"Basically, it's about transience," Eno says of the new recording, whose moments of silence are of great importance in allowing the music to breathe while the listener explores what they feel and what comes to mind.

Roger Eno is a British composer and musician whose distinctive style as a recording artist has attracted a cult following. Last year he made his debut on DG with Mixing Colours, his first duo album with his brother, Brian, which was released to great acclaim. The Turning Year allows the listener to step through Roger Eno’s looking-glass, filled with glimpses of pastoral scenes and free-flowing, affecting compositions. These pieces are exquisitely realised by Eno as pianist and he is joined on some tracks by the lauded German string ensemble Scoring Berlin. With a blend of recent compositions and live favourites from Eno’s concert repertoire, the album offers a comprehensive presentation of the composer’s solo work.

A sublime addition to Sean McCann’s Recital Program, This Floating World is Roger Eno’s first solo LP in a decade, following on from Anatomy [2008] and a split LP with Plumbline in 2013. Mostly solo piano expressions, but with a few intriguing embellishments of electronics in Garden, vocals on Empty Room, and sonorous chimes in Riddle, saving the detuned pearl of Out of Tune, Out of Time, Out of Here for dessert…

Roger and Brian Eno explore the nature of sound in their first ever duo album, Mixing Colours. Set for international release on 20 March 2020 in digital, vinyl and CD digi-pack formats, their Deutsche Grammophon debut is a major milestone in their ongoing creative collaboration. The album’s eighteen soundscapes invite listeners to immerse themselves in the infinite space that lies below their surface.

The “Mixing Colours” story continues with “Luminous” adding to Roger Eno & Brian Eno’s first duo album on Deutsche Grammophon, including “Pewter” (former Japan-only bonus track) and 6 brand new tracks.

The expanded edition, out July 17th, includes six new tracks along with “Pewter,” previously only issued as a bonus track in Japan. The new song titles are color-based as well: “Moss,” “Violet,” “Vermilion,” “Marble” and “Malachite.”

This is how it came about: Prior to the effort in question, Hammill and Roger Eno chose a key in which to begin, and a specific time at which their performances would start. Then, sitting in their respective studios, miles apart, and with no communication whatsoever, they began to improvise, using various instruments. After one hour exactly, both ceased performing…