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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Michel Petrucciani, Gary Peacock & Roy Haynes - Jazz Club Montmartre - CPH 1988 (Remastered) (2024)

    Posted By: Rtax
    Michel Petrucciani, Gary Peacock & Roy Haynes - Jazz Club Montmartre - CPH 1988 (Remastered) (2024)

    Michel Petrucciani, Gary Peacock & Roy Haynes - Jazz Club Montmartre - CPH 1988 (Remastered) (2024)
    WEB FLAC (tracks) - 610 MB | MP3 CBR 320 kbps - 243 MB
    1:45:55 | Jazz | Label: Storyville Records]

    Storyville Records proudly presents the previously unreleased live double album, 'Jazz Club Montmartre - CPH 1988', by the legendary French pianist Michel Petrucciani. Recorded during a memorable performance at Copenhagen's Jazzhus Montmartre on July 3rd, 1988, the album captures Petrucciani in the company of two jazz icons, Gary Peacock on bass and Roy Haynes on drums. While the trio only came together for a brief European tour in the summer of 1988, the chemistry they shared on stage was undeniable. The trio, propelled by a studio session the previous autumn, radiates synergy, as they explore six of Michel's original compositions with a sense of grace and spontaneity. On this recording, listeners will rediscover Petrucciani's unique lyrical universe, as well as his reverence for modern jazz icons, paying tribute to Bill Evans, Keith Jarrett, and Paul Bley with special arrangements of classics like Someday My Prince Will Come, Mr. K.J. and Turnaround. From the explosive energy of "She Did It Again" to the introspective beauty of "Autumn Leaves", Petrucciani's virtuosic playing reveals a rare sense of urgency, joy, and an unrelenting passion for life.

    Keith Jarrett, Gary Peacock & Paul Motian - The Old Country (2024)

    Posted By: Rtax
    Keith Jarrett, Gary Peacock & Paul Motian - The Old Country (2024)

    Keith Jarrett, Gary Peacock & Paul Motian - The Old Country (2024)
    WEB FLAC (tracks) - 348 MB | MP3 CBR 320 kbps - 169 MB
    1:13:36 | Jazz | Label: ECM

    “The music has the dash and the unabashed lyricism of Keith Jarrett’s best work,” wrote Stereophile in 1994 of At The Deer Head Inn, the first selection of material from the pianist’s spontaneous and in retrospect historic return to the Pennsylvanian venue of his early years. Gramophone spoke of “spellbinding” playing, and the Los Angeles Times hailed “a compendium of grace”. All attributes applicable also to this edition, featuring eight previously unreleased performances, which dives deeply into the magic of this special event, a one-night-only coming together of a Jarrett trio with Gary Peacock and Paul Motian. Keith Jarrett: “It was like a reunion and a jam session at the same time.” Songs featured are “Everything I Love”, “I Fall In Love Too Easily, “All of You”, “Someday My Prince Will Come”, “Golden Earrings”, “How Long Has This Been Going On” and a wonderful bluesy account of the Nat Adderley tune that gives the album its name. An attentive and amazed audience hangs on every note.

    Prince Lasha Quintet feat. Sonny Simmons - The Cry! (Contemporary Records Acoustic Sounds Series / Remastered) (1962/2024)

    Posted By: delpotro
    Prince Lasha Quintet feat. Sonny Simmons - The Cry! (Contemporary Records Acoustic Sounds Series / Remastered) (1962/2024)

    Prince Lasha Quintet feat. Sonny Simmons - The Cry! (Contemporary Records Acoustic Sounds Series / Remastered) (1962/2024)
    WEB FLAC (tracks) - 288 Mb | MP3 CBR 320 kbps - 99 Mb | 00:42:57
    Avant-Garde Jazz, Post-Bop | Label: Craft Recordings

    Released in 1962 on the Contemporary Records label, “The Cry!” Is a free jazz album by saxophonists Prince Lasha and Sonny Simmons. Also featured are Gary Peacock and Mark Proctor (bass), and Gene Stone (drums). This new edition features remastered hi-res audio from the original tapes.

    Keith Jarret, Jack DeJohnette, Gary Peacock - The Out-Of-Towners (2004)

    Posted By: tirexiss
    Keith Jarret, Jack DeJohnette, Gary Peacock - The Out-Of-Towners (2004)

    Keith Jarret, Jack DeJohnette, Gary Peacock - The Out-Of-Towners (2004)
    WEB | FLAC (tracks) - 392 MB | MP3 320 Kbps - 174 Mb | 01:08:07
    Genre: Jazz | Label: ECM

    Recorded in 2001 live at the State Opera House in Munich, Out of Towners features the Keith Jarrett/Gary Peacock/Jack DeJohnette trio in the kind of performance we've come to expect from them these last 21 years: Stellar. Being one of contemporary jazz's longest-running bands has its advantages; one of them is having nothing to prove. First and foremost, this band plays standards like no one else.

    Keith Jarrett, Gary Peacock, Jack DeJohnette - Setting Standards - New York Sessions (2008)

    Posted By: Rtax
    Keith Jarrett, Gary Peacock, Jack DeJohnette - Setting Standards - New York Sessions (2008)

    Keith Jarrett, Gary Peacock, Jack DeJohnette - Setting Standards - New York Sessions (2008)
    XLD Rip | FLAC (tracks, cue, log, booklet) - 679 MB | MP3 CBR 320 kbps - 333 MB
    2:08:16 | Contemporary Jazz, Post Bop | Label: ECM Records

    'Setting Standards' brings together three classic albums 'Standards Vol. 1', 'Standards Vol. 2' and 'Changes.' Recordings made at the beginning of Keith Jarrett's "Standards" project with Gary Peacock and Jack DeJohnette in a sustained burst of creativity in New York in 1983. ECM is re-releasing them in a specially-priced 3-CD box set - which is itself setting standards as the first in a new ECM reissue series - to celebrate the trio's 25th anniversary this month. In January 1983 Keith Jarrett, Gary Peacock and Jack DeJohnette came together with producer Manfred Eicher for a recording session at New York's Power Station. The idea - revolutionary in an era when the idea of playing original material was all-important - was to simply make an album of jazz standards.

    Keith Jarrett / Gary Peacock / Jack DeJohnette - After The Fall (2018) {ECM 2590/91}

    Posted By: tiburon
    Keith Jarrett / Gary Peacock / Jack DeJohnette - After The Fall (2018) {ECM 2590/91}

    Keith Jarrett / Gary Peacock / Jack DeJohnette - After The Fall (2018) {ECM 2590/91}
    EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 486MB + 5% Recovery
    MP3 CBR 320 Kbps | 242MB + 5% Recovery
    Genre: Jazz, Post-Bop

    The group colloquially known as “the Standards trio” has made many outstanding recordings, and After The Fall must rank with the very best of them. “I was amazed to hear how well the music worked,” writes Keith Jarrett in his liner note. “For me, it’s not only a historical document, but a truly great concert.” This performance in Newark, New Jersey in November 1998 marked Jarrett’s return to the concert stage after a two year hiatus. Joined by improvising partners Gary Peacock and Jack DeJohnette, he glides and soars through classics of the Great American Songbook including “The Masquerade Is Over”, “Autumn Leaves”, “When I Fall In Love” and “I’ll See You Again”.

    Gary Peacock - Voice From The Past: Paradigm (1982) {ECM 1210}

    Posted By: tiburon
    Gary Peacock - Voice From The Past: Paradigm (1982) {ECM 1210}

    Gary Peacock - Voice From The Past: Paradigm (1982) {ECM 1210}
    WEB | FLAC tracks | Digital Booklet | 277MB + 5% Recovery
    MP3 CBR 320 Kbps | 126MB + 5% Recovery
    Genre: Avant-Garde Jazz, Post-Bop

    This abstract quartet recording by bassist Gary Peacock features Jan Garbarek on tenor and soprano saxes, Tomasz Stanko on trumpet, and Jack DeJohnette on drums. The interplay between Peacock and DeJohnette, captured roughly two years before the release of the first Keith Jarrett standards record, is especially interesting. One only wishes the horns weren't so tinny. Highlights include the freebopping "Moor" (a piece that dates back to the early '60s), the lyrical "Ode for Tomten," and the chill-inducing "Voice From the Past."

    Toninho Horta ‎– To Jobim With Love (2008) {Resonance}

    Posted By: tiburon
    Toninho Horta ‎– To Jobim With Love (2008) {Resonance}

    Toninho Horta ‎– To Jobim With Love (2008) {Resonance}
    EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 390MB + 5% Recovery
    MP3 CBR 320 Kbps | 136MB + 5% Recovery
    Genre: Brazilian Jazz

    Toninho Horta has been a reliable sideman and occasionally a leader in his lengthy career playing contemporary Brazilian music. The acoustic and electric guitarist has a quiet intensity that reflects the passion and verve of genius composer Antonio Carlos Jobim. This tribute to Jobim is quite laden with string charts, most done quite tastefully, rarely overarranged, and pleasantly emphasizing a flute section. Horta has an impressive complementary combo of pianist Dave Kikoski, bassist Gary Peacock, percussionists Paulo Braga and Manolo Badrena, special guests as saxophonist Bob Mintzer, harmonicist William Galison, trumpeter Glenn Drewes, Charles Pillow on oboe, John Clark on French horn, and several members of the large Horta family.

    Paul Bley - Turns (1964) Remastered Reissue 1987

    Posted By: Designol
    Paul Bley - Turns (1964) Remastered Reissue 1987

    Paul Bley - Turns (1964) Remastered Reissue 1987
    XLD | FLAC | Tracks (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 124 Mb | Scans included
    Avant-Garde Jazz, Free Jazz | Label: Savoy Jazz | # CDOR 9011 | Time: 00:46:22

    On this unusual album, pianist Paul Bley's 1964 trio (with bassist Gary Peacock and drummer Paul Motian) is joined by tenor-saxophonist John Gilmore during his brief hiatus from Sun Ra's Arkestra. Unissued at the time (five of the eight numbers made their debut on Bley's IAI label), the music is explorative but not as free as one might expect. Best-known among the six Carla Bley originals (which are joined by Paul's "Turns") is the lyrical "Ida Lupino" which is heard in two versions. The music overall is quite stimulating and a bit offbeat, a reflection of Paul Bley's adventurous spirit.

    Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008

    Posted By: Designol
    Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008

    Keith Jarrett Trio - Bye Bye Blackbird (1993) Reissue 2008
    EAC | FLAC | Tracks (Cue&Log) ~ 344 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included
    Post-Bop, Piano Jazz, Standards | Label: ECM | # ECM 1467, 177 6230 | 01:07:55

    This is the Keith Jarrett Trio's – featuring bassist Gary Peacock and drummer Jack DeJohnette – elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with – and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual. There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly." As an immediate response to a traumatic event, Jarrett and his colleagues strike the right emotional balance to create one of their more meaningful albums.

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changes (1984) {ECM 1276}

    Posted By: tiburon
    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changes (1984) {ECM 1276}

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changes (1984) {ECM 1276}
    EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 197MB + 5% Recovery
    MP3 CBR 320 Kbps | 95MB + 5% Recovery
    Genre: Jazz, Post-Bop

    Unlike the other two Keith Jarrett trio recordings from January 1983, this collaboration with bassist Gary Peacock and drummer Jack DeJohnette does not feature standards. The trio performs the 30-minute "Flying" and a 6-minute "Prism," both of them Jarrett originals. "Flying," which has several sections, keeps one's interest througout while the more concise "Prism" has a beautiful melody. It is a nice change to hear Jarrett (who normally plays unaccompanied) interacting with a trio of superb players.

    Keith Jarrett Trio - Always Let Me Go (2002) [2CDs] {ECM 1800/01}

    Posted By: tiburon
    Keith Jarrett Trio - Always Let Me Go (2002) [2CDs] {ECM 1800/01}

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Always Let Me Go (2002) [2CDs] {ECM 1800/01}
    EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 200dpi | 656MB + 5% Recovery
    MP3 CBR 320 Kbps | 314MB + 5% Recovery
    Genre: Jazz, Post-Bop, Avant-Garde Jazz

    Recorded live in Tokyo in April 2001, Always Let Me Go is Keith Jarrett's 149th concert in Japan. Joined by his long-standing partners Gary Peacock and Jack DeJohnette, these performances are playful, explosive, somber, and completely improvised. After 20 years of working together, they trust each other (and the audience) enough to deliver over two hours of unscripted music. DeJohnette prowls through his drums like a restless cougar: he chatters, scuffles, and pounces on the skins with agility. Likewise, Peacock spoons out a concrete foundation of bass; one that bubbles as it spreads through the cracks in Jarrett's 88 keys (which serve the pianist so very well).

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changeless (1989) {ECM 1392}

    Posted By: tiburon
    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changeless (1989) {ECM 1392}

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Changeless (1989) {ECM 1392}
    EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 220MB + 5% Recovery
    MP3 CBR 320 Kbps | 127MB + 5% Recovery
    Genre: Jazz, Post-Bop

    One of only a handful of Keith Jarrett "Standards" Trio records without a standard within earshot, this is a triumph, for Jarrett has successfully brought the organically evolving patterns of his solo concerts into the group format. Each of the first three selections is built upon a constant revolving ostinato, and each evolves from one stage to the next like a Jarrett solo piano improvisation.

    Paul Bley, Gary Peacock, Barry Altschul - Japan Suite (1992)

    Posted By: v3122
    Paul Bley, Gary Peacock, Barry Altschul - Japan Suite (1992)

    Paul Bley, Gary Peacock, Barry Altschul - Japan Suite (1992)
    EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
    Improvising Artists, IAI 123 849-2 | ~ 192 or 75 Mb | Artwork(jpg) -> 24 Mb
    Free Improvisation

    ~ Recorded - Midnight - July 25, 1976 ~

    Barry Altschul, Paul Bley, Gary Peacock - Virtuosi (1994)

    Posted By: v3122
    Barry Altschul, Paul Bley, Gary Peacock - Virtuosi (1994)

    Barry Altschul, Paul Bley, Gary Peacock - Virtuosi (1994)
    EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
    Improvising Artists, IAI 123 844-2 | ~ 177 or 78 Mb | Artwork(jpg) -> 26 Mb
    Contemporary Jazz

    ~ Recorded June 28, 1967 ~