There’s one thing Forth Wanderers want to make clear as they prepare to release their third album The Longer This Goes On: “We’re not back,” guitarist Ben Guterl says emphatically. It’s perhaps an unexpected sentiment to pair with the band’s first album since they parted ways seven years ago, but the band insists it’s just an honest answer—they came together to record the ten intricately constructed gems that make up this new record, and they’re still figuring out what being in Forth Wanderers means to them, over ten years after the project’s conception. Listening to these songs, each a glittering celebration of vocalist Ava Trilling’s urgent and intuitive lyrics and the band’s natural musical chemistry, though, it’s hard to feel like there’s much of anything left unsaid. Filled with spit-shined melodies, chiming vocal harmonies, and slinky, slanted rhythms, the album is more expansive than just a return to form. Here, the band aren’t afraid to take the scenic route to a hook, layering instrumental flourishes to fill in the empty spaces, creating room for Trilling’s haunting range, or repeating a riff or a lyric until it becomes a Zen koan. On The Longer This Goes On, Forth Wanderers sound more self-aware and self-assured than ever before. Just don’t call it a comeback.

Having released three albums in Welsh and Cornish, 'Utopia' is Gwenno Saunders’ first album recorded predominantly in English, and presents a very different side to her life and songwriting. Forty-three years into her life, Saunders has been many people. The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes. There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub.

It's crazy to think that the beloved 2007 movie Once and its soundtrack almost didn't happen, at least not in the way that ended up charming the world. Cillian Murphy was originally meant to play the role of a busker who falls for a young flower seller and creates magical songs with her before a star-crossed, not-quite-happy ending. In real life, of course, it was Glen Hansard who ended up starring opposite Markéta Irglová, winning an Oscar alongside her for "Falling Slowly," forming the folky duo The Swell Season and (for better or worse) inspiring countless imitators—and becoming a couple. The relationship lasted long enough for a second album in 2009, but the duo parted ways even as Once lived on as a Tony-winning musical. Hansard has released several solid, sometimes very good, albums on his own and with The Frames, and Irglová has continued to make music as well. But neither has re-created the success or alchemy of their original partnership.

Be Here Now is the third release in the Oasis 'Chasing The Sun: 1993-1997’ series, released October 14th 2016 on Big Brother Recordings. One of the most anticipated album releases of all time, Be Here Now was recorded with producer Owen Morris at Abbey Road Studios, Ridge Farm Studios, and Air Studios between October 1996 and May 1997. Originally released on Thursday 21st August 1997, it has sold over 8 million copies worldwide.

Fade Evare are an electronic alt-pop four-piece from Melbourne, formed around siblings Mira and Tori Holleman (formerly of Retiree). They deal in dubby, bass-heavy arrangements, blended with hypnotic, trip-hop production, and fresh pop textures. Think Portishead, Massive Attack and The xx, in 2025.

After he'd been a fixture of the British new wave/punk/underground/alternative scene since the late '70s, 1994's Take Me to God marked Jah Wobble's first major commercial success as a solo artist, reaching number 13 in the U.K. The use of numerous guest musicians (including Can drummer Jaki Leibezeit) gives this a feel of a rotating collective, with Wobble (who plays several instruments here in addition to the one he's most known for, bass) the constant. Quite a few singers contribute, giving this more of a song-oriented feel than some of his other work, some of the more celebrated including Gavin Friday, Dolores O'Riordan of the Cranberries, Senegalese vocalist Baaba Maal, and top world music artist Najma Akhtar. The 66-minute length of these sprawling excursions almost inevitably means the program will drag at times, according to your musical inclinations. Lyrically, too, it's so varied as to make it difficult to connect with a pronounced attitude or viewpoint, the concerns ranging from the almost indecipherably frivolous ("Yoga of the Nightclub") to the numerous references to God that pepper the song titles. But it's an interesting assortment of tracks combining currents flowing through mid-'90s alternative rock, world music, reggae, club beats, dub, and African pop, adding up to an extremely heterogeneous whole.

I Punkreas celebrano uno dei loro dischi più iconici, Paranoia e Potere, con una riedizione speciale e un tour con date imperdibili.

Toward the Within (1994) is the first official live album of Brendan Perry and Lisa Gerrard's group Dead Can Dance. It contains 15 songs, of which only four appeared on their previous albums, and two of which were later re-recorded and included on Lisa Gerrard's first solo album, The Mirror Pool. The others previously existed only in live performances and unofficial bootlegs, but were not officially released until Toward the Within. Along with Perry and Gerrard were a number of musicians who had performed with them on other occasions.

Spiritchaser is the seventh studio album by Dead Can Dance, and the last before Brendan Perry and Lisa Gerrard went their separate ways. It expands on its exploration of world music, and like Into the Labyrinth, was recorded at Quivvy Church, Perry's personal studio in Ireland. The album was dedicated to Lisa Gerrard's deceased brother, Mark Gerrard. The track "Indus" contains a melody that is very similar to that of "Within You Without You", a Beatles song that George Harrison wrote and recorded with Indian musicians in 1967. Although not deliberate, Perry and Gerrard were asked to contact Harrison for his permission to use it; he granted it, but the record company insisted that they give him partial songwriting credit on "Indus".

Durry return with This Movie Sucks, an energetic and emotionally charged follow-up to their breakout debut, Suburban Legend. Described by the Minnesota siblings as “a kick in the teeth and a nice warm hug all rolled into one,” the album blends caustic humour and genuine heart to explore the chaos of modern life — from internet toxicity and economic anxiety to grief and personal loss.

After releasing “Burn”, a collaborative album with Lisa Gerrard from Dead Can Dance, Jules Maxwell now joins forces with the multi-award winning Portuguese singer LINA_ to explore the poetic connections between Ireland and Portugal in a work entitled “Terra Mãe” (Mother Earth). The album features adaptations by the Portuguese writer and composer Amelia Muge and, like the “Burn” record, it is produced by English producer James Chapman (aka MAPS).

Songwriter and pianist Anne Clark has been a cult figure since the early '80s and has amassed a rather sizable catalog despite her small but rabid following. She writes nearly-Gothic love songs full of obsession and pathos, and pretty orchestral settings with clever instrumental figures and stinging piano runs and minor-key epiphanies. She's a consummate artist, playing to her strengths while trying to subtly, but surely, extend her reach, and always following her own muse, even when it takes her into dissonant territory. Most of her albums are out of print even on CD, and sell for collector's prices when they can be found. This is too bad, because Clark has assembled a solid, if quirky, and passionately honest body of work. This best-of issued by Beehive is truly that. It features 24 tracks and clocks in at over 75 minutes. Many of these are Clark's most lovely songs, such as "The Sitting Room," "All Night Party" (with Vini Reilly of Durutti Column), the "12" remix" of "Our Darkness," and "The Last Emotion," as well as instrumental themes such as "Swimming" and "An Ordinary Life".

late night drive home are releasing their debut album as "I watch my life". A criticism of their adolescence always existing in the shadow of the internet, the 13-track offering codes together vignettes of mistaking online connection for something real. With their success outgrowing the bedrooms they used to create in, late night drive home’s debut album is the first time they’ve worked in proper studios. And with this growth, we see them move from the indie-rock bucket to a more expansive, electronic realm.

Taking the hard rock inclinations of Generation Terrorists to an extreme, the Manic Street Preachers delivered a flawed but intriguing second album with Gold Against the Soul. Inspired by Guns N' Roses, the Manics decided to rework their working-class angst as heavy arena rock; they seize upon the latent politicism of Guns N' Roses' tortured white-trash metal, interpreting it as a call to arms. Since the Manics are more intellectual and revolutionary than the Gunners, Gold Against the Soul burns with inspired, if confused, rhetoric.

Months after the release of the harrowing The Holy Bible, Manic Street Preachers guitarist Richey James disappeared, leaving no trace of his whereabouts or his well-being. Ultimately, the remaining trio decided to carry on, releasing their fourth album, Everything Must Go, in 1996. Considering the tragic circumstances that surrounded it, Everything Must Go is the strongest, most focused, and certainly the most optimistic album the Manics ever released. Five of the songs feature lyrics Richey left behind before his disappearance, and while offering no motivation for his actions, they do hint at the depths of his despair.