“And the violin dances Furiant, carried away by an irresistible ardour”. Beyond the intrinsic character of gypsy music, which constantly moves back and forth between melancholy and joy, dance is the obvious thread running through this album. It creates a bond through its intensity and infinite rhythmic contrasts, revealing a wide range of emotions. One dance can contain an entire life, with its laughter, its tears, its perpetual movement, its ruptures, its unpredictability in the passage from one emotional state to another…

Following his Rossini recital (Alpha 791), Florian Sempey shares another of his passions: his enthusiasm for the world of knights and medieval narrative. For him, “a mysterious force emanates from castles and other antique buildings; their ancient stones have always fascinated me.” Ferrum Splendidum (the Latin for ‘Resplendent Metal’) recalls the singer’s ancestors, who were blacksmiths in the Périgord region. Though not following in that family tradition, Sempey concentrated instead on forging and moulding the metal of his brilliant baritone voice.

New Orleans outfit GALACTIC has a well earned reputation as one of the most exhilarating live acts around. Last year the band released the critically acclaimed genre defying sonic tribute to the Big Easy entitled YA-KA-MAY, which The Boston Globe described as "an album that showcases a breathtaking array of New Orleans talent, from old-school R&B legends to influential underground hip-hop artists" and the Huffington Post proclaimed as “NOT your grandparents' New Orleans record!” Now the celebrated outfit offers up a rollicking live counterpart to YA-KA-MAY with The Other Side Of Midnight: Live In New Orleans out 5/3 via Anti- Records.

The Great Old Ones stand as harbingers of cosmic nightmares and arcane melodies. Forged in the ancient mists of Bordeaux, France, their evocative soundscapes transcend mere music, invoking the eldritch horrors of H.P. Lovecraft’s mythos. Prepare to embark on an odyssey of the soul with their latest offering, Kadath. In this seven-track masterpiece, the band delves into Lovecraft's "The Dream-Quest of Unknown Kadath," guiding listeners through the doomed dreams of Randolph Carter and his quest for the elusive, magnificent city denied to him by malevolent gods. Traversing the perilous Dreamlands, Carter's journey is one of both awe and dread, his path marked by phantasmal realms and crawling chaos…

Sky King formed in Ann Arbor Michigan in about 1974 and their first and only album in 1975. Their nucleus (Chris Brubeck, David Mason, Peter Ruth) had all played together in “New Heavenly Blue" who had released two albums, "Educated Homegrown” (1970) and “New Heavenly Blue” (1972).

A newly remastered clamshell box set featuring the later reunion albums by Stackridge. Features The Albums 'Something For The Weekend', 'A Victory For Common Sense' & 'The Final Bow, Bristol 2015'. Illustrated Booklet With Essay.
Formed in Bristol in 1969, Stackridge were one of the most unique British bands of the era. Possessing a gift for melody, musicianship and a fine sense of humour, their concerts were legendary. The band appeared at the very first Glastonbury festival and soon after signed to MCA Records. A succession of wonderful albums in the 1970s earned the band a loyal following but following line-up changes and the release of the album 'Mr. Mick' they disbanded…

This choice chapter in the Memphis Slim story delivers an exciting taste of what a modern electric blues band sounded like in live performance during the early '70s. This reissue includes a bonus track featuring Hammond B-3 organist Deacon Jones and formidable electric guitar wizard Freddie King. The year 1973 was particularly exciting as blues, soul, funk, and rock & roll began to blend in ways that had only been hinted at during the 1960s. This cultural explosion was inevitable as music festivals were expanded to include a wide range of styles and genres. The 1973 Ann Arbor Blues and Jazz Festival, for example, featured One String Sam, Victoria Spivey, Roosevelt Sykes, John Lee Hooker, and Ray Charles on the same weekend as Yusef Lateef, Charles Mingus, Ornette Coleman, and the Sun Ra Arkestra…

This collaboration with Yello mastermind Boris Blank displays the dark timbred voice of Malia in a set of pop titles created by the glitzy synths and sultry dancable rhythms of Blank, who uses the singer's voice like a solo instrument in the very front of a mix made by his tasteful synthetic soundscapes.
Convergence is one of the most sensual and elegant album we have heard in a long time. Its almost timeless aesthetics avoid clichés mostly associated with electronic soul music and seamlessly bring together two artists with a unique approach to their work - but most important of all: it’s got soul and sensuality, both in a very elegant and airy way but still has enough artistic weight to carry the promise of becoming a long term companion.

This little known US quartet released one album in 1975 and then faded into obscurity. Zazu seemed inclined to divide their time between lengthy prog workouts and shorter AOR numbers, both styles paying off tremendously. Fans of manic keyboard solos will be delighted with some of the more furious excursions on the longer heavier tracks, and despite the dearth of information about Zazu, the talent was there for greater things.

Principal Edwards Magic Theatre is one of those hard-to-classify bands that made the late '60s a musical adventure playground for listeners. What was more, the live music scene and airwaves were broad-minded enough to give bands who dared to be different the chance of exposure. They enjoyed the attention of the late John Peel who broadcast them on his BBC shows and made them the first band to be signed to his Dandelion record label. The Devon Tapes was recorded in the summer of 1974 under the shorter name Principal Edwards. This is the first time these recordings have been made available to the public.

Joe Pass became famous with his unaccompanied guitar showcase on Virtuoso, the beginning of a very notable series. However, this 1983 double LP actually preceded the first Virtuoso by a month and differed in that Pass exclusively chose to play acoustic guitar, rather than electric. The relatively little-known set finds the guitarist sounding very much like a self-sufficient orchestra, and although his tone is necessarily softer on acoustic than electric, he swings hard on the uptempo pieces. Among the many highlights are "Indian Summer," "My Shining Hour," "I'll Remember April," and "Limehouse Blues."

Christophe Rousset and Talens Lyriques return to Lully and his seventh opera, Isis. Inspired both by Roman mythology and Ancient Egypt, Isis is a story of love and jealousy. This plot caused a scandal at the Royal Court when Madame de Montespan, who was the King's favorite, saw in it a reference to her own situation, the Sun King being at that time occupied with a new mistress. The work's dramatic intensity provides Lully with many occasions to show his remarkable talent for orchestration. Featuring the Chamber Choir of Namur and a brilliant cast of soloists, this recording revives a neglected gem of the French Baroque repertoire.

The second album in Lars Vogts Johannes Brahms concerto series with the Royal Northern Sinfonia includes Brahms 2nd Piano Concerto combined with a solo piano work, Handel Variations Op. 24, which was dedicated to Clara Schumann by the composer. Brahms Piano Concerto No. 2 is a romantic 4-movement concerto written two decades after its predecessor and one of the cornerstones in the concerto repertoire. This remarkable opus with a great number of beautiful solo passages and with a duration of over 45 minutes has been interpreted by numerous pianists since its premiere in 1881. In this album, Vogt performs the concerto conducting from the keyboard.

Les Nations is an ensemble specializing in the rediscovery of the oratorio musical form, from the Renaissance to the Baroque. In this production ""Les Nations is faced with an almost unknown author that, once again, proves he deserves a place amongst the greats. The few surviving works by Giovanni Battista Bassani, whose life remains mostly mysterious, testimony the incredible range and greatness of his musical writing. No exception is the Giona, the realization of which marked the debut of Bassani's oratorio at the court of Francesco II d'Este, Duke of Modena and Reggio, great lover of music, whose appointment had to be a great opportunity for the composer's artistic career, aware he could count both on an experienced and passionate client and almost unlimited resources.