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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Alan Curtis, Il Complesso Barocco - George Frideric Handel: Admeto (1998)

    Posted By: ArlegZ
    Alan Curtis, Il Complesso Barocco - George Frideric Handel: Admeto (1998)

    Alan Curtis, Il Complesso Barocco - George Frideric Handel: Admeto (1998)
    EAC | FLAC | Image (Cue & Log) ~ 0,99 Gb | Total time: 76:48+79:16+60:43 | Scans included
    Classical | Label: Virgin Veritas | 5 61369 2 | Recorded: 1977

    A warm welcome back for this 1977 recording of Handel’s most successful opera, which ran, in 1727, for an unprecedented 19 performances. Curtis and his team were visionary 20 years ago. Recitative is lively, declaimed rather than fully sung; vocal decorations sound spontaneous, period instruments are played with zest and polish – barely a sour note from the handful of strings; colours include a trio of oboes and bassoon and, accompanying Bowman in fine voice, a pair of horns for what Dr Burney described as ‘one of the best and most agreeable hunting songs that was ever composed’.

    Gustav Leonhardt, La Petite Bande - Lully: Le Bourgeois gentilhomme; Campra: L'Europe galante (2010)

    Posted By: ArlegZ
    Gustav Leonhardt, La Petite Bande - Lully: Le Bourgeois gentilhomme; Campra: L'Europe galante (2010)

    Gustav Leonhardt, La Petite Bande - Lully: Le Bourgeois gentilhomme; Campra: L'Europe galante (2010)
    EAC | FLAC | Image (Cue & Log) ~ 598 Mb | Total time: 134:10 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | 88697576312 | Recorded: 1973

    This two-CD album brings together the two earliest recordings by La Petite Bande. They were made in 1973 and feature landmarks in two important French forms of entertainment—comedie-ballet and opera-ballet. Performed in 1670 at Chambord, one of Louis XIV's grandest country retreats, Le bourgeois gentilhomme was the high water mark of Lully's collaboration with Moliere and was to be the last work of its kind on which the two worked together. Moliere developed the comedie-ballet from the fashionable court ballets, working the dances and music into the body of the play with unparalleled skill. Lully, himself a dancer, proved a gifted partner as the music for Le bourgeois gentilhomme reveals.

    Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)

    Posted By: ArlegZ
    Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)

    Rachel Yakar, Kenneth Gilbert - Louis-Nicolas Clérambault: Orphée, Médée, Suites pour clavecin Nos.1 & 2 (1992)
    EAC | FLAC | Image (Cue & Log) ~ 324 Mb | Total time: 67:19 | Scans included
    Classical | Label: Archiv Produktion | # 437 085-2 | Recorded: 1979, 1981

    Der französische Komponist und Organist Louis-Nicolas Clérambault war auch ein guter Geiger und entstammte einer musikalischen Dynastie. Sein Stil war von den großen italienischen Komponisten seiner Zeit geprägt, vor allem von Corelli. Und so schrieb er eigene Werke mit italienischem Flair in französischen Stil.

    Nikolaus Harnoncourt, Mozart-Orchester und Chor des Opernhauses Zürich - Wolfgang Amadeus Mozart: Idomeneo (1984)

    Posted By: ArlegZ
    Nikolaus Harnoncourt, Mozart-Orchester und Chor des Opernhauses Zürich - Wolfgang Amadeus Mozart: Idomeneo (1984)

    Nikolaus Harnoncourt, Mozart-Orchester und Chor des Opernhauses Zürich - Wolfgang Amadeus Mozart: Idomeneo (1984)
    EAC | FLAC | Image (Cue & Log) ~ 723 Mb | Total time: 194.43 | Scans included
    Classical | Label: Teldec | # 2292-42600-2 | Recorded: 1980

    This "Idomeneo" takes us to Zurich from Vienna and again Harnoncourt finds much fire and passion in a work which is notoriously difficult to bring off. My selected comparison here was the indefatigable Peter Maag (Arts Archives) whose litheness of tempi and superb singing team is given a good run for their money by Harnoncourt and in particular the booming voice of Hollweg who can safely lay claim to be one of the finest Idomeneo's on record. Yet again Harnoncourt is a thrilling exponent of the Mozartian idiom and the opera really finds a dramatic twinge especially in the final act.

    Nikolaus Harnoncourt, Concentus Musicus Wien, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (1991)

    Posted By: ArlegZ
    Nikolaus Harnoncourt, Concentus Musicus Wien, Konzertvereinigung Wiener Staatsopernchor - Mozart: Requiem (1991)

    Nikolaus Harnoncourt, Concentus Musicus Wien, Konzertvereinigung Wiener Staatsopernchor - Wolfgang Amadeus Mozart: Requiem (1991)
    EAC | FLAC | Image (Cue & Log) ~ 224 Mb | Total time: 48:24 | Scans included
    Classical | Label: Teldec | # 2292-42911-2 | Recorded: 1982

    The new instrumentation published by Edition Eulenburg in l972 was used as the basis for this recording. This edition attempts to remove the obvious errors in Franz Xaver Süssmayr`s “routine instrumentation” (Bruno Walter), which has been the subject of criticism more or less since he made it at the request of Constanze Mozart, and furthermore to colour it with the hues ot Mozart’s own palette.

    Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy - Jean-Philippe Rameau: Les Indes galantes (2016)

    Posted By: ArlegZ
    Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy - Jean-Philippe Rameau: Les Indes galantes (2016)

    Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy - Jean-Philippe Rameau: Les Indes galantes (2016)
    EAC | FLAC | Image (Cue & Log) ~ 926 Mb | Total time: 55:46+55:24+54:02 | Scans included
    Classical | Label: Sony Classical | 88985338292 | Recorded: 1974

    I know of no Rameau work more colourful, more melodious, more replete with inventive vitality, wrote Gramophone in reviewing this 1973 premiere recording of the French Baroque masters 1735 heroic ballet Les Indes galantes. There is immense enthusiasm and spirit in this performance [and] some excellent singing Among the array of sopranos I was specially impressed by the full, bright ring of Rachel Yakar Anne-Marie Rodde: a good stylist and a clean, accurate voice, coping well with Rameaus florid detail The tenor Bruce Brewer is a real find for the lyrical French roles: his voice is very smooth and graceful In all, a set which no Rameau admirer should miss. Conducted by Rameau specialist Jean-Claude Malgoire, it is now being issued for the first time on CD.

    John Eliot Gardiner, English Baroque Soloists - Jean-Marie Leclair: Scylla et Glaucus (1988)

    Posted By: ArlegZ
    John Eliot Gardiner, English Baroque Soloists - Jean-Marie Leclair: Scylla et Glaucus (1988)

    John Eliot Gardiner, English Baroque Soloists - Jean-Marie Leclair: Scylla et Glaucus (1988)
    EAC | FLAC | Image (Cue & Log) ~ 834 Mb | Total time: 50:51+53:55+65:26 | Scans included
    Classical | Label: Erato | # ECD 75339 | Recorded: 1986

    Leclair's single opera Scylla et Glaucus may lack the sheer audacity of his teacher Rameau, but it's enormously likeable…the performers respond…stylishly to Leclair's charming if slightly predictable sound-world…and the conducting preserves a neat balance between drama and ornament…It is clear that Gardiner favours intervention over chilly authenticity; whether or not you agree with all his decisions, the clarity of the image he presents is often provocative and always bracing.

    Marc Minkowski, Les Musiciens du Louvre - Jean-Baptiste Lully: Phaëton (1994)

    Posted By: ArlegZ
    Marc Minkowski, Les Musiciens du Louvre - Jean-Baptiste Lully: Phaëton (1994)

    Marc Minkowski, Les Musiciens du Louvre - Jean-Baptiste Lully: Phaëton (1994)
    EAC | FLAC | Image (Cue & Log) ~ 739 Mb | Total time: 64:47+69:35 | Scans included
    Classical | Label: Erato | # 4509-91737-2 | Recorded: 1993

    Phaeton was first produced not at the Palais-Royal Theatre in Paris but modestly at Versailles in January 1683. In the spring of that year it transferred to the Palais-Royal and was well enough thought of to enjoy revivals at regular intervals into the early 1740s. Indeed, rather as Atys became known as the ''King's opera'' and Isis as the musicians', Phaeton acquired its sobriquet, ''the opera of the people''. Among the many attractive airs ''Helas! Une chaine si belle'' (Act 5) was apparently a favourite duet of Parisian audiences, while ''Que mon sort serait doux'' (Act 2), another duet, was highly rated by Lully himself. In 1688 Phaeton was chosen to inaugurate the new Royal Academy of Music at Lyon where, as Jerome de la Gorce remarks in his excellent introduction, it was so successful ''that people came to see it from forty leagues around''. The present recording is a co-production between Erato and Radio France, set up to mark the occasion of the opening of the new Opera House at Lyon.

    Aria: 30th Anniversary Edition (2017/1987) [Blu-Ray]

    Posted By: Vilboa
    Aria: 30th Anniversary Edition (2017/1987) [Blu-Ray]

    Aria: 30th Anniversary Edition (2017/1987) [Blu-Ray]
    BluRay | BDMV | MPEG-4 AVC Video / 34999 kbps / 1080i / 24 fps | 96 min | 33,4 Gb
    Audio: Italiano / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
    ––––––
    BluRay-rip | AVC | MKV 1920x1080 / 7 465 kbps / 24 fps | 96 min | 6,48 Gb
    Audio: Italiano / PCM / 2ch / 48.0 KHz / 24 bits
    Classical | Entertainment One

    Imagine that ten of the world's most well-known highly regarded filmmakers were given a free hand to make real any vision. Aria is that history-making film. Sexy, violent, thought-provoking and funny, here is the movie critics raved about, audiences flocked to see, and no one could stop talking about. Includes Bridget Fonda's electrifying film debut, a revealing and breathtaking performance from Elizabeth Hurley, and Theresa Russell as the trigger-happy King Zog of Albania.