Remastered version of "Too Late For Mind Expanding". Recorded At – Casino de Montreux.

"Sonic depictions of outer space from the vaults of the Finders Keepers Family 1969-2009". 2009 collection. Compiled and mixed by Andy Votel, this interplanetary patchwork mass brings together some of the most innovative, maligned and respected cult figures in hi-fi sci-fi Progressive Pop history, celebrating 40 years since the human moon invasion and four decades of space inspired concept rock. Custom built from the vintage vaults of Finders Keepers Records and their associated constellation, Celestial Mass features 80 minutes of global misplaced Pop, communal Rock, celestial Jazz, kosmic Disco, Space Age electronics and astral Ambience from the post-lunar trespass generation. Finders Keepers.

1972 Japan tour box set with obi. Subtitled as "とある狂人の東方見聞録"(Far east memoirs of a certain lunatic). Tracking information is based on the included song sheet.

This is an astonishing collection from many of the greatest prog bands. 2003. Virgin.

Giles, Giles & Fripp’s 1968 demo home recordings, newly remastered by David Singleton A must-have collection for King Crimson fans with some early indication of the band’s sound / repertoire CD includes all 21 previously released tracks from the Brondesbury Road tapes 200-gram superheavyweight vinyl and digital release picks 13 of the best quality recordings from the tapes.

Six CD set. Five albums from the early days of Magnum - four studio recordings and the live 'Marauder' album. Covering releases from 1978-1983 plundering their archives with plenty of rarities and B-sides, demos and live tracks. Magnum originally formed in Birmingham in 1972 around guitarist and songwriter Tony Clarkin and singer Bob Catley.

Steve was the first member of Genesis to release a solo album (Voyage of the Acolyte in 1975) before leaving the band in 1977. This new box collects his six Charisma studio albums with Please Don’t Touch and Spectral Mornings utilising the recent Steven Wilson stereo remixes (via the original multi-track tapes). The remaining albums have been newly remastered from the original master tapes. As well as this studio work, The Charisma Years 1975-1983 contains Live at The New Theatre, Oxford 1979, a newly mixed concert recorded on the Spectral Mornings tour and Live at Reading 1981 an LP of Steve’s appearance at the Reading Festival in August, 1981. Finally, a 12-inch live EP is included called I Know What I Like. This features Steve’s band performing the Genesis’ I Know What I Like (in Your Wardrobe) recorded in 1979 at Oxford New Theatre plus several tracks recorded live at the Theatre Royal, Drury Lane in November 1979.

Im Sommer des Jahres 1969, inmitten der Unruhen der 60iger Jahre, rief Eckart Rahn, damals gerade mal 25 Jahre jung, das Label Kuckuck Schallplatten ins Leben. In erster Linie gründete er es, um der damaligen Vorherrschaft von anglo-amerikanischem Rock einerseits und dem deutschspracheigen Schlager, der die Charts in Deutschland beherrschte, etwas Drittes hinzuzufügen. Mit Kuckuck Schallplatten leistete Rahn Pionierarbeit in Sachen Krautrock und führte der hiesigen Szene auch das Potential ihrer viel versprechenden Bands vor Augen. Dreh- und Angelpunkt war dabei das Münchner Szeneviertel Schwabing. Auf dieser Zusammenstellung ist Musik zu hören, die mit witzigen, frechen aber auch hochpolitischen und vor allem oft deutschen Texten versehen, sich musikalisch eng am Vorbild des internationalen Rock orientierte und die doch dazu im Stande war, etwas ganz Eigenes zu artikulieren.

Hergest Ridge is the second studio album by English musician and songwriter Mike Oldfield, released on 30 August 1974 by Virgin Records. The unexpected commercial and critical success of his debut album, Tubular Bells (1973), affected Oldfield, who decided against touring and avoided the press with his newfound fame. Instead, he retreated to Hergest Ridge on the England–Wales border and wrote the follow-up, which he recorded in 1974 at The Manor in Oxfordshire, with Tom Newman returning as co-producer. Similar to Oldfield's first, the album is a single composition split into two parts covering different moods and musical styles.

Peter Gabriel and band recorded live in the Big Room at Real World Studios on 23 November 2003. The concert was for members of the Full Moon Club and took place during a short run of live shows in November 2003 that also included a performance for Children in Need at Cyfarthfa Castle in Merthyr Tydfil, a show at the Brighton Dome and the Nelson Mandela 46664 Concert in Cape Town.

Back Door first came together in 1971 as a trio featuring Colin Hodkinson (bass, guitar, vocals), Ron Aspery (saxes, flute, electric piano) and Tony Hicks (drums) and recorded their first album in 1972. This self-financed and independently released record came to the attention of the London music press and after enthusiastic reviews and a short residency at Ronnie Scott’s club in Soho, the band secured a wider release of their album with Warner Bros. Around this time Back Door also began to record sessions for BBC Radio 1 and had a supporter in legendary DJ John Peel.

NEW REMASTERED & EXPANDED RELEASE OF THIS COLLECTION RECORDED FOR RADIO CLYDE IN 1978. WITH TWO PREVIOUSLY UNRELEASED BONUS TRACKS. A founder member of Genesis, Anthony Phillips’ first solo album, ‘The Geese and the Ghost’, was issued in 1977. In July 1978 as part of the promotion for his second album ‘Wise After the Event’, Anthony recorded a live radio session for Radio Clyde in Scotland. The performance included material from his first two solo albums and the first ‘Private Parts & Pieces’ collection. Originally issued on CD in 2003 and unavailable for some years, this new edition has been remastered and expanded to include two previously unreleased tracks recorded in a session for Pennine Radio in 1978.

Symphonic Music of Yes is a 1993 album by London Philharmonic Orchestra, covering songs of the progressive rock band Yes, with the English Chamber Orchestra and the London Community Gospel Choir. The arrangements were by Dee Palmer (then David Palmer). Playing on the album were Yes guitarist Steve Howe and Yes drummer Bill Bruford. Some tracks also featured Yes vocalist Jon Anderson and featured the ABWH additional keyboardist Julian Colbeck.

A 3 CD set collecting highlights from the band's entire career. Progressive rock's first supergroup, Emerson Lake & Palmer fused together rock and classical music like no-one before. This 3CD set collects highlights from their entire career. ELP were no strangers to extended instrumental suites and longer running times. 'Take A Pebble' from their debut album ran for twelve and a half minutes, whilst the follow-up, 'Tarkus', featured a twenty-minute title track. Piano and keyboard workouts by Keith Emerson, often adapted from the classical realm, dazzle on these longer pieces. Their UK #2 hit single 'Fanfare For The Common Man' was inspired by an Aaron Copland work. Bassist Greg Lake would contribute shorter tracks, often ballads, that would become known via radio play: US hit 'Lucky Man', 'From The Beginning' and a single that is familiar to all, 'I Believe In Father Christmas'.
All are featured on 'Emerson Lake & Palmer - The Ultimate Collection'.

3CD box set presented with enhanced booklet. Musical visionaries Keith Emerson and Greg Lake planned to re-form ELP in 1984, however drummer Carl Palmer was unavailable. Into the frame stepped the legendary Cozy Powell, best known for his work with Rainbow and Whitesnake. Included is the band's one and only studio release: 'Emerson Lake and Powell' featuring three bonus tracks, their live album 'Live in Concert' and a CD of rehearsals, 'The Sprocket Sessions', only previously released in the 90s as a bootleg. The collection includes sleeve notes by Jerry Ewing, editor of PROG Magazine, who takes a forensic look at the band's short but impactful history. The band's self-titled studio album delivers material familiar in style to ELP with long progressive rock tracks, mellow ballads, and a classical theme ('Mars, the Bringer of War' by Gustav Holst, a piece previously performed by Lake during his tenure in King Crimson). All recordings have been re-mastered by renowned engineer Andy Pearce. This collection has been curated with the blessing of the Emerson, Lake and Powell families. If you are a fan of ELP, you cannot afford to have this part of the Emerson and Lake history missing from your collection.