Black Country Communion, the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa, release their long awaited and highly anticipated fourth album, ‘BCCIV)’, via Mascot Records.

This collection spotlights every single, and B-side, the band released, all gathered together for the first time. This 2CD/1Blu-ray release also includes four “Mono Radio Versions” of some of the band’s biggest hits, such as “Hello, I Love You” and “Touch Me,” which have never been made available anywhere after being sent to radio around their original release…

Remastered in 2017! Official 20-track, career-spanning compilation features "Can The Can", "Devil Gate Drive", "Stumblin' In", "48 Crash", "Michael" and more.

New England is the seventh studio album by rock band Wishbone Ash. It was a success compared to the band's Locked In album, but still did not chart as high as most of their previous albums. This album would mark the "Americanization" of Wishbone Ash, as the band would relocate from England to the Northeastern United States (New England) for tax purposes. New England contained an even balance of hard rock songs and breezy, soft rock ballads, the latter of which would see further exploration from Wishbone Ash on their next studio album, Front Page News.

Adding a new rhythm guitarist, Dire Straits expands its sounds and ambitions on the sprawling Love Over Gold…

A straightforward summary of the Shadows' first three years of habitual hit-making, opening with the pounding flurry of "Apache," then tracing through the next eight smash singles, with a handful of attendant B-sides (and one EP cut, the title track from The Boys) to round the package out. There is no denying the sheer brilliance of this early sequence. Hits like "Wonderful Land," "FBI," and "Man of Mystery" utterly rewrote the guitar's role in rock, not only musically, but culturally as well. Unquestionably, the Shadows' importance and impact diminished as the years passed, but at the outset of their career – the period documented here – they were untouchable. It is for that reason that The Shadows' Greatest Hits is still regarded in some quarters as the finest Shadows album of them all, an accolade which no other compilation (and goodness knows, there's been enough of them) has ever been able to dismiss. Even the sleeve screams "masterpiece."

An anthology of solo recordings from the original Beach Boy, Brian Wilson, starting with his ‘comeback’ album on Sire, through to the current day & a new track ‘Run James Run’ which is unreleased & recorded specifically for this album. The record also features another unreleased track – ‘Some Sweet Day’ – from the sessions with Andy Paley. And the remainder comes from his various solo releases, the self-titled album on Sire, the ‘Smile’ release on Nonesuch, the duet ‘Soul Searchin’’ with his brother Carl from ‘Gettin’ In Over My Head’ right through to the most recent full length ‘No Pier Pressure’ on Capitol.

To commemorate the 50th anniversary of the Stones’ 1967 psychedelic classic, comes this limited edition, remastered double-vinyl, double-CD deluxe package. The set contains both stereo and mono versions of the album, remastered at Abbey Road by Bob Ludwig, and presented on two 180-gram vinyl LPs and two Super Audio CDs (compatible with all players).

Eric Stewart is most known for his tenure with the Mindbenders in the 1960s, and 10cc from 1972 to 1995. In 1968, he became a co-owner of Strawberry Studios in Stockport, where he developed skills as a recording engineer and record producer. His involvement in Strawberry was instrumental in the eventual formation of 10cc. Stewart has collaborated with Paul McCartney on three of his albums recorded between 1982 and 1986. He has also recorded three solo albums and released Viva La Difference in 2009. This compilation brings together tracks from all his solo albums and some tracks from his period in 10cc for the first time. Compiled and co-mastered by Eric, these two discs showcase the talents of one of the UK's best producers and writers. Some of these tracks are available on CD for the first time.

Led by John Kay, Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. German immigrant Kay got his professional start in a bluesy Toronto band called Sparrow, recording for Columbia in 1966. After Sparrow disbanded, Kay relocated to the West Coast and formed Steppenwolf, named after the Herman Hesse novel. "Born to Be Wild," their third single on ABC-Dunhill, was immortalized on the soundtrack of Dennis Hopper's underground film classic Easy Rider. The song's reference to "heavy metal thunder" finally gave an assignable name to an emerging genre. Steppenwolf's second monster hit that year, the psychedelic "Magic Carpet Ride," and the follow-ups "Rock Me," "Move Over," and "Hey Lawdy Mama" further established the band's credibility on the hard rock circuit.

Either the mid-'70s or the addition of Ted Turner's replacement, Laurie Wisefield, brought about a severe identity crisis for Wishbone Ash. No longer were they the self-conscious band that evolved from their blues-based debut to their prog precursor Pilgrimage to their progressive tour de force Argus. While Wishbone Ash was still a guitar-oriented band, Locked In provided no originality and, save for a guitar refrain in "Rest in Peace," no memorable passages whatsoever. While his credentials are impressive, producer Tom Dowd was not the man for the job…

V, the 5th album by LA punk band The Bronx, was produced by Rob Schnapf (Elliott Smith, Beck, FIDLAR), and follows the bands alter-ego's 2014 album Mariachi El Bronx III.

Little Steven didn't precisely abandon his solo career, but he did stop recording his own albums after 1999's Born Again Savage. He had a few things to keep him busy, including newfound stardom as a television star thanks to The Sopranos and a reunited E Street Band, not to mention philanthropy and the development of his own record label (Wicked Cool) and radio station (Little Steven's Underground Garage).

The 2011 box set called Original Album Classics contains mini-LP paper sleeve versions of the Byrds' second five albums: Sweetheart of the Rodeo, Dr. Byrds & Mr. Hyde, Ballad of Easy Rider, Byrdmaniax, and Farther Along. The self-titled double LP may be missing but this is a good, affordable overview of the group's country-rock years and presented as mini-LPs.

Electric Ladyland is the 1968 double album by the Jimi Hendrix Experience and is their third album. This is the first American digital release of this album, which Reprise released as a double CD in 1987 since most compact discs could not go beyond 74 minutes at the time. This is an unremastered version, or a "flat transfer", from the existing master tape at the time and is different from the mastering that was released for the CD in England at the time. Unlike the Germany CD from 1984 which has songs in different order due to how it was made on vinyl (i.e. Side 1 and Side 4 for Disc 1; Side 2 and Side 3 for Disc 2), the American CD separated each record with their own individual disc and are in proper order.