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Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

Posted By: Designol
Ferenc Fricsay, Stanislav Macura, Herbert von Karajan, Rafael Kubelik - Franz Liszt: Symphonic Poems Vol. 1 (2017)

Franz Liszt: Symphonic Poems Vol. 1 (2017)
RIAS Symphony Orchestra, Ferenc Fricsay; Prague RSO, Stanislav Macura
Berliner Philharmoniker, Herbert von Karajan; Bavarian RSO, Rafael Kubelik

EAC | FLAC | Image (Cue&Log) ~ 422 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
Genre: Classical | Label: Praga | # PRD/DSD 350 124 | Time: 01:19:56

Both the term symphonic poem and the form itself were invented by Franz Liszt, who in works such as Les Préludes (1848; after Alphonse de Lamartine’s Méditations poétiques) used thematic transformation to parallel the poetic emotions. That’s true again with Byron (Tasso, lamento e trionfo), Schiller (Die Ideale) and Victor Hugo (Mazeppa). A winning quartet!

Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)

Posted By: ArlegZ
Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)

Ferenc Fricsay, Radio-Symphonie-Orchester Berlin - Wolfgang Amadeus Mozart: Grosse Messe C-moll (1989)
EAC | FLAC | Image (Cue & Log) ~ 322 Mb | Total time: 63:46 | Scans included
Classical | Label: Deutsche Grammophon | # 429 161-2 | Recorded: 1960

This 1960 recording of the Great C Minor Mass is here released under the Deutsche Grammophon Originals umbrella, and is thoroughly deserving of the accolade. This is an account of the work which is completely uninfluenced by authentic practice–if you're already curling your lip, then please stop here–but which establishes its own terms of performance with such assurance that it's almost impossible to resist. The forces (both orchestral and choral) are large but by no means unwieldy, and directed with infectious and spirited enthusiasm by Fricsay. The effect is one of solidity and grandeur, but without any hint of pomposity: indeed, the jubilant choruses of the Gloria have an almost childlike glee about them.

Yehudi Menuhin - Beethoven, Mozart, Bruch: Violin Concertos (2007)

Posted By: Vilboa
Yehudi Menuhin - Beethoven, Mozart, Bruch: Violin Concertos (2007)

Yehudi Menuhin - Beethoven, Mozart, Bruch: Violin Concertos (2007)
PAL 4:3 (720x576) | (LinearPCM, 1 ch) | 5.59 Gb (DVD9) | 107 min
Classical | EMI Classics

This concert film captures legendary violinist Yehudi Menuhin performing concertos by such luminaries as Mozart, Beethoven, and Bruch.

Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.2 (37CDs Box Set, 2015)

Posted By: Discograf_man
Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.2 (37CDs Box Set, 2015)

Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.2 (37CDs Box Set, 2015)
MP3 CBR 320 kbps | Run Time: 41:55:37 | 5,35 Gb
Genre: Classical | Label: Deutsche Grammophon

Deutsche Grammophon presents the second and final volume of Ferenc Fricsay’s complete recordings for the label. Vol. 2 gathers the totality of Fricsay’s œuvre with the human voice, covering all of his opera, orchestral song and choral recordings on 37 CDs.

Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.1 (45CDs Box Set, 2014)

Posted By: Discograf_man
Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.1 (45CDs Box Set, 2014)

Ferenc Fricsay - Complete Recordings on Deutsche Grammophon, Vol.1 (45CDs Box Set, 2014)
MP3 CBR 320 kbps | Run Time: 52:34:33 | 7,06 Gb
Genre: Classical | Label: Deutsche Grammophon

Deutsche Grammophon unites all of its Fricsay recordings into 2 volumes, of which this is the first. FERENC FRICSAY – Complete Recordings on Deutsche Grammophon Vol. 1 presents Fricsay's orchestral output in its entirety, covering symphonies, concertos, waltzes, overtures, ballets etc.

Ferenc Fricsay - Beethoven: Triple Concerto, Brahms: Double Concerto (1996)

Posted By: tirexiss
Ferenc Fricsay - Beethoven: Triple Concerto, Brahms: Double Concerto (1996)

Ferenc Fricsay - Beethoven: Triple Concerto, Brahms: Double Concerto (1996)
EAC | FLAC (image+.cue, log) | Covers Included | 01:11:20 | 396 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 435 692-2

The Brahms double concerto is simply in a class of its own with all musicians solely concerned with getting to the essence of the music and the way they play is simply sublime. I would also place this version of the Beethoven triple concerto above the celebrated EMI performance by Karajan, Oistrakh, Richter and Rostropovich which I also have. Fricsay and his soloists put the music first in a way true musicians know how to without having to resort to any gimmick of any kind . Here,tempi, orchestral dynamics and balance seem to happen in a most natural ,simple manner ,allowing the music to flow to the point of timelessness.

Ferenc Fricsay, Deutsche Oper Berlin - Mozart: Don Giovanni (2012/1961)

Posted By: Vilboa
Ferenc Fricsay, Deutsche Oper Berlin - Mozart: Don Giovanni (2012/1961)

Ferenc Fricsay, Deutsche Oper Berlin - Mozart: Don Giovanni (2012/1961)
NTSC 4:3 (720x480) VBR | Deutsch (LinearPCM, 2 ch) | 5.86 + 5.55 Gb (2xDVD9) | 176 min
Classical | Arthaus Musik | Sub: Deutsch, English, Francais, Espanol, Italiano, Japanese, Korean

The opening of the Deutsche Oper Berlin on 24 September 1961 is always seen in the context of partition of Germany, cemented six weeks earlier, and the construction of the Berlin Wall. The coincidence of the two events did not go unnoticed in the many press reports at the time, with most citing remarks about the city’s circumstances by the then Governing Mayor of Berlin, Willy Brandt: “Having experienced more in the last few weeks than in an entire generation, a city divided by a wall of coercion and shame is once again making music, producing theatre, staging fine international exhibitions and can at last open the doors of its long-awaited new opera house.” For almost twenty years – since the destruction of the former “Deutsches Opernhaus” in November 1943 – Berlin had had to make do with a makeshift stage. Although already in the early stages of a terminal illness, Ferenc Fricsay conducted the inaugural performance.