The Hania Rani (piano) and Dobrawa Czocher (cello) duo stands as living proof that purely instrumental music has its rightful place on the contemporary music scene and is able to draw an increasingly broad spectrum of listeners. The genre of these ladies‘ music can be described as the more and more prominent “modern classic“, represented by artists such as e.g. Nils Frahm, Olafur Arnalds or Max Richter.

Hania Rani announces "Music for Film and Theatre", a personal selection of recent compositions for film, theatre and other projects.
Writing music for film and theatre has always been a big part of Hania Rani's musical world. It is also a part of the creative process that can be tantalisingly out of reach for listeners, either the project doesn’t come to fruition or the music simply isn’t available away from the film or play. From early collaborations with friends, to last year’s two scores for full length films (xAbo: Father Boniecki directed by Aleksandra Potoczek and I Never Cry directed by Piotr Domalewski‘) Rani has been involved in many such projects, each representing an important step in her artistic development and life as a composer and artist.

Hania Rani announces ‘Music for Film and Theatre’ a personal selection of recent compositions for film, theatre and other projects.

"I feel like 'Home' is a second part of the same book, that the start was in 'Esja', a musical prelude to a real plot. I feel Home is a story with an ending, so the next book can tell a totally different one. I am constantly looking for new ways of expression. I am curious where 'Home' will lead me and my music". — Hania Rani

“I think I am the same as an artist and as a person. Music is my way of communication and I see the art, the music as a whole thing, with no borders, divisions, or even genres.”