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    Li-Wei Qin, Michael Halász, Czech Chamber Philharmonic Orchestra Pardubice - Russian Cello Concertos (2019)

    Posted By: ArlegZ
    Li-Wei Qin, Michael Halász, Czech Chamber Philharmonic Orchestra Pardubice - Russian Cello Concertos (2019)

    Li-Wei Qin, Michael Halász, Czech Chamber Philharmonic Orchestra Pardubice - Russian Cello Concertos: Tchaikovsky, Rimsky-Korsakov, Glazunov (2019)
    EAC | FLAC | Image (Cue & Log) ~ 299 Mb | Total time: 70:04 | Scans included
    Classical | Label: Naxos | 8.573860 | Recorded: 2017

    Russian composers have made a significant contribution to the repertoire of music for cello and orchestra. Tchaikovsky’s Variations on a Rococo Theme, deftly scored for an 18th-century orchestra, reveals his admiration for Mozart whereas the Pezzo capriccioso is full of ripe charm. in the year of Tchaikovsky’s death, Rimsky-Korsakov composed the attractive Serenade, Op. 37 and his student, Glazunov, both absorbed and continued the great Romantic lineage with his own sonorous and beautiful Concerto ballata, the poignant Chant du ménestrel, and the iberian evocations of the Sérénade espagnole from Deux Morceaux.

    Richard Bonynge, Joan Sutherland, Horst Stein, Josef Sivo - Glière: Coloraturo Concerto; Glazunov: Violin Concerto (1990)

    Posted By: ArlegZ
    Richard Bonynge, Joan Sutherland, Horst Stein, Josef Sivo - Glière: Coloraturo Concerto; Glazunov: Violin Concerto (1990)

    Richard Bonynge, Joan Sutherland, Osian Ellis, Horst Stein, Josef Sivo - Glière: Coloraturo Concerto, Harp Concerto; Glazunov: Violin Concerto (1990)
    EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 62:51 | Scans included
    Classical | Label: Decca | # 430 006-2 | Recorded: 1968, 1971

    Of the rarities presented in this unusual Russian music collection, the most tantalizing is Gliére’s Concerto for Coloratura Soprano and Orchestra. Judging by the slight surface noise, it sounds as if this transfer could have been made from an LP. No matter, the sound is fine, and Joan Sutherland sings radiantly, pouring out beguiling tone throughout her range, while her trademark trills are put to good use by Gliére’s vocal writing, which isn’t particularly original, especially considering it was composed in 1943. The same can be said for Gliére’s 1938 Harp Concerto: beguiling solo writing set against standard-fare 19th-century orchestral accompaniment.

    Nicola Benedetti, Bournemouth SO, Kirill Karabits - Dmitri Shostakovich, Alexander Glazunov: Violin Concertos (2016)

    Posted By: Designol
    Nicola Benedetti, Bournemouth SO, Kirill Karabits - Dmitri Shostakovich, Alexander Glazunov: Violin Concertos (2016)

    Dmitri Shostakovich, Alexander Glazunov: Violin Concertos (2016)
    Nicola Benedetti, violin; Bournemouth Symphony Orchestra; Kirill Karabits, conductor

    EAC | FLAC | Image (Cue&Log) ~ 281 Mb | Mp3 (CBR320) ~ 144 Mb | Artwork included
    Genre: Classical | Label: Decca | # 478 8758 | Time: 00:59:03

    This has the look of a career-making recording from Scots violinist Nicola Benedetti, putting her up against difficult repertory that diverges from the crowd-pleasing fare that formed the basis of her career up to this album. It would have been hard to predict just how well she pulls off her task here; few could have heard the profound interpreter of Russian music in the Italia and Silver Violin collections from earlier in the 2010s. The Shostakovich Violin Concerto No. 1, Op. 99, is an emotionally thorny work in five movements anchored by a tense passacaglia in the middle. The composer withheld it from publication during the period of renewed Stalinist repression in the late 1940s. It was premiered in 1955 by David Oistrakh, and in endurance and elevated tone even if not quite in lyrical grandeur, Benedetti brings that master to mind. Sample the Stravinskian "Burlesque" finale for a sense of how Benedetti gets outside herself here. The Glazunov Violin Concerto, Op. 82, is a more stable work, rooted in pre-WWI conservatory traditions, and Benedetti's reading is nothing short of letter-perfect.

    Alec Frank-Gemmill & Alasdair Beatson - A Noble and Melancholy Instrument (2017)

    Posted By: Designol
    Alec Frank-Gemmill & Alasdair Beatson - A Noble and Melancholy Instrument (2017)

    Alec Frank-Gemmill & Alasdair Beatson - A Noble and Melancholy Instrument (2017)
    Music for horns and pianos of the 19th century
    Ludwig van Beethoven, Robert Schumann, Franz Strauss, Gioacchino Rossini,
    Camille Saint-Saëns, Alexander Glazunov, Paul Dukas, Gilbert Vinter

    EAC | FLAC | Image (Cue&Log) ~ 234 Mb | Mp3 (CBR320) ~ 161 Mb | Artwork included
    Genre: Classical | Label: BIS | # BIS-2228 SACD | Time: 01:05:56

    The 19th century saw huge developments in the design of many musical instruments. In some cases changes were adopted more or less universally: the fortepiano that Mozart knew, a five-octave instrument constructed entirely of wood, had by around 1900 grown into the modern grand piano with over seven octaves and a cast-iron frame. With other instruments, progress was less streamlined. As late as 1865, the natural, valveless horn of Beethoven's time remained the instrument of choice for Brahms when he wrote his famous Horn Trio, and when valves began to be introduced, makers and musicians in Germany, France and Vienna favoured different solutions, offering different results in terms of sound and requiring different playing techniques. The present disc is a unique combination of recital and history lesson, with a young British team performing music from between 1800 and 1942 on no less than eight different historic instruments: four horns and four pianos.

    Oscar Shumsky, RSNO, Neeme Jarvi - Alexander Glazunov: The Seasons, Op. 67; Violin Concerto, Op. 82 (1988)

    Posted By: Designol
    Oscar Shumsky, RSNO, Neeme Jarvi - Alexander Glazunov: The Seasons, Op. 67; Violin Concerto, Op. 82 (1988)

    Alexander Glazunov: The Seasons, Op. 67; Violin Concerto, Op. 82 (1988)
    Oscar Shumsky, violin; Royal Scottish National Orchestra, conducted by Neeme Järvi

    EAC | FLAC | Image (Cue&Log) ~ 254 Mb | Mp3 (CBR320) ~ 135 Mb | Scans included
    Genre: Classical | Label: Chandos | # CHAN 8596 | Time: 00:56:32

    There are many different musical "Seasons" aside from Vivaldi's, and next to Haydn's oratorio of the same name, this is probably the most famous example. The complete ballet is of modest length–only 40 minutes or so–and the autumn "Bacchanal" contains what is probably the catchiest tune that Glazunov ever wrote. You'll probably think that you've heard it before, but can't quite figure out where. Neeme Jarvi is always at his best in big, splashy Romantic pieces, and this performance is no exception. He whips the orchestra up to a fine frenzy where necessary, and given Chandos's fine sound and a sensible coupling, you're in for some good listening.

    Great Conductors Of The 20th Century, Volume 8: Nikolai Golovanov (2002) 2CDs

    Posted By: Designol
    Great Conductors Of The 20th Century, Volume 8: Nikolai Golovanov (2002) 2CDs

    Great Conductors Of The 20th Century, Volume 8: Nikolai Golovanov (2002) 2CDs
    Alexander Glazunov - Felix Mendelssohn - P.I. Tchaikovsky - Franz Liszt

    EAC | FLAC | Tracks (Cue&Log) ~ 533 Mb | Mp3 (CBR320) ~ 337 Mb | Scans ~ 19 Mb
    Classical | Label: EMI | # 7243 5 75112 2 3 | Time: 02:27:55

    It goes without saying that recording has transformed music from an evanescent art to one which can be readily preserved for the study and enjoyment of future generations. the EMI Great Conductors Edition - Nikolai Golovanov Among its services is the perpetuation of the art of musicians who were barely known in their time outside their own immediate spheres of influence. Golovanov surely was among these. Although he was the dominant force in Russian opera for nearly thirty years, he was summarily purged in 1952 (literally refused admission to his opera house one morning), died the following year and was conveniently forgotten as a political imperative of Soviet rewriting of Russian cultural history. Only recently have his records resurfaced to reveal an extraordinary outsized personality, a visionary galaxies apart from the polished discipline of Mravinsky and others who better towed the party line, both politically and aesthetically, and whose art has been touted as representing the Soviet ideal. Over half this set is devoted to five Liszt tone poems from Golovanov's pioneering set.

    Leningrad PO, Yevgeny Mravinsky - Alexander Glazunov: Symphonies Nos. 4 & 5; The Seasons, Op. 67 (2016)

    Posted By: Designol
    Leningrad PO, Yevgeny Mravinsky - Alexander Glazunov: Symphonies Nos. 4 & 5; The Seasons, Op. 67 (2016)

    Alexander Glazunov: Symphonies Nos. 4 & 5; The Seasons, Op. 67 (2016)
    Leningrad Philharmonic Orchestra, conducted by Yevgeny Mravinsky

    EAC | FLAC | Image (Cue&Log) ~ 408 Mb | Mp3 (CBR320) ~ 198 Mb | Scans included
    Genre: Classical | Label: Praga Digitals | # PRD/DSD 350129 | Time: 01:19:23

    A tribute to Alexander Glazunov who turned post-Tchaikovsky Russian musicians into true professionals. He was a composer emeritus and helped raise the profile of classical symphonies and ballet music before and after the Mighty Handful. Mvravinsky insisted on performing pieces by this incredibly selfless pedagogue which slip into the category of Romanticism, although he preferred the ‘banned’ compositions of his students such as the obstreperous young Stravinsky or the insufferably pretentious Prokofiev.

    Horia Andreescu, Romanian State Orchestra - Alexander Glazunov: Orchestral Works Vol. 19: Les Ruses d'amour (2010)

    Posted By: ArlegZ
    Horia Andreescu, Romanian State Orchestra - Alexander Glazunov: Orchestral Works Vol. 19: Les Ruses d'amour (2010)

    Horia Andreescu, Romanian State Orchestra - Alexander Glazunov: Orchestral Works Vol. 19: Les Ruses d'amour (2010)
    EAC | FLAC | Image (Cue & Log) ~ 210 Mb | Total time: 50:56 | Scans included
    Classical | Label: Naxos | # 8.572447 | Recorded: 1986

    Glazunov’s ballet Les Ruses d’amour (also known as The Trial of Damis), is a charming choreographic realization of the French rococo, with a strong element of pastiche. Although the music is thoroughly Russian in its orchestral colouring and language, Glazunov makes imaginative use of earlier French dance melodies, and the score was praised by his former teacher Rimsky-Korsakov for its ‘unusual mastery of writing and extremely pictorial beauty’. The scenario concerns a duchess’s daughter, Isabella, who tests the Marquis Damis’s love by disguising herself as a maid servant.

    Hans-Ola Ericsson - Symphonic Organ Music, Vol.1: Sibelius, Dvořák, Glazunov (2001)

    Posted By: ArlegZ
    Hans-Ola Ericsson - Symphonic Organ Music, Vol.1: Sibelius, Dvořák, Glazunov (2001)

    Hans-Ola Ericsson - Symphonic Organ Music, Vol.1: Sibelius, Dvořák, Glazunov (2001)
    EAC | FLAC | Image (Cue & Log) ~ 303 Mb | Total time: 74:10 | Scans included
    Classical | Label: BIS | # BIS-CD-1101 | Recorded: 1998

    It may be news to many readers that these composers wrote organ music at all, and in the case of Dvorak he virtually didn't, for these are composition exercises from his student days which remained in the archives of Prague Conservatoire until they were found and edited by Jarmil Burghauser in 1980. Some of the world's most boring music has been written as before-service preludes and Dvorak's student exercises are more engaging than many a more professional job, but it would be unwise to read more into them than that. Occasionally Mr. Ericsson seems to be trying too hard, but generally he leaves their homely charm to speak for itself.

    Dmitry Yablonsky, Russian Philharmonic Orchestra - Alexander Glazunov: Orchestral Works Vol. 18: Masquerade (2009)

    Posted By: ArlegZ
    Dmitry Yablonsky, Russian Philharmonic Orchestra - Alexander Glazunov: Orchestral Works Vol. 18: Masquerade (2009)

    Dmitry Yablonsky, Russian Philharmonic Orchestra - Alexander Glazunov: Orchestral Works Vol. 18: Masquerade, 2 Pieces, Pas de caractere, Romantic Intermezzo (2009)
    EAC | FLAC | Image (Cue & Log) ~ 301 Mb | Total time: 66:57 | Scans included
    Classical | Label: Naxos | # 8.570211 | Recorded: 2006

    Glazunov’s beautifully scored incidental music for Lermontov’s play Masquerade has only survived in manuscript. With characteristic genius, he illustrates both the glittering atmosphere and dances of splendid St Petersburg balls and depicts the horrifying descent into madness of the play’s protagonist, Evgeny Arbenin, who jealously poisons his innocent wife. The shorter works on this disc likewise show Glazunov’s amazing command of orchestral resources, whether evoking an exotic oriental vision, the vivacious spirit of Hungarian music, in the Pas de caractère, or painting a mood of gentle romantic lyricism.

    Borodin Quartet - Russian Chamber Music: Tchaikovsky, Shostakovich, Schnittke [8CDs] (2020)

    Posted By: ArlegZ
    Borodin Quartet - Russian Chamber Music: Tchaikovsky, Shostakovich, Schnittke [8CDs] (2020)

    Borodin Quartet - Russian Chamber Music: Tchaikovsky, Shostakovich, Schnittke [8CDs] (2020)
    EAC | FLAC | Image (Cue & Log) ~ 2,28 Gb | Total time: 08:53:37 | Scans included
    Classical | Label: Warner Classics | # 9029520463 | Recorded: 1990-1995

    Established in Moscow in 1945, and still performing today, the Borodin Quartet sustains a distinctive tradition in the interpretation of Russian chamber music. Over the decades its members – all trained at the Moscow Conservatory – have inevitably changed, but the ensemble’s identity has remained cohesive, its philosophy and aesthetic embodying an entire musical culture. The quartet’s close association with Dmitri Shostakovich has gone down in history, and his chamber works are central to this 8CD collection which, offering music by a succession of Russian composers from Borodin himself to Schnittke, spans the 19th and 20th centuries.

    Vladimir Ziva, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 17: Chopiniana (2003)

    Posted By: ArlegZ
    Vladimir Ziva, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 17: Chopiniana (2003)

    Vladimir Ziva, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 17: Chopiniana, Overtures on Greek Themes, Serenades (2003)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 70:33 | Scans included
    Classical | Label: Naxos | # 8.555048 | Recorded: 2000

    Written prior to his first symphony sometime around 1881 as a teenager the themes were taken from a series of collected melodies (Melodies populaires de Grece et d’Orient) published by Louis Bourgault-Doucoudray of material he collected during a journey through Greece in 1874 with the premiere being conducted by Anton Rubenstein. It is another example of the fascination of exploring exotic themes from other countries like Prince Igor, Scheherazade, or Islamey. From very early on in his composing career Glazunov had already developed his sound which offers wonderful arrangements and orchestrations and a unique Russian sound unlike anyone else.

    Igor Golovchin, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 16: The Sea, Oriental Rhapsody (2001)

    Posted By: ArlegZ
    Igor Golovchin, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 16: The Sea, Oriental Rhapsody (2001)

    Igor Golovchin, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 16: The Sea, Oriental Rhapsody (2001)
    EAC | FLAC | Image (Cue & Log) ~ 277 Mb | Total time: 68:36 | Scans included
    Classical | Label: Naxos | # 8.553512 | Recorded: 1996

    A precocious pupil of Rimsky-Korsakov, Glazunov was able to add to a post-nationalist synthesis in Russian music, combining national inspiration with sound compositional technique. His Fantasy The Sea is programmatic, a homage to Wagner, and the Oriental Rhapsody follows an even more detailed and exotic narrative scheme.

    Alexander Anissimov, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 15: Symphonies Nos. 5 & 8 (2000)

    Posted By: ArlegZ
    Alexander Anissimov, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 15: Symphonies Nos. 5 & 8 (2000)

    Alexander Anissimov, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 15: Symphonies Nos. 5 & 8 (2000)
    EAC | FLAC | Image (Cue & Log) ~ 301 Mb | Total time: 78:08 | Scans included
    Classical | Label: Naxos | # 8.553660 | Recorded: 1997

    These are both delightful symphonies, even if the Eight is rather thickly scored. However, Alexander Anissimov does his best to make the textures as clear and well ventilated as possible, and pays great attention to details of dynamics and balance. Try the Scherzo of the Fifth Symphony and you will find much lightness of touch and a greater transparency than is often encountered in records of these works. Strongly recommended. –Penguin Guide

    Dmitry Yablonsky, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 14: Piano Concertos 1 & 2 (2000)

    Posted By: ArlegZ
    Dmitry Yablonsky, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 14: Piano Concertos 1 & 2 (2000)

    Dmitry Yablonsky, Moscow Symphony Orchestra - Alexander Glazunov: Orchestral Works Vol. 14: Piano Concertos 1 & 2 (2000)
    EAC | FLAC | Image (Cue & Log) ~ 272 Mb | Total time: 69:01 | Scans included
    Classical | Label: Naxos | # 8.553928 | Recorded: 1996

    This disc opens with the seldom-heard Variations on a Russian Theme that five composers wrote to honor the conductor Nikolai Galkin. It is an attractive theme that is wittily scored by the five. Only Sokolov took the task seriously, but all five provided a rousing work.