"Nothing Is Sacred" is the second studio album by STREAM. Awesome musicians such as David Glenn Eisley, Eric Singer and Bob Daisley really make this album an exciting listen. The songs are heavy and catchy. This is sort of like KISS's "Carnical of Souls" album.

During their world tour of 2015/2016, the line-up set up their Temple of Rock in the Joy Eslava theatre in central Madrid. Michael Schenker and his crew chose this unique location with care for the recording of this concert. The musicians clapped along with the fans as they sung along to hits old and new with great enthusiasm…

While on their first two albums the Raspberries sounded like a great pop band that wasn't afraid to rock out, with 1973's Side 3 they began to flip the script and came on like a powerhouse rock band that also had a way with a hooky melody, and the group had the talent and confidence to play it both ways…

Prior to the recording of this album, at a private performance in May 2005, Seventh Key, the five-year magical musical partnership between Kansas bassist Billy Greer and his old Streets bandmate, Mike Slamer, had never played a live gig. And that is a damn shame, because Live in Atlanta proves loud and clear that Seventh Key sounds heavier, tighter and more dramatic on the stage than in the studio, especially on songs like 'An Ocean Away', 'Winds Of War' and 'The Sun Will Rise'…

Hildegard von Bingen & Hugh Collins Rice - Sequences - Ensemble Mediva (2016) {Odradek Records Official Digital Downloads}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (qobuz.com) -> 290 Mb | MP3 @320 -> 152 Mb
Artwork (pdf+jpg) | 5% repair rar
© 2016 Odradek Records | ODRCD 322
Classical / Medieval / Early Music / 12th Century Music / Vocal

Hildegard von Bingen has the magical ability to reach out and speak to us across the centuries. An avant-garde visionary of her day, the depth and range of her music lends itself to modern re-imaginings. Sequentiae Hildegardenses was written over a period of 12 years in a special collaboration between the composer Hugh Collins Rice and the medieval ensemble Mediva. Collins Rice, who has often been drawn to the ideas and techniques of early music, was inspired by Mediva s medieval instruments and developed a musical language for Sequentiae Hildegardenses which remains authentic and expressive in a 21st-century context, whilst also illuminating the 12th-century music of Hildegard. His music references the serene world of Hildegard's own compositions, but also reflects the darker strands in her writings.