German experimental rock band formed in Cologne circa 1968, initially as Inner Space and becoming "The Can" when fronted by American vocalist Malcolm Mooney. Can are well-known as one of the key pioneers of Krautrock, particularly during the era when fronted by Japanese singer Kenji "Damo" Suzuki who "turned their sound towards a crazy mixture of improvisation, noise, mantra and funk rhythms". They were constantly at the forefront of the Krautrock scene during their 10+ year history, composed music for films by directors including Roland Klick and Wim Wenders, and had an international hit with their pop satire single "I Want More" (1976).

Ray Charles Raconter l'histoire de Ray Charles, c'est raconter l'histoire d'un génie de la chanson touché, dès sa plus tendre enfance, par la grâce.

Intelligent, moving, jazz influenced, progressive rock performed by a stellar cast of musicians including amongst others and in addition to Pip himself is: Dave Stewart, Barbara Gaskin, Phil Miller, Jakko M Jaksyk, Richard Sinclair, John Greaves, Fred Thelonious Baker, Hugh Hopper, Paul Rogers, Didier Malherbe and Elton Dean. Pip Pyle has played drums with amongst others Gong, Hatfield and the North, National Health and In Cahoots and this album shows also what a great composer he is. Quite simply this album contains some of the best examples of the Canterbury/Prog Rock music that has been heard on CD. The opening track 'Seven Sisters', originally written by Pip and performed in a different form by National Health (a version is available on 'Playtime' called 'Pleiades') has to be one of the top five pieces of music of the last few years. It's simply stunning, no other way to describe it. What is amazing here and on other tracks written solely by Pyle is the beauty of his compositions from a melodic and harmonic viewpoint.

Sandy-voiced French singer and actress Louane Emera aka Louane (born Anne Peichert) found fame as a contestant in the second season of France's The Voice in 2013. Though she didn't make the finals of the singing competition, she was cast as one of The Bélier Family in the 2014 film, which featured her singing several songs including Michel Legrand's "Je Vole." She won a César Award for Most Promising Actress for the film. That same year, she released her first single, "Jour 1," which hit the Top Ten in France; "Je Vole" climbed to number two; and she appeared on two covers collections, We Love Disney, Vol. 2 and La Bande à Renaud, Vol. 2. Her debut album, Chambre 12, arrived in 2015 and went to number one on France's album chart, also charting in Belgium and Switzerland.

Recto Verso is the second studio album by French singer Zaz, released on 10 May 2013 under the label Play On. The album was Zaz's first album in three years, after her eponymous début, released in 2010. It débuted on the French Album Chart at #2 and to date has spawned three singles, "On ira", "Si" and "Gamine". Musically, it is largely in a similar style to Zaz's début album. The title refers to the two sides of Zaz's personality, which she wished to express in the music of the album. Recto Verso went on to spend ten weeks in the top 10 albums and has been certified Double Platinum as of December 2013.

On his new solo album, Russian star pianist Denis Kozhukhin presents a personal and colourful collection of character pieces taken from Mendelssohn's Lieder ohne Worte and Edvard Grieg's Lyric Pieces. Combing these miniature gems by two outstanding poets of music, Kozhukhin provides a shining example of how disarmingly touching and penetrating a simple song or a vision of nature captured in sound can be. The program features classics such as Mendelssohn's Venetian Gondola Song and Grieg's Wedding Day at Troldhaugen, as well as less famous but equally enchanting pieces. Kozhukhin lifts out the noble simplicity of these works with his delicate playing.

This is a disc of Christmas music by Marc-Antoine Charpentier (1643-1704), all the works written during the 1690s possibly for performance at the Jesuit church of Saint-Louis where the composer was Master of the Music. The wide variety of mood, colour and style underlines the extraordinary versatility and originality of this composer, upon whom Carissimi was the strongest influence during his student days in Rome in the 1660s. He was highly prolific (there are no less than 35 works in the oratorio style) and wrote a great deal of both moving and dramatic music.

J.S. Bach wrote Die Kunst der Fuge in open score, so it is often played by pianists, harpsichordists, string quartets, and chamber groups of varied instrumentation, though an excellent choice for this monumental study of fugal techniques is the organ, the composer's principle instrument. The issues that arise when performed on a single keyboard are more easily managed on multiple manuals and pedals, and the counterpoint is given great clarity and character through the use of the organ's various stops. André Isoir's superb performance in Saint Cyprien in Périgord is especially enjoyable because of his judicious registration, which brings contrasts of dynamics and timbres to these monothematic fugues and canons, which can sound a bit dry when played on a less versatile or colorful instrument.

Boomtown is the second studio album released by American country music singer Toby Keith. Released in 1994 on PolyGram Nashville, the album was certified platinum for U.S. sales of one million copies. Overall, this album produced four hit singles for Keith on the Hot Country Songs charts between 1994 and 1995: "Who's That Man" (#1), "Upstairs Downtown" (#10), "You Ain't Much Fun" (#2) and "Big Ol' Truck" (#15).

Funk group that started life in the early 1970s in Southern California. They formed out of the ashes of an earlier R&B covers group, The Creators (6) (who also recorded as The Romeos and Señor Soul), initially naming themselves Nightshift before producer Jerry Goldstein discovered them and gave them a more distinctive name.

Best show of the tour so far. Band is definitely getting tighter and Jack is getting more and more enthused. Jack singing an Alison Dead Weather song is a first and lets hope it continues. Great vocals all round tonight.

Weber's first romantic heroine was undoubtedly the clarinet. Ten years before Max and the 'Freischütz', Weber composed his two clarinet concertos and began the Quintet. These three masterpieces he dedicated to the virtuoso Baermann, who substantially reworked the clarinet part of the concertos in his edition, which has now passed into posterity. For his first recording, clarinettist Arthur Stockel returns to the sources of the original scores. More stripped down, the solo part highlights the link between these pieces and the composer's dramatic imagination. Nurtured by Lieder and opera, Arthur Stockel explores their relationship to vocality and gives his instrument a Weberian role, between ardour, tenderness and pain. He is joined by the Orchestre Philharmonique du Luxembourg, where he has held the post of principal clarinet since 2019, conductor Leo McFall and the Hanson Quartet, who respond with mischievousness (minuet from the Quintet), ardour and grandeur (First Concerto).

I’ve lost count of the number of times I have had to talk about, or heard about, the love triangle between Robert Schumann, Clara Schumann and Johannes Brahms, or Beethoven’s ‘Immortal Beloved’. Today, I think it’s time to talk about other love stories that had just as much influence on the way these composers created their music. On this CD, you will hear seven composers who, in their daily lives, could not be themselves. The music they have composed is a veritable refuge where the notes free themselves from words to reveal the essence of their feelings.

DYNAMIC BROADCAST RECORDING FROM BOWIE S 1978 TOUR David Bowie s stint in West Berlin during the latter half of the 1970s is as legendary as the music he released while there. Enamoured with the burgeoning artistic scene in the city, by 78 Bowie had brought out Low and Heroes, while also having served as producer and de facto musical director for Iggy Pop The emergence of Krautrock had had a profound effect on Bowie, leading him to take a more abstract and experimental approach to his craft. The result was ultimately successful, with Low and Heroes being hailed as two of his greatest albums. Having by now kicked the drug habit that had plagued him during the years predating his move east, Bowie embarked on the mammoth Isolar II Tour, playing 78 shows across four continents over the course of the year. With a rejuvenated Bowie at the helm, these concerts were considered some of the best he had ever performed. The tour concluded at Japan s NHK Hall on 12th December, which was the subject of a live broadcast transmitted across many parts of the world. Featuring an eclectic mix of cuts from Heroes, Low, Station To Station and Ziggy Stardust, this dynamic show is now available on this CD for all fans to finally enjoy.

DYNAMIC JAILBREAK TOUR BROADCASTING RECORDING FROM 1976 Formed in Dublin in 1969 by Brian Downey and Phil Lynott, Thin Lizzy first hit big in 1972, when their single Whiskey In The Jar topped the Irish chart and reached No. 6 in the UK. The band s real commercial breakthrough, however, came in March 1976 when their Jailbreak album, and its accompanying singles, The Boys Are Back In Town and the title track, all garnered huge radio play and sold well worldwide. Having just concluded a short UK tour supported by Graham Parker & The Rumour, in early April 76, Thin Lizzy travelled to the US for their first American tour. One of the finest shows on this jaunt came on 21st of the month when the group performed at Chicago s Riviera Theatre. Recorded for live radio broadcast by local station WXRT-FM, and supported by England s Be Bop Deluxe, the show was a dazzling success for Lizzy when the band performed cuts from the new record alongside many choice numbers from their back catalogue. Previously unreleased, the entire recording is now featured on this superb CD, which illustrates what an exceptional group Thin Lizzy already were at the beginning of their most potent era.