.

Reverberated, instrumental surf rock with a focus on melody, ripping guitars and powerhouse drums.
"This is quite definitely our album of the year - my God is it good! In a break from the sublime Pollo Del Mar, Ferenc Dobronyi put together Frankie & The Poolboys to rearrange some of Pollo's instrumentals into a surf style. They added new tunes and two covers…

If She-Devils is an art project, then Audrey Ann Boucher and Kyle Jukka's hauntingly brilliant self-titled debut is a bright, impressionist painting. Swapping oils and brushes for primitive gear and heart-swelling vocals, the album constructs a bleary-eyed world of beautiful chaos, one driven by Dee-Lite-meets-Suicide sonics, and the romantic longing of '60s girl groups.

Via Ghostramp, Williams isn't just putting out Wavves' new record, he's signing other local garage bands, funding his tours, schooling DIY artists in how to create and distribute merchandise in a way that supports your career and provides future security where nobody else can. As for Warners, that cash advance helped pay for this store. The rest came from the money Wavves made off merch during 2016's Summer Is Forever II Tour with Best Coast and Cherry Glazerr. “I thought Ghostramp would be a hobby, doing 7-inches here and there. But now it's a legitimate business,” says Williams. “The thing is I'm not just interested in making music for Wavves. I'm too ADD. Being an entrepreneur, being hands-on isn’t just smart, it’s necessary. Your art is everything you do, every choice you make. I was able to build my own thing, own it and control it all 100%. If I want to do something now I don’t ask anyone. I just f_cking do it – that's priceless.” Nathan Williams never went away, but now he's made sure he's here to stay far longer. And for that, girls and boys, you're welcome.

In 2014, Jackson Philips skipped the city of Angels and trekked north to the Bay Area after leaving Berklee School of Music. This is where he would create the Day Wave project. He has since received praise from The Los Angeles Times, Noisey, Consequence of Sound, Stereogum, The FADER, and many more in addition to early support from KCRW, Beats 1, Sirius Alt Nation, and XMU. His breakthrough single 'Gone' racked up over 6 million Spotify streams with 'Drag' following closely at over 5 million. With self-released singles and EPs under his belt, The Days We Had is his highly anticipated full length major label debut.

The Buttertones’ Gravedigging is more a movie waiting to happen than an album—or a soundtrack just waiting to inspire a movie, with scene after scene of action, tension and release set to a sound that takes everything good and true about American music before the Beatles prettied it up (surf, sweet soul, the boss saxophone-overdrive garage of the Northwest wailers like the Sonics) and matches it to punk energy, post-punk precision and the kind of personality that blows the circuit-breakers at a backyard party.

The Buttertones’ Gravedigging is more a movie waiting to happen than an album or a soundtrack just waiting to inspire a movie, with scene after scene of action, tension and release set to a sound that takes everything good and true about American music before the Beatles prettied it up (surf, sweet soul, the boss saxophone-overdrive garage of the Northwest wailers like the Sonics) and matches it to punk energy, post-punk precision and the kind of personality that blows the circuit-breakers at a backyard party. The Buttertones started their own journey in 2011 as three music school misfits (or drinking buddies, they say) in the heart of Hollywood, happy to learn how to to play, produce and perform but less excited about frequent go-nowhere conversations with classmates who had little interest in either the past or the future of music.