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    Anna Prohaska, Ensemble Resonanz, Riccardo Minasi - Mozart: Haffner-Akademie (2025)

    Posted By: ciklon5
    Anna Prohaska, Ensemble Resonanz, Riccardo Minasi - Mozart: Haffner-Akademie (2025)

    Anna Prohaska, Ensemble Resonanz, Riccardo Minasi - Mozart: Haffner-Akademie (2025)
    FLAC (tracks), Lossless +Booklet | 1:09:07 | 325 Mb
    Genre: Classical

    In this superb programme structured around major pieces composed in the last ten years of Mozart’s life, Anna Prohaska and Riccardo Minasi sweep away the image of the well-mannered figure that tradition has tended to impose. They paint a bracingly complex portrait of the Salzburger after his move to Vienna, subtly blending the maestro’s historical expertise with the vigour and freshness of Resonanz, here in electrifying form.

    Rufus Wainwright - Dream Requiem (2025)

    Posted By: delpotro
    Rufus Wainwright - Dream Requiem (2025)

    Rufus Wainwright, Choeur de Radio France, Mikko Franck, Orchestre Philharmonique de Radio France, Meryl Streep, Anna Prohaska - Dream Requiem (2025)
    WEB FLAC (tracks) - 287 Mb | MP3 CBR 320 kbps - 178 Mb | 01:17:35
    Classical | Label: Warner Classics

    Rufus Wainwright’s Dream Requiem is an extremely prestigious project, the result of a commission from major cultural institutions in the US, UK, and Europe. This world premiere recording features a new composition by the legendary, Grammy-nominated musician, who has collaborated with the who's who of the pop music world. With narration by Meryl Streep.

    Anna Prohaska, Julius Drake - Paradise Lost (2020)

    Posted By: ArlegZ
    Anna Prohaska, Julius Drake - Paradise Lost (2020)

    Anna Prohaska, Julius Drake - Paradise Lost (2020)
    EAC | FLAC | Image (Cue & Log) ~ 228 Mb | Total time: 64:00 | Scans included
    Classical | Label: Alpha Classics | # ALPHA 581 | Recorded: 2019

    The gestation of this project lasted two years. Anna Prohaska and Julius Drake finally concentrated their research on the themes of Eve, Paradise and banishment. Some songs were obvious choices, such as Fauré's Paradis, in which God appears to Eve and asks her to name each flower and animal, or Purcell's Sleep, Adam, sleep with it's references to Genesis. But Anna Prohaska also wished to illustrate the cliché of the woman who brought original sin into the world and her status as a tempter who leads man astray, as in Brahms's Salamander, Wolf's Die Bekehrte or Ravel's Air du Feu.

    Anna Prohaska, Robin Peter Müller, La Folia Barockorchester - Celebration of Life in Death (2021)

    Posted By: ArlegZ
    Anna Prohaska, Robin Peter Müller, La Folia Barockorchester -  Celebration of Life in Death (2021)

    Anna Prohaska, Robin Peter Müller, La Folia Barockorchester - Celebration of Life in Death (2021)
    EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 71:29 | Scans included
    Classical | Label: Alpha Classics | # ALPHA 745 | Recorded: 2020

    Constantly in search of eclectic and meaningful programmes, the soprano Anna Prohaska here celebrates ‘life in death’. An ambitious programme, conceived with Robin Peter Müller and his ensemble La Folia, which takes us on a journey across the centuries and through many different countries, with French chansons of the Middle Ages (including one by Guillaume de Machaut), seventeenth-century Italian pieces by Luigi Rossi, Francesco Cavalli and Barbara Strozzi, German composers of the seventeenth and eighteenth centuries (Dietrich Buxtehude, Christoph Graupner, Franz Tunder) and the English luminaries Henry Purcell… plus John Lennon and Paul McCartney. A musical and spiritual quest that even takes in a detour to North America with a universally known song by Leonard Cohen.

    Anna Prohaska, Eric Schneider - Sirène (2010)

    Posted By: ArlegZ
    Anna Prohaska, Eric Schneider - Sirène (2010)

    Anna Prohaska, Eric Schneider - Sirène (2010)
    EAC | FLAC | Image (Cue & Log) ~ 281 Mb | Total time: 69:37 | Scans included
    Classical | Label: Deutsche Grammophon | # 477 9463 | Recorded: 2010

    In a scene where the recordings of young sopranos tend toward an extreme sameness, Austria's Anna Prohaska would deserve kudos simply for the ambition of this release of soldiers' songs. The idea, especially for a female singer, is original, and the music draws on a great variety of sources, from Scottish song to Wolfgang Rihm. Better still is the execution, which shows Prohaska's extreme versatility.

    Yannick Nézet-Séguin, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Die Entführung aus dem Serail (2015)

    Posted By: ArlegZ
    Yannick Nézet-Séguin, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Die Entführung aus dem Serail (2015)

    Yannick Nézet-Séguin, Chamber Orchestra of Europe - Wolfgang Amadeus Mozart: Die Entführung aus dem Serail (2015)
    EAC | FLAC | Image (Cue & Log) ~ 651 Mb | Total time: 139:02 | Scans included
    Classical | Label: Deutsche Grammophon | # 479 4064 | Recorded: 2014

    The third of DG’s series of seven Mozart operas conducted by Yannick Nezet-Seguin and initiated by Rolando Villazon. It was recorded live in the stunning venue of Festspielhaus Baden Baden and features a star cast full of critically-acclaimed artists – including Diana Damrau, the reigning Konstanze of our time – with an extraordinary strong showing of Deutsche Grammophon artists: Anna Prohaska, Rolando Villazon, Thomas Quasthoff and more.

    Anna Prohaska, Patricia Kopatchinskaja & Camerata Bern - Maria Mater Meretrix (2023)

    Posted By: delpotro
    Anna Prohaska, Patricia Kopatchinskaja & Camerata Bern - Maria Mater Meretrix (2023)

    Anna Prohaska, Patricia Kopatchinskaja & Camerata Bern - Maria Mater Meretrix (2023)
    WEB FLAC (tracks) - 310 Mb | MP3 CBR 320 kbps - 171 Mb | Digital booklet | 01:13:47
    Classical, Sacred, Vocal | Label: Alpha Classics, Outhere Music

    Soprano Anna Prohaska and violinist Patricia Kopatchinskaja are both well known for their taste for eclecticism, experimentation and adventure. As they are also are friends, it was only to be expected that one day they would devise and record a programme together, and here it is: Maria Mater Meretrix… What is the relationship between Hildegard von Bingen and Gustav Holst, Antonio Caldara and Lili Boulanger? The two musicians and their partners in Camerata Bern explore the image of woman through ten centuries of music: the figure of the Virgin Mary – among other works, the triptych Magnificat - Ave Maria - Stabat Mater (1967/68) by Frank Martin, an unclassifiable composer whom both artists venerate – but also Mary Magdalene, in pieces by Caldara and Kurtág. The Saint, the Mother, the Whore… The expression of two women musicians of today, a journey full of meaning and a sensory exploration featuring solos, duets, quartets and works for large orchestra.

    Christoph Eschenbach, Konzerthausorchester Berlin - Weber (2021)

    Posted By: ArlegZ
    Christoph Eschenbach, Konzerthausorchester Berlin - Weber (2021)

    Christoph Eschenbach, Konzerthausorchester Berlin - Weber (2021)
    EAC | FLAC | Image (Cue & Log) ~ 233 Mb | Total time: 53:33 | Scans included
    Classical | Label: Alpha Classics | # ALPHA744 | Recorded: 2020, 2021

    200 years ago, on May 26th 1821, today's Berlin Concert Hall was inaugurated as “Königliches Schauspielhaus”. Destroyed as “Preußisches Staatstheater” during World War II, the building, located in eastern Berlin, was rebuilt during GDR times and reopened as “Konzerthaus” in 1984. The premiere of Carl Maria von Weber's Der Freischütz on June 18th 1821 was a highlight of the opening year. The work became his most popular opera and one of the key works of the 19th century. A few days later, the composer (who died at the age of only 40 in 1826), had another piece premiered at the “Königliches Schauspielhaus”: his brilliant Concert Piece for Piano and Orchestra op.79.

    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 01 [2011]

    Posted By: Vilboa
    Lumieres - La musique du XVIIIeme siecle (29 CD), Part 01 [2011]

    Lumières - La musique du XVIIIème siècle (29 CD), Part 01: Couperin, Rameau, Campra, Pergolesi, Handel [2011]
    EAC (flac, image, cue, log) | TT: 81.16+77.59+80.11+74.50 | Scans | 1.52 Gb
    Classical | Harmonia Mundi | 2908601.30 | Rec: 1987-2010

    The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.

    Claudio Abbado, Simon Bolivar Youth Orchestra of Venezuela, Anna Prohaska - Lucerne Festival at Easter (2010) [Blu-Ray]

    Posted By: Vilboa
    Claudio Abbado, Simon Bolivar Youth Orchestra of Venezuela, Anna Prohaska - Lucerne Festival at Easter (2010) [Blu-Ray]

    Claudio Abbado, Simon Bolivar Youth Orchestra of Venezuela, Anna Prohaska - Lucerne Festival at Easter: Prokofiev, Berg, Mozart, Tchaikovsky (2010) [Blu-Ray]
    BluRay | BDMV | MPEG-4 AVC Video / 17761 kbps / 1080i / 29,970 fps | 109 min | 21,1 Gb
    Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio 5.1 / 48 kHz / 3865 kbps / 24-bit
    ––––––
    BluRay-rip1 | MKV 1920x1080 / 5034 kbps / 29,970 fps | 109 min | 6,74 Gb
    BluRay-rip2 | MKV 1280x720 / 2000 kbps / 29,970 fps | 109 min | 4,44 Gb
    Audio: PCM / 2ch / 48.0 KHz / 24 bits | DTS / 6ch / 48.0 KHz / 24 bits
    Classical | Accentus Music

    Five years after first conducting the Simón Bolívar Youth Orchestra in their Venezuelan home, Claudio Abbado continues his commitment to this stunning ensemble in this first joint audiovisual concert recording. Prokofiev's extrovert Scythian Suite is a gift for the boundless energy of these young players, while the intricacy and anguish of Berg's Lulu-Suite are an Abbado speciality, with soprano Anna Prohaska, in her Lucerne Festival debut, singing the heroine's dazzling statement of self-justification. The concert ends with an impassioned account of Tchaikovsky's Pathétique, his final symphony, one of the most moving works in music history.

    Anna Prohaska, La Folia Barockorchester & Robin Peter Müller - Celebration of Life in Death (2022)

    Posted By: delpotro
    Anna Prohaska, La Folia Barockorchester & Robin Peter Müller - Celebration of Life in Death (2022)

    Anna Prohaska, La Folia Barockorchester & Robin Peter Müller - Celebration of Life in Death (2022)
    WEB FLAC (tracks) - 321 Mb | MP3 CBR 320 kbps - 167 Mb | Digital booklet | 01:11:27
    Classical, Vocal | Label: Alpha Classics, Outhere Music

    Constantly in search of eclectic and meaningful programmes, the soprano Anna Prohaska here celebrates ‘life in death’. An ambitious programme, conceived with Robin Peter Müller and his ensemble La Folia, which takes us on a journey across the centuries and through many different countries, with French chansons of the Middle Ages (including one by Guillaume de Machaut), seventeenth-century Italian pieces by Luigi Rossi, Francesco Cavalli and Barbara Strozzi, German composers of the seventeenth and eighteenth centuries (Dietrich Buxtehude, Christoph Graupner, Franz Tunder) and the English luminaries Henry Purcell… plus John Lennon and Paul McCartney. A musical and spiritual quest that even takes in a detour to North America with a universally known song by Leonard Cohen.

    Anna Prohasca, Jonathan Cohen, Arcangelo - Enchanted Forest: Vivaldi, Handel, Purcell, Cavalli, Monteverdi (2013)

    Posted By: ArlegZ
    Anna Prohasca, Jonathan Cohen, Arcangelo - Enchanted Forest: Vivaldi, Handel, Purcell, Cavalli, Monteverdi (2013)

    Anna Prohasca, Jonathan Cohen, Arcangelo - Enchanted Forest: Vivaldi, Handel, Purcell, Cavalli, Monteverdi (2013)
    EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 70:17 | Scans included
    Classical | Label: Archiv Produktion | # 479 0077 | Recorded: 2012

    Anna Prohaska’s recital takes us into the moss-carpeted dreamworlds of Ariosto, Ovid, Shakespeare and Tasso. The theme is transformation, by love or magic or a combination of the two. Arcangelo’s instrumental playing is reliably interesting, sometimes too interesting (Jonathan Cohen is not a ‘less is more’ director). But the most effective enchantment occurs when Prohaska stops trying to fit her dryish, coolish voice into a Patricia Petitbon-shaped presentation box.

    Anna Prohaska, Giovanni Antonini, Il Giardino Armonico - Serpent & Fire: Arias for Dido & Cleopatra (2016)

    Posted By: ArlegZ
    Anna Prohaska, Giovanni Antonini, Il Giardino Armonico - Serpent & Fire: Arias for Dido & Cleopatra (2016)

    Anna Prohaska, Giovanni Antonini, Il Giardino Armonico - Serpent & Fire: Arias for Dido & Cleopatra (2016)
    EAC | FLAC | Image (Cue & Log) ~ 329 Mb | Total time: 70:10 | Scans included
    Classical | Label: Alpha Classics | # ALPHA 250 | Recorded: 2015

    The German soprano Anna Prohaska joins Alpha Classics for several recording projects. Her first recital brings together two superb African queens – Dido and Cleopatra – and follows them all over Europe during the first century of opera, from the 1640s to 1740. A firework display of arias, virtuosic and tragic by turns, written by the leading personalities of Baroque music (Cavalli, Handel, Purcell, Hasse) and composers still awaiting rediscovery suchas Sartorio, Graupner and the Venetian Castrovillari./quote]

    Konzerthaus Orchester Berlin, Christoph Eschenbach, Martin Helmchen & Anna Prohaska - Weber (2021)

    Posted By: delpotro
    Konzerthaus Orchester Berlin, Christoph Eschenbach, Martin Helmchen & Anna Prohaska - Weber (2021)

    Konzerthaus Orchester Berlin, Christoph Eschenbach, Martin Helmchen & Anna Prohaska - Weber (2021)
    WEB FLAC (tracks) - 220 Mb | MP3 CBR 320 kbps - 123 Mb | 00:53:31
    Classical | Label: Alpha Classics, Outhere Music

    200 years ago, on May 26th 1821, today's Berlin Concert Hall was inaugurated as “Königliches Schauspielhaus”. Destroyed as “Preußisches Staatstheater” during World War II, the building, located in eastern Berlin, was rebuilt during GDR times and reopened as “Konzerthaus” in 1984. The premiere of Carl Maria von Weber's Der Freischütz on June 18th 1821 was a highlight of the opening year. The work became his most popular opera and one of the key works of the 19th century. A few days later, the composer (who died at the age of only 40 in 1826), had another piece premiered at the “Königliches Schauspielhaus”: his brilliant “Concert Piece for Piano and Orchestra op.79”. This year the Konzerthausorchester Berlin, with its principal conductor Christoph Eschenbach, will be celebrating these historic events. Weber holds a special place in the life of the great German conductor and pianist, as Der Freischütz was the first opera he saw at the age of ten. Eschenbach is being joined in this program, which combines overtures, arias and the famous concert piece, by two artists who reside at the Konzerthaus Berlin and are also Alpha artists: soprano Anna Prohaska and pianist Martin Helmchen.

    Anna Prohaska, Lautten Compagney, Wolfgang Katschner - Bach: Redemption (2020)

    Posted By: delpotro
    Anna Prohaska, Lautten Compagney, Wolfgang Katschner - Bach: Redemption (2020)

    Anna Prohaska, Lautten Compagney, Wolfgang Katschner - Bach: Redemption (2020)
    MP3 CBR 320 kbps | Digital booklet | 01:19:50 | 185 Mb
    Classical, Vocal | Label: Alpha Classics, Outhere Music

    Anna Prohaska asked Wolfgang Katschner and the Lautten Compagney at the outset of the coronavirus crisis whether they shouldn’t spontaneously organize a musical get-together in this period. This has now resulted in #ERLÖSUNG/REDEMPTION, a sequence of music selected solely from Bach cantatas, compiled in keeping with the aforenamed conceptual association. We see the motto ERLÖSUNG/REDEMPTION as having multiple meanings, for instance: can music give us consolation in times of sickness and crisis; can it open up emotional and contemplative spaces for us; is it redemptive for us as musicians to be the “Instruments” in engendering music and therefore spirituality… ? Besides Anna as soloist and three other singers, we cast a larger group of musicians – around twenty instrumentalists – which stands for the lautten compagney and communes in accompanying the arias Anna sings, hence also initiating a statement or a kind of living sign of a collective such as the ensemble normally represents.