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    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)

    Posted By: ArlegZ
    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)

    The Hilliard Ensemble - Renaissance & Baroque Music: England, France, Flanders, Germany [7CDs] (2017)
    EAC | FLAC | Image (Cue & Log) ~ 1.55 Gb | Total time: 06:46:29 | Scans included
    Classical | Label: Erato | 9029582507 | Recorded: 1980-1990

    The blend between the voices is finely controlled, the tone mellow and the tuning spectacularly accurate, giving rise to an organ-like sonority that is genuinely thrilling,” wrote Gramophone magazine, praising the Hilliard Ensemble’s four singers, who excelled in an extraordinary variety of music over a 40-year career. This seven-CD collection extends from the Middle Ages to the Baroque, offering music by composers from England, France, Flanders and Germany.

    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie, Ostermotetten (2019)

    Posted By: ArlegZ
    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie, Ostermotetten (2019)

    Sigiswald Kuijken, La Petite Bande - Heinrich Schütz: Resurrection of Christ - Auferstehungshistorie SWV 50, Ostermotetten (2019)
    EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 57:00 | Scans included
    Classical | Label: Accent ‎| ACC 24355 | Recorded: 2018

    The ‘History of the Joyous and Victorious Resurrection of Our Only Saviour and Redeemer Jesus Christ’, composed by Heinrich Schütz in 1623, is regarded as the first oratorio in the German language. When Schütz had taken up his functions at the Dresden court in 1617, it was the tradition to sing the Resurrection History of his predecessor Scandello at Easter. The new Kapellmeister gave several performances of this work before deciding to compose a new work on the same text.

    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation [8CDs] (2011)

    Posted By: ArlegZ
    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation  [8CDs] (2011)

    Jérôme Lejeune: Réforme et Contre-Réforme - Reformation & Counter-Reformation [8CDs] (2011)
    EAC | FLAC | Image (Cue & Log) ~ 2,69 Gb | Total time: 10:22:14 | Scans included
    Classical | Label: Ricercar | # RIC 101

    Following on from and designed along the same lines as the Guide to Period Instruments, this boxed set includes an exhaustive introductory text as well as a great quantity of music excerpts on the set’s eight CDs. These extracts have been taken from the extensive repertoire recorded by Ricercar over many years, with excerpts from recordings kindly provided by our colleagues from Harmonia Mundi, Gimell, Accent, Alpha and Sony supplementing our programme where necessary. The Lutheran repertoire of the Renaissance has remained for all intents and purposes unrecorded up until now; the tracks illustrating this repertoire together with other excerpts have been recorded specially for this compilation by Vox Luminis.

    Cantus Cölln Edition [10CDs] (2011)

    Posted By: ArlegZ
    Cantus Cölln Edition [10CDs] (2011)

    Cantus Cölln Edition [10CDs] (2011)
    EAC | FLAC | Image (Cue & Log) ~ 2,41 Gb | Total time: 10:16:10 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88697937062 | Recorded: 1989-1994

    Das Vokalensemble Cantus Cölln unter der Leitung von Konrad Junghänel gehört heute zu den renommiertesten Formationen seiner Art. Die über 30 CD-Einspielungen von Cantus Cölln wurden mit zahlreichen internationalen Preisen ausgezeichnet und umfassen musikalische Raritäten ebenso wie wegweisende Interpretationen von "Klassikern" des barocken Repertoires.

    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri (1990)

    Posted By: ArlegZ
    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri (1990)

    John Eliot Gardiner, The English Baroque, The Monteverdi Choir - Buxtehude: Membra Jesu Nostri; Schütz: O Bone Jesu, Fili Mariae (1990)
    EAC | FLAC | Image (Cue & Log) ~ 348 Mb | Total time: 72:42 | Scans included
    Classical | Label: Archiv Produktion | # 447 298-2 | Recorded: 1988

    Dietrich Buxtehude’s Membra Jesu nostri is a large-scale Passion work dedicated to the Swedish chapelmaster, Gustav Dübin, in whose notable collection, now at Uppsala, it holds a prominent place.

    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)

    Posted By: ArlegZ
    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)

    Johannes Strobl, Les Cornets Noirs, Capella Murensis - Polychoral Splendour: Giovanni Gabrieli, Heinrich Schütz (2012)
    EAC | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 73:07 | Scans included
    Classical | Label: Audite | 92.652 | Recorded: 2011

    To visit the great Venetian cathedrals in the 17th century was to bow deeply to the polychoral or “cori spezzati” style that reigned there, pioneered by Giovanni Gabrieli. The young Heinrich Schutz was no exception. Unable to resist the sparkling sounds arising from polychoral writing and antiphonal placement, Schutz carried the style back to his native Germany. Capella Murensis and Les Cornets Noirs here present with absolute fidelity works by Schutz and Gabrieli that epitomize the high Ventian style.

    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)

    Posted By: ArlegZ
    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)

    Philippe Herreweghe, Collegium Vocale Gent - Heinrich Schütz: Geistliche Chormusik (1996)
    EAC | FLAC | Image (Cue & Log) ~ 249 Mb | Total time: 60:34 | Scans included
    Classical | Label: Harmonia Mundi | # HMC 901534 | Recorded: 1994

    …This is the best you will ever hear of the "Spiritual Choir-Music of Heinrich Schuetz (1585-1672). This one-disk performance is a selection of ten of the 49 motets in Schuetz's 1648 opus, interspersed with six quite distinct selections from the Kleine Geistliche Konzerte of 1636. The two sources are radically different; the earlier works are in the operatic 'secunda prattica' style of Monteverdi, sung by soloists over decorated basso continuo; the later works are superbly old-fashioned choral polyphony of the 'prima prattica' of composers dead before Schuetz was born. As a concert listening experience, the combination is highly effective, offering a variety and sprightliness that a through-reading of the complete Geistliche Chormusic can't provide.

    Frieder Bernius, Musica Fiata Köln - Heinrich Schütz: Psalmen Davids (1992)

    Posted By: ArlegZ
    Frieder Bernius, Musica Fiata Köln - Heinrich Schütz: Psalmen Davids (1992)

    Frieder Bernius, Musica Fiata Köln - Heinrich Schütz: Psalmen Davids (1992)
    EAC| FLAC | Image (Cue & Log) ~ 594 Mb | Total time: 59:55+60:10 | Scans included
    Classical | Label: Sony Classical | # S2K 48 042 | Recorded: 1991

    The Psalms of David were Schütz' first published collection 1619 after becoming the Choirmaster of the Duke of Saxony. Composed over a number of years, they blend Venetian inspired polychorality with the German of Luther's Bible translation. Throughout, particular attention is evident in the wordsetting, the meaning of the text as exemplified by the music was a driving force for Schütz throughout his creative life. Texts employed are mainly psalms or psalmselections, with a few other biblical excerpts.

    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)

    Posted By: ArlegZ
    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)

    Hanns-Martin Schneidt, Hamburger Blaserkreis für alte Musik, Regensburger Domspatzen - Heinrich Schütz: Psalmen Davids (1992)
    EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 53:23 | Scans included
    Classical | Label: Archiv Produktion | # 437 078-2 | Recorded: 1971

    If a primary aim of a major issue celebrating a composer's tercentenary is—as it must be—to reveal the extent of his genius, Archive have triumphantly succeeded with this set. The name of Schütz, not so long ago generally classed simply as a predecessor of Bach, is still only gradually becoming accepted by the musical public at large as belonging to the same circle of the elect; but with nine major works and several smaller ones already in the gramophone catalogues (even if not all the performances are ideal) his greatness is now more easily recognisable. The present recording of the complete Psalmen Davids of 1619—the magnificent collection he wrote in his early thirties after his appointment as musical director to the Elector of Saxony—represents a landmark.

    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)

    Posted By: ArlegZ
    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)

    The Purcell Quartet - Heinrich Schütz: Symphoniae Sacrae, Op.10 (1994)
    EAC | FLAC | Image (Cue & Log) ~ 589 Mb | Total time: 70:27+68:35 | Scans included
    Classical | Label: Chandos | # CHAN 0566/7 | Recorded: 1993

    The 2nd book of these Symphoniae, written in the dark years of the devastating 30 Years War and published in 1647, stands among his central body of works and holds many affecting and beautiful moments. The British recording being reviewed here presents the 2nd book in its order of publication, which is not structured as a coherent work end-to-end work but rather is organized by range and number of soloists, indicating that each of the symphoniae is a single piece standing on its own. Book II starts with the symphoniae for solo voice, works its way down the vocal range from soprano to bass, then proceeds on to the duets and trios and concluding with a few more ambitious works for a full set of vocal soloists.

    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)

    Posted By: ArlegZ
    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)

    Lionel Meunier, Vox Luminis - Heinrich Schütz: Musicalische Exequien (2011)
    EAC | FLAC | Image (Cue & Log) ~ 235 Mb | Total time: 56:55 | Scans included
    Classical | Label: Ricercar | # RIC311 | Recorded: 2011

    With the Thirty Years’ War raging around them, Lutherans considered death to be the true fulfillment of their earthly life. Prince Heinrich von Reuss organised all the details of his funeral in advance, from the music that would be sung - to be composed and then performed by Heinrich Schütz during the funeral ceremony - to the coffin itself.

    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)

    Posted By: ArlegZ
    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)

    Dieter Kurz, Wurttemberg Chamber Choir - Heinrich Schütz: St. Matthew Passion, SWV 479 (1994)
    EAC | FLAC | Image (Cue & Log) ~ 225 Mb | Total time: 56:14 | Scans included
    Classical | Label: Point Classics | # 2650172

    Heinrich Schütz (1585-1672) is often considered the most important German composer prior to J.S. Bach. He composed pieces in the secular and the sacred areas, including the first German opera, 'Dafne', which is unfortunately lost. A contemporary of Monteverdi, he also exists in the period of transition from medieval polyphony and Renaissance styles and the emerging Baroque era.

    Reinhard Goebel, Musica Antiqua Köln - De Profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk (1986)

    Posted By: ArlegZ
    Reinhard Goebel, Musica Antiqua Köln - De Profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk (1986)

    Reinhard Goebel, Musica Antiqua Köln - De Profundis: Schütz, Tunder, Bruhns, Weckmann, Strungk (1986)
    EAC | FLAC | Image (Cue & Log) ~ 214 Mb | Total time: 55:13 | Scans included
    Classical | Label: Archiv Produktion | # 415 526-2 | Recorded: 1985

    Mit dieser CD gelangen Reinhard Goebel und seinem Ensemble Musica Antiqua Köln 1986 eine der besten Aufnahmen Alter Musik überhaupt: Eine herausragende Mischung aus höchster musikalischer Intensität und Perfektion mit einem bis dahin quasi unbekannten Repertoire und einer Emotionalität, die fast physisch greifbar zu sein scheint.

    Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)

    Posted By: ArlegZ
    Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)

    Manfred Cordes, Weser-Renaissance - Heinrich Schütz: Secular Works (1997)
    EAC | FLAC | Image (Cue & Log) ~ 320 Mb | Total time: 70:52 | Scans included
    Classical | Label: CPO | # 999 518-2 | Recorded: 1997

    Here we have the type of disc that fills in the cracks, a discovery of several unrecorded byways of Schutz’s miscellaneous secular oeuvre. Of course, the seventeenth century being what it is, secular and sacred are deliberately dovetailed into a cultural pea soup: these works – so different from the thoroughly Mediterranean Op. 1 Madrigals – are embedded in the literary morality of the age (how typical and reverently set is the text of Haus und Guter: “house and goods are inherited from one’s parents, but a pious and virtuous wife is from the Lord. He who finds a wife, he finds something good and receives blessings from the Lord”) and are not entirely profane.

    Sébastien Daucé, Ensemble Correspondances - Septem Verba & Membra Jesu Nostri: Buxtehude, Schütz, Dijkman (2021)

    Posted By: ArlegZ
    Sébastien Daucé, Ensemble Correspondances - Septem Verba & Membra Jesu Nostri: Buxtehude, Schütz, Dijkman (2021)

    Sébastien Daucé, Ensemble Correspondances - Septem Verba & Membra Jesu Nostri: Buxtehude, Schütz, Dijkman (2021)
    EAC | FLAC | Image (Cue & Log) ~ 505 Mb | Total time: 123:18 | Scans included
    Classical | Label: Harmonia Mundi | # HMM 902350.51 | Recorded: 2020

    Northward ho! Sébastien Daucé and his musicians here make a geographical detour, forsaking England and France in order to explore Lutheran Europe before J. S. Bach. One is struck by the expressive vigour of these finely detailed works, which have retained all their power to fascinate today’s listeners. Merging old and new, the austerely beautiful language of Buxtehude, Schütz and the much more rarely heard Dijkman unexpectedly echoes the music of their contemporary Marc-Antoine Charpentier.