The instrumental rockers of the early '70s never were any good at dulling down their musical expertise; and, indeed, it's only a matter of seconds into their first live release - Live at the Rainbow - until one realizes just how talented Focus were. Jan Akkerman, named "World's Best Guitarist" by Melody Maker in 1973 ahead of Eric Clapton and others, was amazingly on form in this performance. Thijs Van Leer, chief songwriter and performer in the band, showcased his talents on flute, vocals, and organ with unparalleled finesse. Bert Ruiter knocked out his basslines tight to Pierre Van Der Linden's drums, undoubtedly two of the finest players on their respective instruments. It would be so easy to go off on a tangent explaining the mastery that Focus had musically; suffice to say, however, the bands technical proficiency is rarely matched in the world of rock…

In the 1970s, concurrent with his role as de facto leader of the progressive rock band Focus, Thijs van Leer released several solo albums, most notably the four Introspection albums, recorded in collaboration with Rogier van Otterloo (arranger/conductor), Letty de Jong (soprano vocalist), and Ruud Jacobs (producer).
Light classical work, nice job all around and an immense succes in The Netherlands where many copies of this record (and the follow ups) were sold.

50 Years: Anthology 1970-1976 is a forthcoming box set that contains the complete work of Dutch rock group Focus between 1970 and 1976.

Legendary Dutch progressive rockers Focus return with their 12th studio album, recorded in the world- renowned Wisseloord Studio in the Netherlands.

The album that boosted Focus into at least semi-fame outside of continental Europe, Moving Waves blasts off with their hit single, "Hocus Pocus." Built around a killer guitar hook by Jan Akkerman and a series of solo turns by the band, this instrumental replaced "Wipeout" as a staple of FM radio. The bizarrely hilarious vocal and accordion solos by Thijs van Leer – one of which absurdly concludes with rousing stadium cheers – have to be heard to be believed. After this over-the-top performance, the other tracks seem comparatively constrained: the gentle "Le Clochard" features some gorgeous classical guitar over Mellotron strings. The album concludes with "Eruption," which while mimicking the multi-suite nomenclature of Yes and King Crimson, is essentially a side-long jam session.

Focus' debut album is gentler and more low-key and vocal-oriented than their subsequent efforts; fans of Jan Akkerman's pyrotechnics may be disappointed by his relatively restrained presence, but others may be pleasantly surprised to find a more economic group than they remember. A fair collection of progressive rock tunes without a clear focus, the material is dominated by Thijs Van Leer, often introducing classical sensibilities. But at least as often, it sticks with fairly conventional period folk-rock and blues influences, with occasional jazzy shadings. Akkerman's "House of the King" is the most accurate Jethro Tull imitation ever recorded.

Focus' debut album is gentler and more low-key and vocal-oriented than their subsequent efforts; fans of Jan Akkerman's pyrotechnics may be disappointed by his relatively restrained presence, but others may be pleasantly surprised to find a more economic group than they remember. A fair collection of progressive rock tunes without a clear focus, the material is dominated by Thijs Van Leer, often introducing classical sensibilities. But at least as often, it sticks with fairly conventional period folk-rock and blues influences, with occasional jazzy shadings. Akkerman's "House of the King" is the most accurate Jethro Tull imitation ever recorded.

Focus had well proven their ability to write rocking instrumentals by the time of this release. Their catalog, although consisting of four albums, rarely had a dull moment between them. Hamburger Concerto is equally consistent, much of it being prime Focus material. The Akkerman-written "Birth" and "Early Birth" are examples of Focus fully flexing their muscles, featuring superb guitar work and amazing all-round musicianship, as well as sporting some superb riffs. The usual lengthy instrumentals are present also, as well as some manic vocals from the manic but genius Thijs Van Leer. Although Hamburger Concerto is not as unerring as Moving Waves or Focus III, anyone who enjoyed the previous releases would undoubtedly find great satisfaction from this album.

Riding on the success of their hit single "Hocus Pocus" from the revolutionary Moving Waves album, Focus got to work on this, their third LP in four years. While the debut album featured a style not too dissimilar to the Bonzo Dog Doo Dah Band, Focus' second LP, Moving Waves, was purely instrumental and wholly serious-minded. Focus III kept this same sound, but approached it with a jollier, more accessible tone. As with its predecessor, Focus III featured only one tune that would have a chance of being a hit single. The enjoyable rhythm of "Sylvia," partnered with Jan Akkerman's victorious guitar solo, some of Van Leer's finest organ work, Bert Ruiter's tight basslines, and Pierre Van Der Linden's mellow drumming, assured the track classic status…

Focus50 is a collection to launch the commemoration of Focus celebrating half a century of ground-breaking contributions to the Prog Rock genre.