Eddi Reader has proven her worth as a sublime singer of pop and folk material (and beyond), but this returns her full-bore to her Scottish roots. Born from the concerts she did at the 2002 Celtic Connections festival, it's a decidedly lush performance that hauls in several well-known Celtic names like Phil Cunningham, John McCusker, and Ian Carr to help her along. But it's Reader's rendition of Robert Burns' classics that's the key here. She picked familiar material, songs that have become part of the folk continuum that can be both a blessing and a curse. But she reinvents something like "My Love Is Like a Red Red Rose," investing it with rich emotion. She positively flies on the more romantic songs, such as "Ae Fond Kiss," but she brings a surprising depth to "Charlie Is My Darling" and the chestnut "Auld Lang Syne," and "Ye Jacobites" sizzles with tension. The arrangements go for the cinematic rather than the intimate, putting them on the dangerous edge of new age. But such is the quality of everyone involved that there's no danger of teetering over and it becomes a tour de force. It is one of the highlights of Reader's splendid career, and even "Wild Mountainside," decidedly not a Burns song, fits in perfectly.

After FAUN's last five albums won gold and platinum awards as well as placings in the Top 5 of the German album charts, with „PAGAN“, the exceptional formation returns to its musical roots…

It had been a decade since the world last heard from the Corrs. In the ten years after the turn of the millennium, the sonic landscape – which had been favorable to the sibling quartet's soothing grown-up music – changed. Adult contemporary wasn't as clearly defined, considering Adele, Eminem, and Muse could all be heard on the same radio stations. And so with their sixth album, White Light, the Corrs stuck with the same reliable formula that served them so well in Europe for much of the early aughts. Straightforward, yearning, and honey-hooked, their comeback is a pleasing collection of pop/rock with their signature Irish folk elements woven throughout.

Cal is a soundtrack album by British singer-songwriter and guitarist Mark Knopfler, released on 24 August 1984 by Vertigo Records. The album contains music composed for the 1984 film Cal, produced by David Puttnam and directed by Pat O'Connor. Puttnam also produced the film Local Hero (1983). In his review for AllMusic, Steven McDonald gave the album four our of five stars and called it a "quiet, reflective set of cues that eschew false dramatics in favor of supporting the story." In her review in The New York Times, Janet Maslin called the album "an exceptionally lovely and haunting score."

With producer Steve Lillywhite at the helm, Scotland's Big Country managed to deliver earnest, socially conscious arena anthems in a similar vein to U2 and the Alarm. The twist was their trademark bagpipe sound, achieved through the use of E-Bow. The unique sound of "In a Big Country" garnered the band considerable attention and a Top 20 single in the U.S. The Crossing, however, is an album whose richness goes beyond the single. The more subdued "Chance" is sparser and its personal lyrics are every bit as heartfelt as the more populist-inclined anthems like the wonderful "The Storm" or the thundering "Fields of Fire." The lyrics are straightforward and, despite the grand themes of many of the tracks, manage to steer clear of being overly pretentious. While this album earned the band a gold record, Big Country's sound and image (reinforced by the members' tartan checked shirts) resulted in them being tagged a novelty, and they never duplicated their initial success in America.