From the first listening to Héritage, the much-awaited fourth album by Songhoy Blues, it's clear that the 4-piece rock band from northern Mali are in a new frame of mind, moving into a more acoustic, creative re-imagining of the "desert blues" style that has brought them to world fame. For over a decade, when not on tour, the four members of Songhoy Blues, three of whom are originally from the north, have been based in Bamako, capital of Mali, unable to return to their homeland, where musicians are in real danger of their lives because of religious fanaticism that sees music as 'haram' (a sin). Charismatic, articulate and creative, the band burst onto the scene in 2013 with a powerful style and stage manner once described as "Timbuktu Punk".

Songhoy Blues are a young and exuberant Malian band who already have a remarkable history behind them. They fled from their homes in the north when radical Islamists overran the region, and on reaching the safety of Bamako, decided to form a band – at which point their fortunes dramatically changed. They came to the attention of Amadou & Mariam’s manager, Marc-Antoine Moreau, who was looking for musicians who could record with the Africa Express team when they came to town; they also collaborated with Nick Zinner of the Yeah Yeah Yeahs on the AE’s Maison Des Jeunes set. Now comes their first full album, co-produced by Moreau and Zinner, and it’s an impressively varied and rousing set, if somewhat predictable. There’s electric desert blues (Nick), slinky, acoustic ballads (Petit Metier), and reworkings of songs from the Songhoy tradition. A band to watch.

SONGHOY BLUES is a band whose experiences in Mali have opened their eyes to universal problems plaguing people everywhere. Using the pain and lessons learned from having to leave their hometowns in northern Mali, the band realizes that human rights is a concept that extends far beyond what they have seen with their own eyes and far beyond just the borders of Mali. In order for the band to see their homes restored, they understand the fight must be fought on all fronts, for everybody across the spectrum. They are no longer refugees or exiles or four people with instruments—they are SONGHOY BLUES, a musical voice for empowerment and equality.