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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)

    Posted By: ArlegZ
    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)

    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)
    EAC | FLAC | Image (Cue & Log) ~ 1.55 Gb | Total time: 06:46:29 | Scans included
    Classical | Label: Erato | 9029582507 | Recorded: 1980-1990

    The blend between the voices is finely controlled, the tone mellow and the tuning spectacularly accurate, giving rise to an organ-like sonority that is genuinely thrilling,” wrote Gramophone magazine, praising the Hilliard Ensemble’s four singers, who excelled in an extraordinary variety of music over a 40-year career. This seven-CD collection extends from the Middle Ages to the Baroque, offering music by composers from England, France, Flanders and Germany.

    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie, Ostermotetten (2019)

    Posted By: ArlegZ
    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie, Ostermotetten (2019)

    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie SWV 50, Ostermotetten (2019)
    EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 57:00 | Scans included
    Classical | Label: Accent ‎| ACC 24355 | Recorded: 2018

    The ‘History of the Joyous and Victorious Resurrection of Our Only Saviour and Redeemer Jesus Christ’, composed by Heinrich Schütz in 1623, is regarded as the first oratorio in the German language. When Schütz had taken up his functions at the Dresden court in 1617, it was the tradition to sing the Resurrection History of his predecessor Scandello at Easter. The new Kapellmeister gave several performances of this work before deciding to compose a new work on the same text.

    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation [8CDs] (2011)

    Posted By: ArlegZ
    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation  [8CDs] (2011)

    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation [8CDs] (2011)
    EAC | FLAC | Image (Cue & Log) ~ 2,69 Gb | Total time: 10:22:14 | Scans included
    Classical | Label: Ricercar | # RIC 101

    Following on from and designed along the same lines as the Guide to Period Instruments, this boxed set includes an exhaustive introductory text as well as a great quantity of music excerpts on the set’s eight CDs. These extracts have been taken from the extensive repertoire recorded by Ricercar over many years, with excerpts from recordings kindly provided by our colleagues from Harmonia Mundi, Gimell, Accent, Alpha and Sony supplementing our programme where necessary. The Lutheran repertoire of the Renaissance has remained for all intents and purposes unrecorded up until now; the tracks illustrating this repertoire together with other excerpts have been recorded specially for this compilation by Vox Luminis.

    Cantus Cölln Edition [10CDs] (2011)

    Posted By: ArlegZ
    Cantus Cölln Edition [10CDs] (2011)

    Cantus Cölln Edition [10CDs] (2011)
    EAC | FLAC | Image (Cue & Log) ~ 2,41 Gb | Total time: 10:16:10 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88697937062 | Recorded: 1989-1994

    Das Vokalensemble Cantus Cölln unter der Leitung von Konrad Junghänel gehört heute zu den renommiertesten Formationen seiner Art. Die über 30 CD-Einspielungen von Cantus Cölln wurden mit zahlreichen internationalen Preisen ausgezeichnet und umfassen musikalische Raritäten ebenso wie wegweisende Interpretationen von "Klassikern" des barocken Repertoires.

    Paul Agnew, Les Arts Florissants - Heinrich Schütz: Italian Madrigals (2023)

    Posted By: ArlegZ
    Paul Agnew, Les Arts Florissants - Heinrich Schütz: Italian Madrigals (2023)

    Paul Agnew, Les Arts Florissants - Heinrich Schütz: Italian Madrigals (2023)
    EAC | FLAC | Image (Cue & Log) ~ 264 Mb | Total time: 60:56 | Scans included
    Classical | Label: Harmonia Mundi | # HAF 8905374 | Recorded: 2022

    1611: After two years of study with Gabrieli in Venice, Heinrich Schütz tried his hand at composing madrigals on Italian poems. This mere ‘graduation exercise’ turned out to be a masterpiece: the young German composer demonstrated his ability to identify each nuance of the text with a different musical emotion, a refinement heightened here by the interpretation of Les Arts Florissants.

    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri (1990)

    Posted By: ArlegZ
    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri (1990)

    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri; Schütz: O Bone Jesu, Fili Mariae (1990)
    EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 72:42 | Scans included
    Classical | Label: Archiv Produktion | # 447 298-2 | Recorded: 1988

    Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place.

    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)

    Posted By: ArlegZ
    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)

    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)
    EAC | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 73:07 | Scans included
    Classical | Label: Audite | 92.652 | Recorded: 2011

    To visit the great Venetian cathedrals in the 17th century was to bow deeply to the polychoral or “cori spezzati” style that reigned there, pioneered by Giovanni Gabrieli. The young Heinrich Schutz was no exception. Unable to resist the sparkling sounds arising from polychoral writing and antiphonal placement, Schutz carried the style back to his native Germany. Capella Murensis and Les Cornets Noirs here present with absolute fidelity works by Schutz and Gabrieli that epitomize the high Ventian style.

    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)

    Posted By: ArlegZ
    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)

    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)
    EAC | FLAC | Image (Cue & Log) ~ 249 Mb | Total time: 60:34 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 901534 | Recorded: 1994

    …This is the best you will ever hear of the "Spiritual Choir-Music of Heinrich Schuetz (1585-1672). This one-disk performance is a selection of ten of the 49 motets in Schuetz's 1648 opus, interspersed with six quite distinct selections from the Kleine Geistliche Konzerte of 1636. The two sources are radically different; the earlier works are in the operatic 'secunda prattica' style of Monteverdi, sung by soloists over decorated basso continuo; the later works are superbly old-fashioned choral polyphony of the 'prima prattica' of composers dead before Schuetz was born. As a concert listening experience, the combination is highly effective, offering a variety and sprightliness that a through-reading of the complete Geistliche Chormusic can't provide.

    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)

    Posted By: ArlegZ
    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)

    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)
    EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 53:23 | Scans included
    Classical | Label: Archiv Produktion | # 437 078-2 | Recorded: 1971

    If a primary aim of a major issue celebrating a composer's tercentenary is—as it must be—to reveal the extent of his genius, Archive have triumphantly succeeded with this set. The name of Schütz, not so long ago generally classed simply as a predecessor of Bach, is still only gradually becoming accepted by the musical public at large as belonging to the same circle of the elect; but with nine major works and several smaller ones already in the gramophone catalogues (even if not all the performances are ideal) his greatness is now more easily recognisable. The present recording of the complete Psalmen Davids of 1619—the magnificent collection he wrote in his early thirties after his appointment as musical director to the Elector of Saxony—represents a landmark.

    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)

    Posted By: ArlegZ
    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)

    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)
    EAC | FLAC | Image (Cue & Log) ~ 589 Mb | Total time: 70:27+68:35 | Scans included
    Classical | Label: Chandos | # CHAN 0566/7 | Recorded: 1993

    The 2nd book of these Symphoniae, written in the dark years of the devastating 30 Years War and published in 1647, stands among his central body of works and holds many affecting and beautiful moments. The British recording being reviewed here presents the 2nd book in its order of publication, which is not structured as a coherent work end-to-end work but rather is organized by range and number of soloists, indicating that each of the symphoniae is a single piece standing on its own. Book II starts with the symphoniae for solo voice, works its way down the vocal range from soprano to bass, then proceeds on to the duets and trios and concluding with a few more ambitious works for a full set of vocal soloists.

    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)

    Posted By: ArlegZ
    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)

    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)
    EAC | FLAC | Image (Cue & Log) ~ 235 Mb | Total time: 56:55 | Scans included
    Classical | Label: Ricercar | # RIC311 | Recorded: 2011

    With the Thirty Years’ War raging around them, Lutherans considered death to be the true fulfillment of their earthly life. Prince Heinrich von Reuss organised all the details of his funeral in advance, from the music that would be sung - to be composed and then performed by Heinrich Schütz during the funeral ceremony - to the coffin itself.

    John-Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Johannes Brahms: Symphony No.4 (2010)

    Posted By: ArlegZ
    John-Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Johannes Brahms: Symphony No.4 (2010)

    John-Eliot Gardiner, Orchestre Révolutionnaire et Romantique - Johannes Brahms: Symphony No.4, Choral Works (2010)
    EAC | FLAC | Image (Cue & Log) ~ 309 Mb | Total time: 70:52 | Scans included
    Classical | Label: Soli Deo Gloria | # SDG 705 | Recorded: 2008

    Soli Deo Gloria is proud to release the last instalment of its successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms. This album is a celebration of the Fourth Symphony and the various pieces that contributed to its making.

    Early Choral Music at Trinity College, Cambridge [6CD] (2016)

    Posted By: ArlegZ
    Early Choral Music at Trinity College, Cambridge [6CD] (2016)

    Early Choral Music at Trinity College, Cambridge [6CD] (2016)
    EAC | FLAC | Image (Cue & Log) ~ 1,65 Gb | Total time: 07:09:35 | Scans included
    Classical | Label: Sony Classical | # 88985323472 | Recorded: 1990-1995

    Cambridges renowned Trinity College Choir, conducted by Richard Marlow, is heard in a 6-CD compilation of acclaimed Renaissance and early Baroque recordings. In the compositions by Lassus, Victoria, Praetorius, Sweelinck, Monteverdi and Schutz heard here, Gramophone has praised the choirs superb discipline fresh and natural voices as well as Marlows astute and imaginative direction His sensitivity and responsiveness are tireless.

    Clematis - O Jesulein: A German Baroque Christmas Oratorio (2022)

    Posted By: ArlegZ
    Clematis - O Jesulein: A German Baroque Christmas Oratorio (2022)

    Clematis - O Jesulein: A German Baroque Christmas Oratorio (2022)
    EAC | FLAC | Image (Cue & Log) ~ 318 Mb | Total time: 71:23 | Scans included
    Classical | Label: Ricercar | # RIC444 | Recorded: 2021

    This innovative programme presents an imaginary Christmas oratorio made up of works by German composers of the 17th century. Many of these works are unpublished and come from the splendid Düben collection in the library of the University of Uppsala; they are arranged here in a sequence that introduces the scenes and the principal characters of the Nativity: Mary, Joseph, the Archangel Gabriel, the angels, the shepherds, the Magi and Simeon. These works belong to the genre of the historia sacra and depict the dialogue of the Annunciation between the archangel Gabriel and Mary, the arrival of the Magi — guided by angels — at the manger, and the scene where Mary and Joseph look for Jesus in the Temple.

    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)

    Posted By: ArlegZ
    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)

    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)
    EAC | FLAC | Image (Cue & Log) ~ 225 Mb | Total time: 56:14 | Scans included
    Classical | Label: Point Classics | # 2650172

    Heinrich Schütz (1585-1672) is often considered the most important German composer prior to J.S. Bach. He composed pieces in the secular and the sacred areas, including the first German opera, 'Dafne', which is unfortunately lost. A contemporary of Monteverdi, he also exists in the period of transition from medieval polyphony and Renaissance styles and the emerging Baroque era.