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    Tianwa Yang, Gabriel Schwabe, Antoni Wit - Johannes Brahms: Violin Concerto; Double Concerto (2019)

    Posted By: ArlegZ
    Tianwa Yang, Gabriel Schwabe, Antoni Wit - Johannes Brahms: Violin Concerto; Double Concerto (2019)

    Tianwa Yang, Gabriel Schwabe, Antoni Wit, Deutsches Symphonie-Orchester Berlin - Johannes Brahms: Violin Concerto; Double Concerto (2019)
    EAC | FLAC | Image (Cue & Log) ~ 337 Mb | Total time: 72:25 | Scans included
    Classical | Label: Naxos | 8.573772 | Recorded: 2017

    Brahms’ string concertos are indissolubly linked with the musicians for whom the works were written. He wrote his Violin Concerto for Joseph Joachim, and in it he combined what a contemporary critic termed ‘the great and serious’ with songful lyricism, melodic beauty, and a fiery Hungarian finale. To mend a breach with the violinist, Brahms later composed a concerto with the unusual combination of violin and cello, the latter played at the premiere by Joachim’s colleague Robert Hausmann. Neither instrument predominates in a work of reconciliation that embodies both drama and reflection.

    Eldar Nebolsin - Chopin: Piano Concerto No.1, Fantasia on Polish Airs, Krakowiak (2010)

    Posted By: tirexiss
    Eldar Nebolsin - Chopin: Piano Concerto No.1, Fantasia on Polish Airs, Krakowiak (2010)

    Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit - Chopin: Piano Concerto No.1, Fantasia on Polish Airs, Krakowiak (2010)
    EAC | FLAC (image+.cue, log) | Covers Included | 67:42 | 275 MB
    Genre: Classical | Label: Naxos | Catalog: 8.572335

    Chopin's two piano concertos are almost always paired with each other on recordings, but this Naxos release, with Uzbek-born pianist Eldar Nebolsin and the Warsaw Philharmonic under Antoni Wit, offers a more inventive and even more illuminating program of early Chopin pieces. The Fantasia on Polish Airs, Op. 13, actually predated the Piano Concerto No. 1 in E minor, Op. 11, and it's quite rarely performed.

    Antoni Wit - The Best of Antoni Wit (2024)

    Posted By: ciklon5
    Antoni Wit - The Best of Antoni Wit (2024)

    Antoni Wit - The Best of Antoni Wit (2024)
    FLAC (tracks), Lossless / MP3 320 kbps | 147:56 min | 626 / 335 Mb
    Genre: Classical

    Veteran conductor Antoni Wit has been a major champion of Polish contemporary music but also has a wide repertory of music from many countries. He was conductor of the Polish Radio Symphony Orchestra, Katowice, and then the Warsaw Philharmonic Orchestra for many years.

    Norrköping Symphony Orchestra & Antoni Wit - Penderecki (2023)

    Posted By: delpotro
    Norrköping Symphony Orchestra & Antoni Wit - Penderecki (2023)

    Norrköping Symphony Orchestra & Antoni Wit - Penderecki: Symphony No. 6 'Chinesische Lieder', Trumpet Concertino & Concerto doppio (2023)
    WEB FLAC (tracks) - 258 Mb | MP3 CBR 320 kbps - 145 Mb | Digital booklet | 01:00:51
    Classical, Vocal | Label: Naxos Records

    Penderecki’s Symphony No. 6 ‘Chinese Songs’ is an intimate, chamber-scale work for bass-baritone and orchestra. It sets eight Chinese poems in German adaptations linked with interludes for the two-stringed erhu. It proved to be Penderecki’s last completed symphony and is imbued with great pathos as well as melodic beauty. The Trumpet Concertino is taut, spirited and full of dextrous interplay between the soloist and orchestra. His single-movement Concerto doppio for violin, cello and orchestra, is a work of keen unpredictability.

    Warsaw PO; Antoni Wit - Henryk Gorecki: Concerto-Cantata; Little Requiem; Three Dances; Harpsichord Concerto (2012)

    Posted By: Designol
    Warsaw PO; Antoni Wit - Henryk Gorecki: Concerto-Cantata; Little Requiem; Three Dances; Harpsichord Concerto (2012)

    Henryk Mikołaj Górecki: Concerto-Cantata; Little Requiem for a Certain Polka
    Three Dances; Harpsichord Concerto (piano version) (2012)
    Warsaw Philharmonic Orchestra; Antoni Wit, conductor
    Anna Górecka, piano; Carol Wincenc, flute

    EAC | FLAC | Image (Cue&Log) ~ 292 Mb | Mp3 (CBR320) ~ 176 Mb | Scans included
    Classical, Contemporary | Label: Naxos | # 8.572872 | Time: 01:09:31

    These four works, written between 1973 and 1993, fully reflect Górecki’s expressive variety. The Little Requiem for a Certain Polka, for piano and thirteen instruments, combines a wide range of moods. The Concerto-Cantata, which received its world première from the soloist on this recording, alternates a moving vein of melancholy with a charged, violent energy. The radical, energetic Harpsichord Concerto is heard here in the version for piano, performed by the composer’s daughter. The Three Dances are hugely approachable and full of exciting contrast.

    Staatsphilharmonie Rheinland-Pfalz & Antoni Wit - Noskowski: Symphonies Nos. 1 & 2 (2023)

    Posted By: delpotro
    Staatsphilharmonie Rheinland-Pfalz & Antoni Wit - Noskowski: Symphonies Nos. 1 & 2 (2023)

    Staatsphilharmonie Rheinland-Pfalz & Antoni Wit - Noskowski: Symphonies Nos. 1 & 2 (2023)
    WEB FLAC (tracks) - 329 Mb | MP3 CBR 320 kbps - 185 Mb | 01:20:12
    Classical | Label: Capriccio

    Few listeners know much, if anything, about Zygmunt Noskowski (1846–1909), even though Szymanowski featured among his distinguished students and Moniuszko among his renowned teachers. And yet, for most of the 19th century, Noskowski was the primary exponent of modern symphonic music in Poland. As a conductor and concert organiser, he himself championed the causes of forgotten Polish composers. Now it's the turn of Antoni Wit, who succeeded Noskowski at the helm of the Warsaw Philharmonic 94 years after his retirement, to raise the profile of his late-romantic colleague, having similarly promoted the music of Zygmunt Stojowski on a previous Capriccio recording (C5464).

    Warsaw Philharmonic Choir & Orchestra, Antoni Wit - Krzysztof Penderecki: Magnificat; Kadisz (2015)

    Posted By: Designol
    Warsaw Philharmonic Choir & Orchestra, Antoni Wit - Krzysztof Penderecki: Magnificat; Kadisz (2015)

    Krzysztof Penderecki - Magnificat; Kadisz (2015)
    Soloists, Warsaw Boys’ Choir, Warsaw Philharmonic Choir & Orchestra, conducted by Antoni Wit

    EAC | FLAC | Image (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 153 Mb | Scans included
    Genre: Classical, Choral | Label: Naxos | # 8.572697 | Time: 01:05:10

    The two works on this recording are separated by 35 years, during which time Penderecki made a decisive break with the post-war European avant-garde. In the Magnificat, chilling instrumental clusters, spectral sounds and impassioned rhetoric unite with tonality and counterpoint to deliver a work of monumental emotional power. Written to mark the 65th anniversary of the end of the Jewish ghetto in Łódź, Kadisz is among the most distinctive of Penderecki’s later choral works in the stark contrasts between drama and sombre reflection of its individual sections.

    Warsaw Philharmonic Choir & Orchestra, Antoni Wit - Johannes Brahms: Choral Works (2012)

    Posted By: Designol
    Warsaw Philharmonic Choir & Orchestra, Antoni Wit - Johannes Brahms: Choral Works (2012)

    Johannes Brahms - Choral Works (2012)
    Warsaw Philharmonic Choir & Orchestra; Antoni Wit, conductor; Ewa Wolak, contralto

    EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Scans included | Time: 01:09:51
    Genre: Classical, Choral | Label: Naxos | # 8.572694

    This collection of short choral pieces by Johannes Brahms is an unusual one in present times, partly because many of the choral parts are quite demanding. For a choral club in the 19th century, however, it wouldn't have been so novel, and there are great beauties on offer here. After the fetching Ave Maria, Op. 12, the rest of the program is dense, metaphysical, and, with the partial exception of the Alto Rhapsody, Op. 53, concerned with death. There are two funeral songs, and two more about fate, and this is not the warm, humanistic Brahms of the German Requiem, Op. 45. The performances are profound and dignified, and the overall effect uncanny. The Warsaw Philharmonic Choir under choirmaster Henryk Wojnarowski has a gorgeous rich tone that is undiminished by the long lines of the music, and the Alto Rhapsody achieves real grandeur in the hands of contralto Ewa Wolak. But the real credit goes to the Warsaw Philharmonic and conductor Antoni Wit, who keep a consistent level of tension and momentum in difficult, dark material like the somber Nänie, Op. 82 (Funeral Song), a rarely performed late Brahms masterwork.