Off the Ground is the ninth solo studio album by Paul McCartney under his own name, released in 1993. As his first studio album of the 1990s, it is also the follow-up to the well-received Flowers in the Dirt (1989). In the United Kingdom, the album debuted at number 5 and quickly fell off the chart, spending only 6 weeks inside the top 100. In the United States, it peaked at the number 17 on the Billboard 200 with the first-week sales of only 53,000 copies, managing to receive Gold by the Recording Industry Association of America. Although it met with mixed reviews from critics and suffered from lackluster sales in the UK and North America, the album fared better in other key markets such as Spain.

Released after the studied, meticulous Flowers in the Dirt, the live acoustic concert album Unplugged was a breath of fresh air, and it remains one of the most enjoyable records in McCartney's catalog. Running through a selection of oldies – not only his own, but Beatles and rock & roll chestnuts – McCartney is carefree and charming, making songs like "Be-Bop-a-Lula" and "Blue Moon of Kentucky" (which finds Paul melding Bill Monroe with Elvis) sound fresh. But the real revelations of the record are the songs McCartney hauls out from his debut – "That Would Be Something," "Every Night," and "Junk" – which sound lovely and timeless, restoring them to their proper place in his canon. They help make Unplugged into a thoroughly enjoyable minor gem.

Wild Life, the debut album from Wings was originally released December 1971 and is the eleventh release in the Paul McCartney Archive Collection, personally supervised by Paul McCartney. Written by Paul and Linda McCartney (with the exception of a cover of Mickey & Sylvia's Love Is Strange ), Wild Life is beloved by fans for its raw and direct vibe - having been recorded in just over a week with the majority of tracks laid down in a single take. The 2CD digipack features the original album remastered at Abbey Road Studios on CD1 and bonus audio of singles B-sides, and previously unreleased tracks on CD2.

Off the Ground is the ninth solo studio album by Paul McCartney under his own name, released in 1993. As his first studio album of the 1990s, it is also the follow-up to the well-received Flowers in the Dirt (1989). In the United Kingdom, the album debuted at number 5 and quickly fell off the chart, spending only 6 weeks inside the top 100. In the United States, it peaked at the number 17 on the Billboard 200 with the first-week sales of only 53,000 copies, managing to receive Gold by the Recording Industry Association of America. Although it met with mixed reviews from critics and suffered from lackluster sales in the UK and North America, the album fared better in other key markets such as Spain. In some countries like France and Japan, it was able to surpass its predecessor Flowers in the Dirt in cumulative sales.

Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and / or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as brilliant and adventurous milestone in the McCartney discography. The all-star lineup Includes Anderson .paak, Beck, Blood Orange, Damon Albarn, Eob, Josh Homme, Khruangbin, 3d Rdn From Massive Attack, Phoebe Bridgers, St. Vincent and more.

Teaming with Greg Kurstin – a producer best-known for helming Adele's Grammy-winning 25, but also a musician in his own right, collaborating with Inara George in the savvy retro duo the Bird and the Bee – is a signal from Paul McCartney that he intends Egypt Station, his 18th solo album, to be a thoroughly modern affair. It is, but not in the way that the glitzy 2013 album New, with its fair share of Mark Ronson productions, was…

At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles…

When Paul McCartney returned to the studio a year after his wife Linda's death, he wanted to cut loose and have a good time. He gathered a bunch of friends, most notably guitarist David Gilmour, with the intention of cutting a collection of rock & roll oldies with minimal rehearsal and a handful of takes. On the surface, that makes Run Devil Run like Choba B CCCP, but there are subtle differences that make Devil a far superior effort…

All right, he's made a record with his wife and a record with his pickup band where democracy is allegedly the conceit even if it never sounds that way, so he returns to a solo effort, making the most disjointed album he ever cut. There's a certain fascination to its fragmented nature, not just because it's decidedly on the softer side of things, but because his desire for homegrown eccentricity has been fused with his inclination for bombastic art rock à la Abbey Road…

Band on the Run is generally considered to be Paul McCartney's strongest solo effort. The album was also his most commercially successful, selling well and spawning two hit singles, the multi-part pop suite of the title track and the roaring rocker "Jet." On these cuts and elsewhere, McCartney's penchant for sophisticated, nuanced arrangements and irrepressibly catchy melodic hooks is up to the caliber he displayed in the Beatles, far surpassing the first two Wings releases, Wild Life and Red Rose Speedway…

As the thirteenth release in the Paul McCartney Archive Collection, this numbered, limited seven-disc (5CD/2DVD) Deluxe Edition Box Set is comprised of the original album remastered at Abbey Road Studios. Video content including the In The World Tonight documentary, original music videos, EPKs, interviews, performances and behind-the-scenes material.

After the breakup, Beatles fans expected major statements from the three chief songwriters in the Fab Four. John and George fulfilled those expectations – Lennon with his lacerating, confessional John Lennon/Plastic Ono Band, Harrison with his triple-LP All Things Must Pass – but Paul McCartney certainly didn't, turning toward the modest charms of McCartney, and then crediting his wife Linda as a full-fledged collaborator on its 1971 follow-up, Ram…

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark…

Red Rose Speedway is the twelfth release in the Paul McCartney Archive Collection, personally supervised by Paul McCartney. Released in April 1973 and featuring the #1 single My Love, Red Rose Speedway was the first Wings album to hit #1 on the U.S. chart. The 2CD digipack features the original album remastered at Abbey Road Studios on CD1 and bonus audio of singles, B-sides and previously unreleased tracks on CD2.