Purely a touring ensemble by 1991 - their final studio album, 1989 s Built To Last was no classic - Grateful Dead were nevertheless as active as they d ever been, and indeed between 1990 and 1995 the band earned $285 million, second only to The Rolling Stones in tour revenue for the period. Their show at the Oakland-Alameda County Coliseum Arena, on 27th October 91, featuring both Carlos Santana and Gary Duncan on a brace of tracks, was, as-almost-ever, considered extraordinary by fans. Emotional is indeed the word here to describe this show; there is a voodoo to a great many of these songs in terms of their placement and interpretation - Sugar Magnolia to open, a just-ironic-enough Touch of Grey to close the first set. 2nd set is top notch; Gary Duncan's playing is much more prominent than Santana's in the extended Mona-jam, which evokes some great multi-dueling-guitar moments.

The Grateful Dead Movie Coming to Theaters and IMAX for 60th Anniversary. The newly-remastered 1977 concert film will make its IMAX debut on August 13th.

"Concise" is a word not often, if ever, used to describe the Grateful Dead—the band who just released a 60-disc, 450-track compilation of live shows documenting some of shows recorded across their 25-year existence as an iconic touring entity. The Dead was always a quintessential live experience, with their most transcendent—and also their most indulgent—moments occurring during their drawn-out onstage improvisations. Jerry Garcia famously said, "I think of recording as sort of a necessary evil in a way," and, accordingly, "studio Dead" was always the lesser Dead, even though American Beauty and Workingman's Dead are essential inclusions in any music fan's collection, and mid-'70s studio efforts like Shakedown Street and From the Mars Hotel are well-regarded by both Deadheads and casual listeners.

Amazon exclusive edition. Aoxomoxoa is the third studio album by American rock band the Grateful Dead, released on June 20, 1969, by Warner Bros.-Seven Arts. It was one of the first rock albums to be recorded using 16-track technology. The title is a meaningless palindrome, usually pronounced /ɒksə.məksˈoʊə/. Rolling Stone, upon reviewing the album, mentioned that "no other music sustains a lifestyle so delicate and loving and lifelike". The album was certified gold by the RIAA on May 13, 1997. In 1991 Rolling Stone selected Aoxomoxoa as having the eighth best album cover of all time. It was voted number 674 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).

The Grateful Dead celebrates its diamond 60th anniversary this year with ENJOYING THE RIDE, a sweeping 60-CD collection that maps an epic cross-country road trip along the "Heady Highway" with stops at storied venues where the music, the moment, and the magic of the Grateful Dead reliably converged. Spanning 25 years of legendary live performances, this expansive collection spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights—Winterland, Frost Amphitheatre, Madison Square Garden, and Hampton Coliseum, among them. Whether playing the intimate confines of Fillmore West or beneath the open skies at Red Rocks, the Grateful Dead never played the same show twice. ENJOYING THE RIDE is a thrilling testament to that adventurous spirit. With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, spanning more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three—Fillmore West, Fillmore East, and Boston Music Hall—are curated from multiple performances at each venue, capturing key moments on those legendary stages.

Narrowing down the Grateful Dead's touring career and live performances to 60 CDs, 20 venues, and more than 450 songs is hard enough. Narrowing THAT down for 3CD and 6LP sets is a monumental undertaking, but with so much great music to select from, it's one of the most enjoyable compilations we've ever assembled. This nearly four hour collection contains one song (or two, or three…) from every show in the Dead's new road tripping boxed set, ENJOYING THE RIDE, which brings together music from 20 (21…) of the most essential venues in Grateful Dead and Dead Head history. This compilation is crafted with songs spanning the 25 years in the boxed set, 1969-1994. Drawn from such iconic venues as Red Rocks, Frost Amphitheatre, Greek Theatre, Fillmores East and West, Madison Square Garden, Alpine Valley, and many more, THE MUSIC NEVER STOPPED features such classics as "Truckin'," "Eyes Of The World," "Scarlet Begonias," the title track, and plenty of under the radar tracks like "Big Boy Pete," "My Brother Esau," and "Doin' That Rag." This is a career-defining live collection filled with some of the greatest tracks performed at their greatest venues. - David Lemieux

DUKE '78, is the worldwide retail breakout from the GRATEFUL DEAD limited-edition, dead.net exclusive boxed set, FRIEND OF THE DEVILS: APRIL 1978. It will be available as a 3CD set, 4LP set and digitally on all DSPs worldwide.

As the historic festival marks its 40-year anniversary, Rhino presents Woodstock 40, six-CD boxed set that features the most comprehensive collection ever available of artists that performed at the original festival, sequenced in chronological order of performance, featuring 38 previously unreleased recordings, including the Grateful Dead, The Who, Tim Hardin, Jefferson Airplane, Country Joe & The Fish, and others. Also box includes 80-page book with extensive liner notes, photos and the complete and accurate set lists.

Widely considered one of the most exciting, inspired, and greatest shows of the Dead's final decade of performing, the magnificent 6/17/91 show features relentlessly excellent performances, and is filled withsurprises. Opening with a shocking Eyes Of The World, the Dead were firing on all cylinders from the opening notes of the show. Featuring beloved classics such as Truckin’ and Uncle John’s Band. Rarities played at this show included Saint Of Circumstance, Might As Well, New Speedway Boogie, and China Doll, but the real standout in regards to the setlist choices was the recurrence of Dark Star, which wove in and out of the setlist throughout the show, including during the first set, making no less than six distinct appearances during the show. With an encore of The Band's The Weight, the Dead cap off one of their most highly regarded shows ever with a perfect song choice to send the crowd on its way. Bruce Hornsby and Vince Welnick join Jerry Garcia, Bob Weir, Phil Lesh, Mickey Hart & Bill Kreutzmann to round out this stellar line-up.

Charm city was nothin' but! Clocking in at a full four hours, 33 songs, and some of the most purposeful and inspired playing the Grateful Dead ever did do, is DAVE'S PICKS VOLUME 54, the complete show from Baltimore Civic Center, Baltimore, MD, 3/26/73. A so-called underdog favorite of both Dave and Dick, 3/26/73 is packed with highs from the 17-song (!) first set, to classic covers ("Promised Land," "Big River," "Me And Bobby McGee"), early renditions of songs that would later be cemented on WAKE OF THE FLOOD ("Eyes Of The World, "Here Comes Sunshine"), the prelude to what would officially become "Weather Report Suite," and by golly, that's Wolfman Jack introducing, you guessed it, "Ramble On Rose." Limited to 25,000 numbered copies, DAVE'S PICKS VOL. 54: BALTIMORE CIVIC CENTER, BALTIMORE, MD (3/26/73) was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

Workingman's Dead is the fifth album by the rock band the Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. The album and its studio follow-up, American Beauty, were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums and focusing on Americana-styled songcraft. In 2003, the album was ranked number 262 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Grateful Dead release this 5-song EP of live tracks, recorded at Hartford Civic Center, Hartford, CT, 3/14/1981, ahead of their upcoming compilation The Music Never Stopped!

Record Store Day 2024. The complete show from 10/16/89, available for the first time on 180g, 4LP set with an 8th-side etching in a worldwide limited edition of 10,000. Featuring “Dark Star,” “Attics Of My Life,” Uncle John’s Band” and more! Mixed from the 24-track analog tapes and newly mastered by Jeffrey Norman. Produced for release by David Lemieux.

So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era. The Grateful Dead effectively ended with bandleader Jerry Garcia's death in 1995, but their presence never faded. Spin-off projects continued decades later, and regularly released archival recordings of the group's more than 2,000 concerts help new generations of Deadheads discover the band's sound, spectacle, and community perennially.

Grateful Dead release this 4-song EP of live tracks, recorded at Philadelphia Spectrum, Philadelphia, PA, 5/13/1978, ahead of their upcoming compilation The Music Never Stopped!