Gene Clark’s 1974 masterpiece gets the reappraisal it’s long overdue. On the eve of what would have been American singer-songwriter and Byrds founding member Gene Clark’s 75th birthday comes the reissue of one of his finest works, No Other. Released in 1974 on Asylum Records, a year after the Byrds short- lived reunion, Gene reached for the stars with No Other; a psychedelic rock, folk, country and soul record that famously cost a small fortune to make…

Live At The Bitter End is a 2004 compilation of live recordings from the band Fred. It was recorded in New York City in 1974. This was released by the German label World In Sound.

Harbour is the 1971 album by Mason. This was reissued and released in 1999 by the Gear Fab label with two bonus tracks.

Though no one talked about it at the time of its release, this album reflected a growing split within the group. Originally, the trio's members, tired of sublimating their musical identities within the context of ELP, each intended to do a solo album of his own…

Manal were an early argentine rock group, one of the three along with Almendra and Los Gatos dubbed the fouding trilogy of rock in that country. Whereas Almendra brought an Argentine identity to the sound and Los Gatos the electric guitar, influenced by Cream Manal brought the blues to Argentina's rock conscience.
In 1973 an excellent double LP set was released featuring the first Mandioca album, all Mandioca singles and unreleased tracks. It was given the innovative title… Manal (better known as "Manal double album").

On Roxy Music's debut, the tensions between Brian Eno and Bryan Ferry propelled their music to great, unexpected heights, and for most of the group's second album, For Your Pleasure, the band equals, if not surpasses, those expectations…

Freddie Hubbard's Super Blue, finally available on CD, is a minor classic—overlooked, perhaps, because it lies in the long shadow of the titan trumpeter's earlier output, or because it was recorded in the middle of a lackluster phase at Columbia. But Blue is a late-summer sleeper. Reassembling some of the best talent from his CTI dates—Joe Henderson (tenor), Hubert Laws (flute), Ron Carter (bass), Jack DeJohnette (drums) and George Benson (guitar), plus Kenny Barron (acoustic and electric keyboards), a jam-mate from Hubbard's groups of the later 1960s—the session proves that commercial accessibility can coexist with high artistic standards.

This two-fer from Repertoire features a pair of out of print Shocking Blue LPs: Ink Pot and Attila. Originally issued in 1972, these 31 tracks were written by guitarist Robby VanLeeuwen (with the exception of "I Ain't Never" and "Tobacco Road,") and are surprisingly better than might be expected from a one-hit wonder.

Deep in their prime period, the Crusaders reaffirm their affinity with the groove and rely entirely upon all six of their funky selves for their material. "My Mama Told Me So" and "Feeling Funky" contain the most infectious outcropping of the groove, while "Spiral" is OK, yet just a bit too frantic for the groove to thrive. "And Then There Was the Blues" is a laid-back, mildly funky jog at quite some length, where everyone gets a chance to solo extensively; essentially this is the old Jazz Crusaders frontline sound with a funky underbelly. "Til the Sun Shines" is an urbane Larry Carlton ballad with synthesized strings, quite different and to the point, but "Serenity" is a bore, a nothing idea stretched out for too long. The Crusaders' groove machine is still very much in gear, but the fuel is occasionally diluted.

Great symphonic rock featuring mellotron and flute, excellent keyboard playing and a fine guitar, no weak passages. Three of the six tracks are instrumentals. In his book "Cosmic dreams at play" (Glasgow 1996), the Norwegian Dag Erik Asbjørnsen lists "Point of eruption" among the ten best Krautrock LPs of all time, and quite rightly so. The only drawback is its short playing time. It’s a pity that this is the only work the band from Werne an der Lippe, at the north-eastern edge of the Ruhr Area, has ever released. With 28-page coloured booklet.

Tyrannosaurus Rex's transformation from oracles of U.K. hippie culture to boogie-friendly rock stars began with the album A Beard of Stars, released in early 1970 when the band picked up electric instruments, and by the time the year was out, Marc Bolan had pared their name down to the more user-friendly T. Rex and dropped their first album with the new moniker…

A strong debut effort that, despite some searing guitar work by Vince McCusker and a well-placed howl by Peter Farelly in "Decision," remains a strangely low-key work. This may be due to the contemplative nature of Stephen Houston's keyboard and string parts…

Lovedrive is the sixth studio album by the German band Scorpions, released in 1979. Considered by some critics to be the pinnacle of their career, Lovedrive was a major evolution of the band's sound, exhibiting their "classic style" that would be later developed over their next few albums. Lovedrive cemented the "Scorpions formula" of hard rock songs combined with melodic ballads. Lovedrive was the band’s first album to be released by Harvest/EMI following the band's departure from label RCA, and proved a major commercial breakthrough, reaching number 55 on the Billboard Top 200, which none of their previous five albums had dented at all. The RIAA certified the record as Gold on 28 May 1986, and the album also proved a breakthrough in the UK where it was the first Scorpions album to chart and peaked at number 36. Lovedrive ranked 25 on IGN's 2007 list of the top 25 metal albums.

Esoteric Recordings are pleased to announce a new official CD release of the album "Say Hello To The Band” by the British Progressive/Folk-Rock group Decameron. Formed in 1968 in Gloucestershire by John Coppin (Guitar, Vocals) and Dave Bell (Guitar, Vocals), by 1971 the band evolved into a quartet with the arrival of Al Fenn on Lead Guitar and Mandolin and Geoff March on Violin and Cello. The group signed to Vertigo records in 1973 and recorded their debut album with notable guests such as Timi Donald on Drums and B.J. Cole on Dobro. A unique fusion of Folk and Progressive influences, "Say Hello To The Band” has long been sought by collectors as a vinyl artefact. This new CD edition is re-mastered from the original tapes and adds both sides of Decameron’s first single as bonus tracks. This Esoteric Recordings reissue includes a booklet that fully restores all original album artwork and features a new essay.

Pianist Mal Waldron was Billie Holiday's final regular accompanist and has recorded several tributes to Lady Day through the years. This CD brings back a nine-song solo tribute that consists of eight songs associated with Holiday (including "Don't Blame Me," "You're My Thrill," "Strange Fruit" and "Mean to Me") plus Waldron's "Blues for Lady Day"; the emphasis is on thoughtful (and sometimes a bit downbeat) interpretations at ballad tempoes. The reissue adds two lengthy and unrelated trio improvisations with bassist Henk Haverhoek and drummer Pierre Courbois ("A Little Bit of Miles" and "Here, There and Everywhere") that actually have nothing to do with Lady Day but do feature Mal Waldron coming up with some interesting and fresh ideas.