Released in 2016 on the Sunhair Music label, First Life is the stunningly ambitious debut album from the adventurous German quartet Cubus Maximus. Across nine expansive tracks, the powerhouse ensemble—consisting of keyboardist Max Arsava, guitarist Nick Heb, bassist Robert Nemec, and drummer/vibraphonist Simon Schellhorn—presents an intricate and highly creative brand of modern jazz rock fusion. The music deftly navigates between explosive, guitar-driven progressive rock riffs and deeply exploratory avant-garde jazz improvisations. From the spoken-word atmosphere of the cinematic "Intro" to massive, multi-movement compositions like "Wald & Wiese" and "Der Tiger," the band showcases an incredible command over shifting time signatures, intense dynamics, and lush sonic architecture. Balancing complex, technical instrumental workouts with dark, brooding soundscapes, this captivating record stands as a thrilling, essential journey for collectors of forward-thinking progressive jazz fusion and modern rock architecture.

Released in 2014 by RockBeat Records, Halloween Nuggets: Monster Sixties a Go-Go is an ambitious, sprawling, and beautifully curated three-disc box set celebrating the glorious golden age of vintage novelty horror rock. Packing an incredible ninety-eight tracks across over three and a half hours, this collection unearths a goldmine of highly obscure, rare, and deeply entertaining mid-century gems primarily spanning the late 1950s and the 1960s. The musical lineup is exceptionally diverse, offering a magnificent blend of raw garage rock stomp, surf rock twang, wild rockabilly, and early psychedelic experimentations all bound together by ghoulishly playful themes. Listeners are treated to an absolute festival of monsters, witches, vampires, and ghouls, featuring iconic tracks like Round Robin's driving I'm The Wolfman and Jackie Morningstar's frantic Rockin' In The Graveyard. Interspersed throughout the musical selections are dozens of authentic, spine-tingling audio snippets and vintage horror movie theatre trailers, including timeless advertisements for cult classics like Plan 9 From Outer Space, Robot Monster, and Night Of The Blood Beast. This definitive compilation serves as the ultimate high-energy time capsule for collectors of vintage garage rock and obscure Americana pop culture artifacts.

Released independently in 2010, Mode 0909 stands as a massive, heavy, and deeply hypnotic sonic statement from the German instrumental outfit Buddha Sentenza. Spanning ten sprawling tracks across nearly fifty-five minutes, the album masterfully fuses classic heavy psychedelic rock with expansive stoner metal grooves, space rock atmospherics, and intricate progressive structures. The band operates entirely without a vocalist, letting their dense arrangements and cinematic instrumental narratives tell the story. The guitar work from General Punishment and Baa Baa Blacksheep builds walls of crushing riffs and soaring melodic leads, while the unique incorporation of violin and sitar introduces unexpected rustic and Eastern textures. Pontifex Maximus adds cosmic depth with swirling synthesizer backdrops, all held together by the powerhouse, thunderous rhythm section of bassist Munro Merthahens and drummer Jesus Malverde. Moving seamlessly from the dark doom-laden opener Black Coal Funeral to the chaotic intensity of Noise from the Death Factory and the epic space-grooves of Kehakeeltekool, this album delivers an incredibly immersive, trippy, and heavy instrumental journey.

A compilation of several concerts, mainly based on the series of concerts given at Earls Court in London in October 1994, with the aim of recreating a kind of perfect concert from the 94 tour.