I/O (typeset as i/o) is the tenth studio album[a] by English rock musician Peter Gabriel, released on 1 December 2023 through Real World Records. It is Gabriel's first album of new original material in over 21 years since Up (2002), marking the longest gap between two studio albums in his solo career. Additionally, I/O is his longest studio album to date. I/O had been in the works for nearly three decades, with its initial production dating back to 1995, at around the same time Gabriel began recording Up. He began planning the follow-up to Up as early as 2000 and had originally intended to release it in 2004, but the album was repeatedly delayed, reworked and re-recorded at seven recording studios (and one arena during soundchecks while on tour with Sting in 2016) before its completion in 2022. This was due to Gabriel focusing on other projects such as his two orchestral albums Scratch My Back (2010) and New Blood (2011), which contained covers of songs by other artists and rearrangements of his older material, respectively.

I/O (typeset as i/o) is the tenth studio album[a] by English rock musician Peter Gabriel, released on 1 December 2023 through Real World Records. It is Gabriel's first album of new original material in over 21 years since Up (2002), marking the longest gap between two studio albums in his solo career. Additionally, I/O is his longest studio album to date. I/O had been in the works for nearly three decades, with its initial production dating back to 1995, at around the same time Gabriel began recording Up. He began planning the follow-up to Up as early as 2000 and had originally intended to release it in 2004, but the album was repeatedly delayed, reworked and re-recorded at seven recording studios (and one arena during soundchecks while on tour with Sting in 2016) before its completion in 2022. This was due to Gabriel focusing on other projects such as his two orchestral albums Scratch My Back (2010) and New Blood (2011), which contained covers of songs by other artists and rearrangements of his older material, respectively.

I/O (typeset as i/o) is the tenth studio album[a] by English rock musician Peter Gabriel, released on 1 December 2023 through Real World Records. It is Gabriel's first album of new original material in over 21 years since Up (2002), marking the longest gap between two studio albums in his solo career. Additionally, I/O is his longest studio album to date. I/O had been in the works for nearly three decades, with its initial production dating back to 1995, at around the same time Gabriel began recording Up. He began planning the follow-up to Up as early as 2000 and had originally intended to release it in 2004, but the album was repeatedly delayed, reworked and re-recorded at seven recording studios (and one arena during soundchecks while on tour with Sting in 2016) before its completion in 2022. This was due to Gabriel focusing on other projects such as his two orchestral albums Scratch My Back (2010) and New Blood (2011), which contained covers of songs by other artists and rearrangements of his older material, respectively. Beginning in January 2023, Gabriel released a new single every full moon, with its alternate mix released on the following new moon, eventually culminating in the album's release at the end of the year; this replicates the 2010 double-sided single releases in promotion of And I'll Scratch Yours (2013). He has stated that he will release more songs in this format following the album's release. I/O received positive reviews from music critics, with praise being particularly directed towards Gabriel's vocals and songwriting.

Peter Gabriel has been working on i/o—shorthand for input/output—for 20 years now, reworking and re-recording and workshopping songs on the road. The final result is a sprawling head trip: two albums of the same songs mixed differently by, Gabriel has said, "two of the world's best mix engineers." Spike Stent (Ed Sheeran, Björk, Madonna) handles the so-called "Bright Side" and Tchad Blake (Sheryl Crow, Fiona Apple, the Black Keys) is the "Dark Side." Comparing the two can feel like an Easter-egg hunt; choosing an overall favorite is hard and the best bet here may be to make a personal playlist combo.

Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time.

Peter Gabriel As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his eponymous debut solo album in 1977, he explored dark, cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music.

Refuges: A Charisma Records Anthology tells the audio story of one of the most innovative labels of the '60s and '70s. Though this collection only spans a mere decade in the history of Rock (1969-78), it is a decade filled with musical innovation and excitement. Though most of their releases may have hovered outside the Top 40 in the U.S., the label's roster consisted of artists that are just as influential today as at any other time in the last 30-40 years. Features 44 tracks including cuts from Peter Gabriel, Van Der Graaf Generator, Genesis, Monty Pythons, Hawkwind, Bo Hansson, Rare Bird, The Alan Parson Project, Lindisfarne, Peter Hammill, Keith Emerson, String Driven Thing and many others.

MESMERISING SECOND\-ALBUM\-TOUR BROADCAST FROM PETER GABRIEL\nThe Lamb Lies Down on Broadway was Peter Gabriel final album with Genesis, but tensions increased during this period as Gabriel wanted to write all of the lyrics himself, and he split with the band after director William Friedkin had invited him to work on a screenplay. The project dissolved, and Gabriel returned to work with Genesis, but was late to deliver the lyrics and relied on contributions from Banks and Rutherford.\nDuring a stop in Cleveland, while on the Lamb Lies Down tour, Gabriel informed the band of his intention to leave at its conclusion.

Peter Gabriel's first foray into soundtracks was for Alan Parker's contemplative film Birdy and is a successful companion piece, providing a backdrop that is moody and evocative. Nearly half of the album's dozen tracks incorporate threads from material found on Gabriel's 1982 Security set, including "Close Up," which makes use of keyboard passages from "Family Snapshot," and "The Heat," which is a reworking of "The Rhythm of the Heat" and builds to a frenzied percussive crescendo. Material specially written for this project includes the murky opening track, "At Night," the tribal "Floating Dogs," and "Slow Marimbas," a track that would become part of future live performances. The fact that Birdy comprises all instrumentals means that listeners whose familiarity with Gabriel is limited to "Sledgehammer" and "In Your Eyes" will be largely disappointed. However, its meditative nature makes it fine, reflective listening for the more adventurous.

Ten years is a long time, especially in pop music, but waiting ten years to deliver an album is a clear sign that you're not all that interested in the pop game anyway. Such is the case with Peter Gabriel, who delivered Up in 2002, a decade after Us and four years after he announced its title. Perhaps appropriately, Up sounds like an album that was ten years in the making, revealing not just its pleasures but its intent very, very slowly. This is not an accessible record, nor is it easy to warm up to, which means that many may dismiss it upon a single listen or two, never giving it the time it demands in order to be understood (it does not help matters that the one attempt at a single is the ham-fisted, wrong-headed trash-TV "satire" "The Barry Williams Show," which feels utterly forced and out of place here, as if Geffen was pleading for anything resembling a single to add to the album).

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. For an album so popular, it's remarkably bleak, chilly, and dark – even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion, insulated in introspection.

Security (IV) – which was titled Peter Gabriel everywhere outside of the U.S. – continues where the third Gabriel album left off, sharing some of the same dense production and sense of cohesion, yet lightening the atmosphere and expanding the sonic palette somewhat. The gloom that permeates the third album has been alleviated and while this is still decidedly somber and serious music, it has a brighter feel, partially derived from Gabriel's dabbling in African and Latin rhythms. These are generally used as tonal coloring, enhancing the synthesizers that form the basic musical bed of the record, since much of this is mood music (for want of a better word).

OVO is the soundtrack to the Millennium Dome Show in London that was composed by the English rock musician Peter Gabriel. It was his eleventh album overall. It was released on 12 June 2000 and features guest vocals by Neneh Cherry, Rasco, Richie Havens, Elizabeth Fraser, and Paul Buchanan (of The Blue Nile). Two versions of the album were released, a standard version which was sold in stores and a limited edition deluxe version, which was sold only at the Millennium Dome and petergabriel.com. The deluxe version which was discontinued after 2000, includes a comic book telling the OVO story and a bonus disc with the track, "The Story of OVO".

Almost every one of Peter Gabriel’s best-laid plans winds up going awry, and so it was with Scratch My Back, his 2010 collection of orchestral covers of some of his favorite songs. He had hoped to have the artists he covered return the favor by interpreting his songs but that project never got off the ground, so he pursued New Blood, an album where he turned that orchestra upon his own songs. New Blood is in every way a companion piece to Scratch My Back; it’s cut from the same aesthetic cloth, it's austere and cerebral without being chilly, it finds emotion within intellect.

Peter Gabriel tells why he left Genesis in "Solsbury Hill," the key track on his 1977 solo debut. Majestically opening with an acoustic guitar, the song finds Gabriel's talents gelling, as the words and music feed off each other, turning into true poetry. It stands out dramatically on this record, not because the music doesn't work, but because it brilliantly illustrates why Gabriel had to fly on his own. Though this is undeniably the work of the same man behind The Lamb Lies Down on Broadway, he's turned his artiness inward, making his music coiled, dense, vibrant. There is still some excess, naturally, yet it's the sound of a musician unleashed, finally able to bend the rules as he wishes.