Tags
Language
Tags

Doulce Mémoire & Denis Raisin Dadre - Desprez: Tant vous aime (2022)

Posted By: delpotro
Doulce Mémoire & Denis Raisin Dadre - Desprez: Tant vous aime (2022)

Doulce Mémoire & Denis Raisin Dadre - Desprez: Tant vous aime (2022)
WEB FLAC (tracks) - 262 Mb | MP3 CBR 320 kbps - 152 Mb | Digital booklet | 01:04:14
Classical, Vocal | Label: Ricercar, Outhere Music

Josquin Desprez, princeps musicorum, the prince of musicians, as his contemporaries called him, is best known today for his sacred works, the masses and motets, which have been widely performed and recorded. Surprisingly, his chansons have received little attention from performers, except for the pieces for five and six voices, printed after his death by the Antwerp publisher Tilman Susato in his seventh book of 1545. Doulce Mémoire has chosen to focus on the chansons for three and four voices, which are probably the earliest in the Hainault master’s output; with their diversity of language and themes (sometimes folk-derived), these songs constitute a varied programme that is at once serious and bawdy, a testament to the unequalled art of Josquin Desprez.

Jérôme Lejeune - L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance [8CDs] (2013)

Posted By: ArlegZ
Jérôme Lejeune - L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance [8CDs] (2013)

Jérôme Lejeune - L'Europe Musicale de la Renaissance / Music in Europe at the Time of the Renaissance [8CDs] (2013)
EAC | FLAC | Image (Cue & Log) ~ 2.88 Gb | Total time: 10h35' | Scans included
Classical | Label: Ricercar | # RIC 106

Jérôme Lejeune continues his History of Music series with this boxed set devoted to the Renaissance. The next volume in the series after Flemish Polyphony (RIC 102), this set explores the music of the 16th century from Josquin Desprez to Roland de Lassus. After all of the various turnings that music took during the Middle Ages, the music of the Renaissance seems to be a first step towards a common European musical style. Josquin Desprez’s example was followed by every composer in every part of Europe and in every musical genre, including the Mass setting, the motet and all of the various new types of solo song. Instrumental music was also to develop considerably from the beginning of the 16th century onwards.

Cappella Mediterranea, Clematis, L'Achéron, Vox Luminis, Doulce Mémoire - Cipriano de Rore: Ancor che col partire (2015)

Posted By: ArlegZ
Cappella Mediterranea, Clematis, L'Achéron, Vox Luminis, Doulce Mémoire - Cipriano de Rore: Ancor che col partire (2015)

Cappella Mediterranea, Clematis, L'Achéron, Vox Luminis, Doulce Mémoire, Chœur de Chambre de Namur - Cipriano de Rore: Ancor che col partire (2015)
EAC | FLAC | Image (Cue & Log) ~ 308 Mb | Total time: 69:50 | Scans included
Classical | Label: Ricercar | # RIC355 | Recorded: 2014

The works of Cipriano de Rore (1515/16 – 1565) remained extremely popular until well after his death. Several of his madrigals later appeared in dozens of ornamented versions and continued to do so until the beginning of the 17th century; this was an extraordinary success for the time.

Denis Raisin Dadre, Doulce Mémoire - François Ier: Musique d'un Règne (2015)

Posted By: ArlegZ
Denis Raisin Dadre, Doulce Mémoire - François Ier: Musique d'un Règne (2015)

Denis Raisin Dadre, Doulce Mémoire - François Ier: Musique d'un Règne (2015)
EAC | FLAC | Image (Cue & Log) ~ 705 Mb | Total time: 69:58+73:05 | Scans included
Classical | Label: Zig Zag Territoires | ZZT357 | Recorded: 2013, 2014

François Ier, prince mécène, avait compris combien la musique pouvait servir sa politique de prestige : - musique officielle pour les grands événements diplomatiques comme l'incroyable match musical entre la Chapelle du roi de France et celle d Henri VIII d'Angleterre, lors de la messe du Camp du Drap d'Or restituée dans cet enregistrement ; - mais aussi musique de l'intime avec le répertoire le plus subtil, raffiné et savant entendu dans les châteaux du souverain Chambord, Fontainebleau… interprété par les meilleurs chanteurs et instrumentistes du royaume réunis au sein de la Chambre du Roy. Un festin de musiques inédites pour un roi François Ier, symbole d une Renaissance heureuse.