Quartet Records, Universal Music Group and Paramount Pictures celebrates the 50th anniversary of the iconic caper movie The Italian Job with the expanded edition of Quincy Jones explosive original score! The original album produced by George Martin at Abbey Road Studios appears freshly remastered, and the CD also includes the previously unreleased film tracks, demos, alternates and bonus material. The Italian Job is a 1969 British comedy caper film, written by Troy Kennedy Martin, produced by Michael Deeley and directed by Peter Collinson. It tells the story of Charlie Croker (Michael Caine), the leader of a cockney criminal gang released from prison with the intention of doing a "big job" in Italy to steal gold bullion from an armoured security truck. It's soundtrack was composed by Quincy Jones, and includes "On Days Like These" sung by Matt Monro over the opening credits, and "Getta Bloomin' Move On" (usually referred to as "The Self-Preservation Society", after it's chorus) during the climactic car chase. Lead actor Michael Caine is among it's singers. Packaging includes a superb 24 page full colour booklet, housed in a jewel case.

Two scores with a tone of righteous fury woven throughout. While there are differences in the approach to the two scores, Quincy Jones did manage to provide a unifying style – no mean feat, considering that the intent behind In the Heat of the Night was to get a Southern, blues-inflected atmosphere to support the angry, anti-racist approach of the picture, while They Call Me Misters Tibbs! had a more open, urban attitude from its San Francisco setting. The music throughout has an edge (the lighter music in the second score is generally source music), with some interesting musical experiments going on (Jones, as one example, used cimbalom to reflect Tibbs' feelings in They Call Me Mister Tibbs!.) The Ryko CD release includes an Enhanced CD portion with film material. The sound throughout the disc is excellent, although the cues from In the Heat of the Night show their age, and the dialogue excerpts sound very rough.

What you see is what you get, an excellent little compilation of the various faces of soul-jazz as presented by the Verve label with their amazing array of artists from Hugh Masekela to Willie Bobo and Herbie Mann on the one hand, and Dizzy Gillespie, Jon Hendricks (in an outstanding reading of Herbie Hancock's "Watermelon Man") the Heath Brothers, and Teddy Edwards on the other. The track list is wonderfully varied, too: there's a smoking version of Hancock's "Cantaloupe Island" by Masekela, a pair by Jimmy Smith, and a big band – a new entry by the acid jazz group the James Taylor Quartet, but they get it deep; and Wynton Kelly goes deep into soul and blues with "Escapade." Anyway you cut it, it comes out great.

Verve Records celebrated the 50th anniversary of Norman Granz's first Jazz at the Philharmonic concert with an all-star get-together at Carnegie Hall. Different groups of top players from Verve's legacy (both past and present) had opportunities to perform, and this CD has many of the highlights. Pianist Peter Delano plays "Tangerine" with a trio; Dee Dee Bridgewater sings "Shiny Stockings" with the Carnegie Hall Jazz Band; Hank Jones pays tribute to Art Tatum; Abbey Lincoln sings "I Must Have That Man"; Joe Henderson meets up with Antonio Carlos Jobim (who made his final concert appearance) on "Desafinado"; "Manteca" features trumpeter Roy Hargrove and trombonist Steve Turre; pianist Yosuke Yamashita pays tribute to Bud Powell; Betty Carter scats on "How High the Moon"; Herbie Hancock and John McLaughlin play a restrained acoustic version of Bill Evans' "Turn out the Stars"; Hargrove teams up with altoist Jackie McLean and guitarist Pat Metheny for "The Eternal Triangle"; organist Jimmy Smith revisits Oliver Nelson's arrangement of "Down by the Riverside"; Art Porter and Jeff Lorber play some crossover, and J.J. Johnson contributes a few trombone solos.

The music made by Quincy Jones during the second half 1950s was a stunning example of contemporary jazz during that pivotal decade for the form. Listening back today to these groundbreaking records delightfully illustrate how the dynamic musician, performer, composer and arranger first introduced his extraordinary skills to the world. After spending the first half of the decade working for other musicians, including a number of freelance commissions arranging songs for renowned artists such as Dinah Washington, Duke Ellington, and his close friend Ray Charles, Jones soon decided it was time for him to take the lead. The first album release to feature Quincy as a named artist was the 1955 release on Mercury Records 'Jazz Abroad' on which he featured alongside jazz drummer Roy Haynes. Next up was, 'That's How I feel About Jazz' featuring an all star cast including Art Farmer, Lucky Johnson & Phil Woods - following which he would record and release a further six albums before the end of the 1950s, all for Mercury. Quincy Jones first eight albums, all released during this period, are featured on this 4CD set in their entirety, in glorious re-mastered sound, making this package the most complete Quincy Jones 1950s collection available today.

The remix collection that complements Original Jam Sessions 1969 has a handful of stunners, with the rest of the tracks being groovy enough, if only because of Bill Cosby and Quincy Jones' original recordings. Herbert mucks everything up on his track, making Quincy's band sound both death metal and amusement-park carousel. Cornershop relate the wacka-wacka guitar to the sitar in their mix, while Bedrock and Said Mrad both take the deep and creeping noir route with great results. Mix Master Mike and Cosby's rap on "Hikky-Burr" sound like a match made in funk heaven, but the turntable master doesn't do much more than scratch over the original track. Everything else is more pleasing than memorable, with few of the remixers willing to really mess with master Quincy's groove…

This 10 CD box set focuses on the early part of Quincy Jones' career and includes complete LPs, such as 'Go West, Man!', 'This Is How I Feel About Jazz' and 'The Great Wide World of Quincy Jones' and live recordings from France, Belgium, Switzerland and Sweden.Disc 10 includes two LPs 'The Music of Quincy Jones as Played By Benny Bailey, Joe Harris, Åke Persson and the The Quincetet' and 'Great Big Band and Friends' by Nat Adderley, Coleman Hawkins and Lucky Thompson with The Harry Arnold Orchestra. The box set features an array of jazz stars, such as Benny Carter, Art Pepper, Zoot Sims, Freddie Hubbard, Curtis Fuller, Oliver Nelson, Clark Terry, Phil Woods and many others.

I Heard That!! is a 1976 album from Quincy Jones. The album was released as a double album by A&M, a combination of newly-recorded material from the album plus previously-released songs that he released through A&M.

$ (also titled Dollar$) is the 1972 soundtrack album by Quincy Jones. Originally released on Reprise, it features vocal contributions from Little Richard and Roberta Flack in a few songs. A few of the songs featured have been sampled in hip-hop songs, well known and little known. This is taken from a French CD pressing released in 2001.

The Lost Man is the 1969 original soundtrack album to the film, put together by Quincy Jones. Released by the Uni label, Jones is assisted on the album by Ernestine Anderson, Venetta Fields, Geraldine Jones, The Mirettes, and many more.

The Hot Rock is the 1972 soundtrack album by Quincy Jones, released on Prophesy. Some of the musicians on the album include Grady Tate, Carol Kaye, Mike Melvoin, Clare Fischer, Gerry Mulligan, Clark Terry, and Victor Feldman among many. This is taken from an unofficial CD for the album ripped from vinyl, as it has not been digitally released.

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

Jazz Icons: Quincy Jones spotlights a young “Q” conducting his “dream band”—an 18-piece orchestra of world-renowned players such as Clark Terry, Phil Woods, Sahib Shihab, Budd Johnson and Benny Bailey. This 80-minute program, featuring 17 songs, is one of the finest examples of big band jazz ever to be captured on film. Shot in Switzerland and Belgium in 1960, these two concerts are the only known visual documents of this legendary tour—an important lost chapter in an illustrious career which has spanned six decades.

Get ready to click your heels-the smash-hit 1978 soundtrack to The Wiz is finally on CD! Quincy Jones, along with Ashford & Simpson, adapted the Tony Award-winning score for the film, and the list of performers is amazing: Diana Ross, a 19-year-old Michael Jackson, Lena Horne, Richard Pryor, Nipsey Russell and more. Includes Ease On Down the Road; You Can't Win; Is This What Feeling Gets? (Dorothy's Theme) , and all the rest of the numbers, plus a 24-page booklet with lyrics and original artwork and liner notes.

Jazz Icons: Quincy Jones spotlights a young “Q” conducting his “dream band”—an 18-piece orchestra of world-renowned players such as Clark Terry, Phil Woods, Sahib Shihab, Budd Johnson and Benny Bailey. This 80-minute program, featuring 17 songs, is one of the finest examples of big band jazz ever to be captured on film. Shot in Switzerland and Belgium in 1960, these two concerts are the only known visual documents of this legendary tour—an important lost chapter in an illustrious career which has spanned six decades.