Die Prog-Rock-Giganten Emerson, Lake & Palmer schlossen sich 1970 zusammen und bestanden aus dem brillanten Keyboarder Keith Emerson, dem talentierten Sänger / Komponisten und Gitarristen Greg Lake, sowie dem dynamischen Drummer Cark Palmer. Nach ihrer Gründung erlangten sie schnell internationale Bekanntheit und spielten im Laufe ihrer Karriere in den wichtigsten und berühmtesten Venues rund um die Welt.

After the heavily distorted bass and doomsday church organ of Emerson, Lake & Palmer's debut album, the exhilarating prog rock of epic proportions on Tarkus, and the violent removal of the sacred aura of classical tunes on Pictures at an Exhibition, Trilogy, ELP's fourth album, features the trio settling down in more crowd-pleasing pastures. Actually, the group was gaining in maturity what they lost in raw energy. Every track on this album has been carefully thought, arranged, and performed to perfection, a process that also included some form of sterilization. Greg Lake's acoustic ballad "From the Beginning" put the group on the charts for a second time. The adaptation of Aaron Copland's "Hoedown" also yielded a crowd-pleaser…

Ontario Motor Speedway, California, April 1974.

Pictures at an Exhibition is a live album by the English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It is a recording of the band's arrangement of Pictures at an Exhibition by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971. Emerson wished to arrange the piece after seeing an orchestral performance of it several years before. He bought a copy of the score, and pitched the idea to Lake and Palmer, who agreed to adapt it. Pictures at an Exhibition went to number 2 on the UK Albums Chart and number 10 on the US Billboard 200.

Early Broadcast From A Newly Formed ELP In 1971 Keith Emerson and Greg Lake first met in December 1969 when Emerson's band, The Nice, and Lake's band, King Crimson, were billed together for a series of concerts at the Fillmore West in San Francisco. Emerson was looking to form a new group, and Lake wanted to leave King Crimson. During a sound check before one of the shows, Emerson described the first time he and Lake played together: "Greg was moving a bass line and I played the piano behind, and Zap! It was there. Auditions for a drummer led to the inclusion of former Atomic Rooster and Crazy World Of Arthur Brown sticks-man Carl Palmer, following which the new group settled on Emerson, Lake & Palmer or ELP as their moniker. ELP s debut album, recorded in 1970 with Lake producing, was issued in November the same year in the UK, and in January 1971 in the US. From September 1970 to June 1971, the band completed their first concert tour with shows across the UK, Germany, Austria, and Switzerland. On 3rd June, the group performed an extraordinary show at Dusseldorf s Philipshalle, which was recorded for live radio and TV transmission. Concentrating largely on their debut (despite their sophomore album having already been released by this time) alongside a few choice rarities and some superb classical interpretations. Available here on CD for the first time, this superb concert illustrates just how fully formed ELP were, even at this early stage in their illustrious career.

Like the armour-plated tank/armadillo hybrid that graced their album, Tarkus, ELP for a short period bestrode the earth, destroying all in their wake. To young ears it probably now seems impossible that a three mere mortals could have wielded such power, but this was the early 70s.

SUPERB BROADCAST RECORDING FROM ELP S LATE- 90S REFORMATION TOUR After a period in the mid-1980s, when Keith Emerson and Greg Lake reformed as Emerson, Lake & Powell - with former Rainbow drummer Cozy Powell, but after one 1986 album and a tour, the trio went their separate ways. But in 1991, Emerson, Lake & Palmer reformed and issued a 1992 comeback album, Black Moon, on Victory Records. Their 1992-93 world tours were successful, culminating in a performance at the Wiltern Theatre in Los Angeles. In 1994, the band released a followup album, In the Hot Seat, after which they went on hiatus because of health problems suffered by both Carl Palmer and Keith Emerson Emerson and Palmer eventually recovered enough to start touring again, beginning in 1996.

STUNNING 1977 ELP SHOW FROM WEST VIRGINIA Emerson, Lake & Palmer took an extended break in 1974, but regrouped in 76 to record Works Volume 1 at Mountain Studios in Montreux and EMI Studios in Paris. The double album featured one side of each LP containing songs by each member and a fourth of group material. Emerson's side consisted of his 18-minute, three-movement Piano Concerto No. 1 . Lake contributed five songs he co-wrote with Pete Sinfield, and Palmer's included two covers of classical pieces by Prokofiev and Bach. One of the two group tracks, Fanfare for the Common Man , is a cover of the same-titled orchestral piece by Aaron Copland, which was released and reached No. 2 in the UK single charts, in the band's highest charting UK single in May 1977. Works Volume 2 followed in November 1977 featuring shorter tracks recorded between 73 and 76, and the two Works albums were supported by North American tours which lasted from May 1977 to February 1978, spanning over 120 dates. Among the finest concert of the tours was performed in Wheeling, West Virginia on 12th November 1977, where the trio put on a mesmerising show which fans who attended still speak of in hallowed tones. Recorded for live radio broadcast at the time, incredibly the show has not previously been released in its full edition. All that changes with the release of this 2CD Set, which allows the thousands of fans still in awe of this most musical, talented and creative of groups to finally hear what all the fuss was about.

Pictures at an Exhibition is a live album by the English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It is a recording of the band's arrangement of Pictures at an Exhibition by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971. Emerson wished to arrange the piece after seeing an orchestral performance of it several years before. He bought a copy of the score, and pitched the idea to Lake and Palmer, who agreed to adapt it. Pictures at an Exhibition went to number 2 on the UK Albums Chart and number 10 on the US Billboard 200.

Pictures at an Exhibition is a live album by the English progressive rock band Emerson, Lake & Palmer, released in November 1971 on Island Records. It is a recording of the band's arrangement of Pictures at an Exhibition by Modest Mussorgsky, performed at Newcastle City Hall on 26 March 1971. Emerson wished to arrange the piece after seeing an orchestral performance of it several years before. He bought a copy of the score, and pitched the idea to Lake and Palmer, who agreed to adapt it. Pictures at an Exhibition went to number 2 on the UK Albums Chart and number 10 on the US Billboard 200.

Tarkus is the second studio album by English progressive rock band Emerson, Lake & Palmer, released on 14 June 1971 on Island Records. Following their debut tour across Europe during the second half of 1970, the group paused touring commitments in January 1971 to record a new album at Advision Studios in London. Greg Lake produced the album with Eddy Offord as engineer. Side one features the 20-minute conceptual title track written by keyboardist Keith Emerson, the opening of which created friction between Lake and Emerson that almost split the group, but Lake agreed to pursue it and contributed musical ideas for it and wrote the lyrics. Side two features a collection of unrelated tracks of different styles. The artwork was designed by William Neal. Tarkus went to number one on the UK Albums Chart, becoming the only album by the band to do so. It was a top 10 album worldwide, including the US, where it peaked at number 9. The album reached gold certification in the UK and US. It has been reissued and remastered several times.

Love Beach is the seventh studio album by English progressive rock band Emerson, Lake & Palmer. It was released on 17 November 1978 by Atlantic Records as their final studio album released prior to their split in the following year. By the end of their 1977–1978 North American tour internal relations had started to deteriorate, but the group were contractually required to produce one more album. They retreated to Nassau, Bahamas as tax exiles to record Love Beach with lyricist Peter Sinfield who is credited as a co-writer of each track. After Greg Lake and Carl Palmer had finished recording their parts they left the island, leaving Keith Emerson to finish the album himself. The album received negative reviews from critics.

24 track anthology for one of the most phenomenally successful acts of the early to mid 1970s. Digitally remastered from original tapes and compiled in conjunction with the band. Highlights include, 'Fanfare For The Common Man', 'The Barbarian', 'Take A Pebble' and 'Lucky Man'.

Emerson, Lake & Palmer's most successful and well-realized album (after their first), and their most ambitious as a group, as well as their loudest, Brain Salad Surgery was also the most steeped in electronic sounds of any of their records. The main focus, thanks to the three-part "Karn Evil 9," is sci-fi rock, approached with a volume and vengeance that stretched the art rock audience's tolerance to its outer limit, but also managed to appeal to the metal audience in ways that little of Trilogy did. Indeed, "Karn Evil 9" is the piece and the place where Keith Emerson and his keyboards finally matched in both music and flamboyance the larger-than-life guitar sound of Jimi Hendrix. This also marked the point in the group's history in which they brought in their first outside creative hand, in the guise of ex-King Crimson lyricist Pete Sinfield…

After the rather dull Works, Vol. 1, the highly underrated Works, Vol. 2 is a godsend. Works, Vol. 1 took their pompous, bombastic, keyboard-driven prog rock epics to the limit; had it been stripped of its excesses and coupled with the strongest cuts from Works, Vol. 2, the band may have had an enormous success with critics and fans alike. Volume 2's brief, eclectic compositions cover an array of musical styles, combining stimulating originals and handsomely orchestrated renditions of "Maple Leaf Rag," "Honky Tonk Train Blues," and "Show Me the Way to Go Home." Lake peppers the tunes with guitar and bass flourishes, resulting in some of his most challenging instrumental work, and both he and Palmer deliver incredibly strong performances…