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    Delaney & Bonnie And Friends - Motel Shot (1971) Japanese Reissue 1998

    Posted By: Designol
    Delaney & Bonnie And Friends - Motel Shot (1971) Japanese Reissue 1998

    Delaney & Bonnie And Friends - Motel Shot (1971) Japanese Reissue 1998
    EAC | FLAC | Tracks (Cue&Log) ~ 276 Mb | Mp3 (CBR320) ~ 112 Mb | included
    Label: ATCO Records | # AMCY-2765 | Time: 00:45:53
    Blues-Rock, Country-Rock, Roots Rock, Gospel, Soul, Blues, Folk-Rock

    Motel Shot is a studio album by Delaney & Bonnie and Friends, released in 1971. The album, their third for Atco/Atlantic (catalog no. SD 33–358) and fifth overall, is a mostly acoustic set. The album's title refers to the impromptu, sometimes late-night, jam sessions pursued by touring musicians when on the road. The album reached #65 on the Billboard album chart, and includes Delaney and Bonnie's biggest chart single, "Never Ending Song of Love", which peaked at #13. "Never Ending Song of Love" would immediately become a popular tune to cover, with hit versions being recorded by The New Seekers and Dickey Lee at the same time as Delaney & Bonnie's version (each becoming a hit in different markets) and the Osmond Brothers having a minor hit with it a decade later. Guest musicians on the album include Leon Russell, Joe Cocker, Duane Allman, Dave Mason, John Hartford, Clarence White, Gram Parsons and Bobby Whitlock.

    John Hartford - Steamboat Whistle Blues (2021)

    Posted By: ciklon5
    John Hartford - Steamboat Whistle Blues (2021)

    John Hartford - Steamboat Whistle Blues (2021)
    FLAC tracks / MP3 320 kbps | 1:27:19 | 554 / 182 Mb
    Genre: Bluegrass, Country, Folk, Americana / Label: M.i.G - music GmbH

    1967 hatten Mike Clarke und David Crosby die Byrds verlassen. Übrig blieben nur noch Roger McGuinn sowie Chris Hillman. Der Country Musik-affine Hillman holte Gram Parsons zu den Byrds und die drei beschlossen, ein Album über die Musikhistorie von Amerika einzuspielen, basierend auf Hillbilly, Country und Bluegrass. Dazu mieteten sie sich in die Columbia Studios in Nashville ein und holten sich Musiker aus der lokalen Szene, darunter John Hartford und auch Clarence White.