Joyce Di Donato and Maite Beaumont are outstanding as the devoted couple tormented by Tiridate’s abuse of power. Their flexible and agile voices are ideally displayed in the opening scenes of Act 2 – Beaumont’s sublime ‘Quando mai’ followed by Di Donato’s powerful ‘Ombra cara’. Patrizia Ciofi is suited to the moods of the Tiridate’s long-suffering wife. Dominique Labelle is the most rounded and ideally equipped Handel soprano in the cast: the music effortlessly trips off her tongue in ‘Mirerò quel vago volto’…

Following their hugely successful cycle of Vaughan Williams’ nine symphonies, the Royal Liverpool Philharmonic Orchestra is led by Andrew Manze in this album of the composer’s most popular shorter orchestral works. This disc features Fantasia on a Theme by Thomas Tallis, Fantasia on Greensleeves, The Lark Ascending and The Five Variants of Dives and Lazarus, as well as the rarely performed orchestral version of The Serenade to Music.

For the upcoming 500th anniversary of the death of the great Franco-Flemish composer Pierre de la Rue (around 1460-1518), the vocal ensemble The Sound and the Fury, which specializes in early music, has recorded a selection of the composer’s artistic masses for the label FRA BERNARDO, which impressively reflect the high standard at the court of the music-loving and music-savvy Margaret of Austria. The Pierre de la Rue masses on this recording have one thing in common: they are all based on monadic models, thus in keeping with the most traditional of cyclic mass composition models, the cantus firmus mass.

When The Omega Syndicate burst onto the scene in 2004 with their exhilarating debut “Analogue Waves” they quickly made quite an impression and many friends into the bargain. In a UK scene often accused of being lacklustre and amateurish, The Omega Syndicate have flown in the face of any such criticism with their exciting and dynamic fresh sounding take on the traditional Berlin School sound. Although they are creating long tracks with synths, sequencers and Mellotrons, what they produce is wholly original and while it can be said firmly and squarely to be “Berlin School”, it doesn’t always sound like a clone of Schulze or Tangerine Dream.

With her mix of blues, soul, and rock, plus the just tangible presence of her native Mississippi gospel background, Zora Young can be a powerful performer when the material is there. On the best cuts from Tore Up from the Floor Up, her third album and second for Delmark, she shows a kind of hard-earned wisdom and an assurance in her vocals that rises well above mere shouting, and tracks like the moody, dynamic "Toxic" and the romping title tune (both of which are Young originals) show her to be a solid songwriter as well. She also turns in fine readings on a pair of covers, turning atmospheric on Muddy Waters' "Two Trains Running" and giving B.B. King's "I'm Gonna Do the Same Thing They Did to Me" a saucy, determined sheen…

The 3rd Essen Pop & Blues Festival took place in the Gruga Hall between 22 and 25 October 1970, featuring bands such as Guru Guru, Xhol, Embryo, Fotheringhay, East of Eden, Q 65, Gun, Quiver and Taste. Roland Verheyen, a staff member of promoter Konrad Mallison, recorded the entire festival directly from the soundboard. About a half of the tapes had meanwhile been used for other recordings, but a large part of the original recordings has survived. Garden of Delights has acquired the rights to these tapes. A lot of studio processing without any noticeable changes in the sound had become necessary to make the Guru Guru gig suitable for release. The 36-page colour booklet contains everything a collector might be looking for: a detailed history of early Guru Guru, an 11-page discography, reprints of covers and partly unpublished band photos.

Having already recorded for ECM as a member of Azimuth - the band also included her husband, pianist John Taylor, and trumpeter Kenny Wheeler - it seemed only a matter of time before Norma Winstone would contribute her fine and very original vocal talents to a solo disc for the label; hence listeners have 1987's Somewhere Called Home. It's not only a watermark of Winstone's career but, in the long line of modern vocal outings released since the romantic vocal tradition of Fitzgerald and Vaughan ended with free jazz and fusion, the disc stands out as one most original yet idyllic of vocal jazz recordings. Joined by Taylor and British saxophone legend Tony Coe, Winstone imparts equal measures of intimacy and drama to the proceedings…

After a string of hits, Unborn Child was a mistake coming from the Seals & Crofts camp when it did. Blatantly anti-abortion, it did little to help their careers and nothing in the way of chart success. But one must consider that it does hold good music in its grooves, and with today's attitudes changing, perhaps this isn't as harsh as it first appeared to be.
It's possible to hear the progression of soft rock through the music of Seals & Crofts, the duo who recorded some of the genre's perennials. Over the course of the 1970s, Seals & Crofts evolved from a gentle folk-rock duo to purveyors of slick, polished pop, two sounds that became inextricably associated with the Me Decade. Practitioners of the Baha'i Faith - at the height of their fame in the mid-'70s, they'd extol its virtues to fans - the duo were drawn to the quieter aspects of rock music, developing a signature sound distinguished by their easy melodicism and mellow vibe…