In 2008, the idea of a rock band doing their proverbial thing in Egypt holds far less cache than it did 30 years prior. However, it was unquestionably a novel notion when the Grateful Dead sought to begin diplomatic talks between the U.S. Government and Egyptian officials to allow for the band to bring their "long, strange trip" to Cairo's Gizah Sound & Light Theater in mid-September of 1978. Considering the precarious political state of the world at the time, it is a minor miracle that these shows came off at all. Rocking the Cradle: Egypt 1978 (2008) gathers two-and-a-half hours of highlights from the September 15 and 16, 1978 performances – with the vast majority coming from the latter date. While they played on the 13th (as a sort of sound check) and the 14th as well, there is no music from either date located here…

“For the Grateful Dead's second live album, released two years after its predecessor LIVE/DEAD, the band delivered an equally magnificent, but entirely different, Grateful Dead sound. Whereas LIVE/DEAD was a perfect sonic encapsulation of the band at the peak of their Primal Dead era, SKULL & ROSES captures the quintessential quintet, the original five piece band, playing some of their hardest hitting rock 'n' roll (‘Johnny B. Goode,’ ‘Not Fade Away’), showing off their authentic Bakersfield bona fides (‘Me & My Uncle,’ ‘Mama Tried,’ ‘Me & Bobby McGee’), and some originals that would be important parts of the Dead's live repertoire for the next 24 years (‘Bertha,’ ‘Playing In The Band,’ ‘Wharf Rat’).

The Grateful Dead‘s September 8, 1973 concert at Nassau Coliseum in Uniondale, New York will be featured on Dave’s Picks Volume 38, which is due in the second quarter of 2021. Dave’s Picks 2021 subscribers will receive a bonus disc containing highlights from the previous night’s show at the same venue.

On August 27, 1972, fresh off their now-legendary European tour, the Grateful Dead traveled to Veneta, Oregon and reunited with the Merry Pranksters to throw a benefit concert for the Kesey family s Springfield Creamery. The show, which was recorded and filmed but never released, has since become the most-requested live show in Grateful Dead history.
The concert which is considered to be the Merry Pranksters last "Acid Test" offers a snapshot of the band at the peak of its playing prowess and features the classic lineup of: Jerry Garcia, Donna Jean Godchaux, Keith Godchaux, Bill Kreutzmann, Phil Lesh and Bob Weir…

For those unindoctrinated to the obsessive world of Grateful Dead culture that goes past fandom into a somewhat disconcerting preoccupation, the Deadhead's need for rampant collection and cataloging of live recordings of the band's jammy shows may seem completely insane. Ranging from the many, many live albums officially released when the band was still active to countless bootlegs and even more low-quality audience-recorded tapes, almost every minute of the group's over 2,000 concerts have been documented in some form, with newly refurbished or remixed gigs coming out from the vaults every year. To untrained ears, these shows could sound like interchangeable noodly nonsense, but even the most reluctant listener would be struck by what the initiated already hold dear from a recording like Sunshine Daydream: Veneta, OR, August 27th, 1972…

The Grateful Dead made their reputation on the road with their live shows, and they always struggled to capture that magic in the studio. From the Mars Hotel, while not a classic, represents one of their better studio albums…

Originally released as part of the limited-edition CD boxed, Fillmore West 1969: The Complete Recordings, the Grateful Dead’s Fillmore West, San Francisco 2/27/69 show will be issued on vinyl for the very first time exclusively for Record Store Day 2018. Limited edition 4-LP (8th side etching) set, on 180-gram vinyl. Worldwide run of 9000.

Every story has a start… Follow the Grateful Dead's transformation from a bar band performing as the Warlocks to becoming the creators of their own sound and forefathers for the jamband culture with GRATEFUL DEAD ORIGINS, an original graphic novel written by Chris Miskiewicz and illustrated by Noah Van Sciver.

Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The entire original KSAN, KQRS, WEBN, KSFX, WNEW & KADI FM Broadcasts Covering performances from Seven Incredible 1971 shows at The Fillmore West, Northtrop Auditorium, Taft Auditorium, Harding Theater, Felt Forum, Fox Theater and Winterland.

The Grateful Dead commemorated their first extended European tour with an extravagant triple-LP set appropriately enough titled Europe '72. This collection is fashioned in much the same way as their previous release – which had also been a live multi-disc affair. The band mixes a bevy of new material – such as "Ramble on Rose," "Jack Straw," "Tennessee Jed," "Brown-Eyed Woman," and "He's Gone" – with revisitations of back-catalog favorites…