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    Fabio Biondi - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2009)

    Posted By: ArlegZ
    Fabio Biondi - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2009)

    Fabio Biondi, Rinaldo Alessandrini, Maurizio Naddeo, Paolo Pandolfo, Rolf Lislevand - Antonio Vivaldi: XII Suonate à violino solo, e basso per il cembalo (2024)
    EAC | FLAC | Image (Cue & Log) ~ 751 Mb | Total time: 157:07 | Scans included
    Classical | Label: Arcana | # A422 | Recorded: 1991

    Discovered by Michael Talbot in 1973, the 12 sonatas of the Manchester manuscript are generally considered the high point of the composer’s chamber music. They are performed here by Fabio Biondi, one of the most authoritative Vivaldi performers, accompanied by an allstar continuo group: Rinaldo Alessandrini, Rolf Lislevand, Paolo Pandolfo and Maurizio Naddeo.

    José Miguel Moreno - The Spanish Guitar [12CDs] (2019)

    Posted By: ArlegZ
    José Miguel Moreno - The Spanish Guitar [12CDs] (2019)

    José Miguel Moreno - The Spanish Guitar [12CDs] (2019)
    EAC | FLAC | Image (Cue & Log) ~ 2,94 Gb | Total time: 13:10:00 | Scans included
    Classical | Label: Glossa | # GCD 920114 | Recorded: 1991-2004

    With a capaciously-filled boxset of a dozen CDs made up of attractive individual programmes and entitled The Spanish Guitar, Glossa reintroduces the superb playing of José Miguel Moreno. And with recordings from 1991-2004 which still sound fresh and vivid today. A new essay and all the sung texts are included in the physical booklet that completes this limited-edition set.

    Paolo Pandolfo, Markus Hünninger - Johann Sebastian Bach: Sonatas for viola da gamba and harpsichord (2010)

    Posted By: ArlegZ
    Paolo Pandolfo, Markus Hünninger - Johann Sebastian Bach: Sonatas for viola da gamba and harpsichord (2010)

    Paolo Pandolfo, Markus Hünninger - Johann Sebastian Bach: Sonatas for viola da gamba and harpsichord (2010)
    EAC | FLAC | Image (Cue & Log) ~ 375 Mb | Total time: 59:44 | Scans included
    Classical | Label: Glossa | # GCD 920411 | Recorded: 2010

    Fifteen years on from his earlier recording of Bach’s three Sonatas for viola da gamba and harpsichord (on Harmonia Mundi, alongside Rinaldo Alessandrini), Paolo Pandolfo is now returning to this repertory with a thoroughly-rethought approach, the fruit of active and concentrated years of consideration, study and research into the inherent possibilities of his instrument. Given the basic differing natures of these two instruments, the performance of these works very often turns – in Pandolfo’s words – into a “musical argument”, rather than what is demanded by the music’s essential nature: a “musical conversation” in which the score achieves “transparency and eloquence”.

    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)

    Posted By: ArlegZ
    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)

    Paolo Pandolfo, Rinaldo Alessandrini - Johann Sebastian Bach: Sonates et suite pour viole de gambe et clavecin (2002)
    EAC | FLAC | Image (Cue & Log) ~ 374 Mb | Total time: 68:14 | Scans included
    Classical | Label: Harmonia Mundi | # HMA 1955218 | Recorded: 1993, 1994

    A challenge to the virtuoso. While they belong to the German tradition, in these sonatas Bach invented a curious division of the parts in which the viola da gamba lies midway between the bass and the principle voice (the treble) of the harpsichord. This particularity in the writing and their exceptional ingenuity place these works among the great masterpieces in the viola da gamba repertoire, both fascinating and terrifying to performers…

    Paolo Pandolfo - Johann Sebastian Bach: The Six Suites (2004)

    Posted By: ArlegZ
    Paolo Pandolfo - Johann Sebastian Bach: The Six Suites (2004)

    Paolo Pandolfo - Johann Sebastian Bach: The Six Suites (2004)
    EAC | FLAC | Image (Cue & Log) ~ 702 Mb | Total time: 68:23+75:45 | Scans included
    Classical | Label: Glossa | # GCD P30405 | Recorded: 2000

    Originally released in 2001 but unavailable for almost two years, Glossa has designed gorgeous new packaging for this most important of Paolo Pandolfo’s projects, possibly a milestone in the recording history of Bach’s music. Everybody seems to know these discs – despite almost no marketing effort, they are perceived with such benchmarks as Glenn Gould’s or Gustav Leonhardt’s renderings of the GoldbergVariations or Anner Bylsma’s performances of the original cello suites.

    Paolo Pandolfo, Guido Balestracci, Thomas Boysen, Dolores Costoyos, Mitzi Meyerson - Marin Marais: Grand Ballet (2002)

    Posted By: ArlegZ
    Paolo Pandolfo, Guido Balestracci, Thomas Boysen, Dolores Costoyos, Mitzi Meyerson - Marin Marais: Grand Ballet (2002)

    Paolo Pandolfo, Guido Balestracci, Thomas Boysen, Dolores Costoyos, Mitzi Meyerson - Marin Marais: Grand Ballet (2002)
    EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 69:45+20:48 | Scans included
    Classical | Label: Glossa | # GCD920406 | Recorded: 2001

    Grand ballet is an apt title for Paolo Pandolfo’s latest release, reflecting not only Marais’s predilection for dance music but also the fact that he was reported to play the viol ‘with his bow always in the air’. The same might be said of Paolo Pandolfo, whose lithe, balletic style and iridescent sound distinguish him from his peers. He’s supported, too, by a brilliant continuo group, whose daring, stylish realisations contribute to performances which are at once ebullient and intoxicating.

    Paolo Pandolfo - Alfonso Ferrabosco II: Complete Music for Solo Lyra Viol (2024)

    Posted By: delpotro
    Paolo Pandolfo - Alfonso Ferrabosco II: Complete Music for Solo Lyra Viol (2024)

    Paolo Pandolfo - Alfonso Ferrabosco II: Complete Music for Solo Lyra Viol (2024)
    WEB FLAC (tracks) - 454 Mb | MP3 CBR 320 kbps - 234 Mb | Digital booklet | 01:41:43
    Classical | Label: Glossa

    For the past thirty years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instrument in all directions. In 1989, he was appointed successor to Jordi Savall as professor of viola da gamba at his alma mater, the Schola Cantorum Basiliensis (SCB), a position he holds to the present day. On this new recording in the SCB series on Glossa, Pandolfo presents the complete solo pieces for ‘lyra viol’ included in Alfonso Ferrabosco’s 1609 London publication Lessons for 1. 2. and 3. Viols. The lyra viol is a special type of viola da gamba that includes sympathetic resonant strings under the normal strings, thereby creating a fascinating sonority that often seems produced by more than one instrument.

    Paolo Pandolfo - Improvisando (2006)

    Posted By: tirexiss
    Paolo Pandolfo - Improvisando (2006)

    Paolo Pandolfo - Improvisando (2006)
    EAC | FLAC (tracks+.cue, log) | Covers Included | 01:18:52 | 414 MB
    Genre: Classical | Label: Glossa | Catalog: GCDP 30409

    Paolo Pandolfo is a virtuoso on the viola da gamba, and his usual repertoire includes the Bach cello suites. But he is also a passionate advocate of the art of improvisation, and this CD is devoted to 15 pieces that he and an ensemble including harpsichord, organ, theorbo, vihuela, violone, and voice improvised together. The concept of a classical musician improvising in this day and age is, if not unheard of, extremely rare.

    Hespèrion XX - John Jenkins: Consort Music for Viols in Six Parts (1991)

    Posted By: ArlegZ
    Hespèrion XX - John Jenkins: Consort Music for Viols in Six Parts (1991)

    Hespèrion XX - John Jenkins: Consort Music for Viols in Six Parts (1991)
    EAC | FLAC | Image (Cue & Log) ~ 359 Mb | Total time: 73:00 | Scans included
    Classical | Label: Auvidis-Astrée | # E 8724 | Recorded: 1990

    Jenkins was relatively unknown, having spent most of his life quietly in the employ of wealthy landowners in Cambridgeshire and Norfolk up to the Restoration, when he took up a court appointment as a lutenist. His pupil-patrons Sir Nicholas and Roger L'Estrange and Roger North were, however, much quoted figures of the period.

    Jordi Savall - Diego Ortiz: Recercadas del Trattado de Glosas, 1553 (1990)

    Posted By: ArlegZ
    Jordi Savall - Diego Ortiz: Recercadas del Trattado de Glosas, 1553 (1990)

    Jordi Savall, Ton Koopman, Andrew Lawrence-King, Lorenz Duftschmid, Rolf Lislevand, Paolo Pandolfo - Diego Ortiz: Recercadas del Trattado de Glosas, 1553 (1990)
    EAC | FLAC | Image (Cue & Log) ~ 246 Mb | Total time: 49:35 | Scans included
    Classical | Label: Auvidis / Astrée | # E 8717 | Recorded: 1989

    On 10th December, 1553, at one of the highpoints in the Golden Age of Spanish music, there appeared in Rome the TRATTADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS EN LA MUSICA DE VIOLONES NUEVAMENTE PUESTOS EN LUZ by Diego Ortiz, who was also known under the name “el Toledano”. An inevitable reference point for the study of instrumental performance practice in the 16th century, this work is of exceptional interest, both for its purely historical significance and for its artistic value, since it contains the finest examples of the known repertoire for viola da gamba (vihuela de arco or violone) and harpsichord in the Renaissance period.

    Paolo Pandolfo, Rinaldo Alessandrini - Carl Philipp Emanuel Bach: Sonate per viola da gamba e basso continuo (2007)

    Posted By: ArlegZ
    Paolo Pandolfo, Rinaldo Alessandrini - Carl Philipp Emanuel Bach: Sonate per viola da gamba e basso continuo (2007)

    Paolo Pandolfo, Rinaldo Alessandrini - Carl Philipp Emanuel Bach: Sonate per viola da gamba e basso continuo (2007)
    EAC | FLAC | Image (Cue & Log) ~ 379 Mb | Total time: 67:18 | Scans included
    Classical | Tactus | TC 71020501 | Recorded: 1989

    C.P.E. Bach's music often has a bizarrely experimental quality mixed incongruously but fascinatingly with a conservatism born of his father's influence, and this program of early works, dating from the 1740s and 1750s, offers good examples.

    Montserrat Figueras - Claudio Monteverdi: Arie e Lamenti (1991)

    Posted By: ArlegZ
    Montserrat Figueras - Claudio Monteverdi: Arie e Lamenti (1991)

    Montserrat Figueras - Claudio Monteverdi: Arie e Lamenti (1991)
    EAC | FLAC | Image (Cue & Log) ~ 282 Mb | Total time: 61:30 | Scans included
    Classical | Label: Astrée | # E 8710 | Recorded: 1989

    Montserrat Figueras one of the best performers of Claudio Monteverdi’s vocal music. At this time, she developed an innovative style of interpretation, characterised by great fidelity to historical sources, combined with an extraordinary creative and expressive power, that has exerted a decisive influence on the whole historical music movement.
    Vocal music before 1800 required a new technical and stylistic approach capable of restoring to the beauty and emotion of the voice, that most human of all forms of expression, the necessary balance between singing and declamation, with an emphasis on the poetic and spiritual dimension of the text.

    Ensemble Aurora, Concerto Italiano, Fortuna Ensemble - Alessandro Scarlatti: Cantatas (2007)

    Posted By: ArlegZ
    Ensemble Aurora, Concerto Italiano, Fortuna Ensemble - Alessandro Scarlatti: Cantatas (2007)

    Ensemble Aurora, Concerto Italiano, Fortuna Ensemble - Alessandro Scarlatti: Cantatas (2007)
    EAC | FLAC | Image (Cue & Log) ~ 844 Mb | Total time: 68:53+67:07+43:01 | Scans included
    Classical | Label: Brilliant Classics | # 93355 | Recorded: 1988, 1990, 2001

    This is a selection of rarely-heard intimate compositions by the incredibly prolific composer, Alessandro Scarlatti. He had great affinity with opera and indeed, wrote dozens of them. His dramatic vein shows itself in many of his smaller-scale vocal works too, particularly the secular (chamber) cantatas (of which genre he wrote no less than 820), duets and in the three intermezzos. In each case, the music conveys the precise meaning of the text, which is partly in dialect. Here, the composer achieves a unique level of expressiveness.