Completely remixed from original multitracks, overseen by producer Yoko Ono Lennon, featuring Ringo Starr, Klaus Voormann, George Harrison, Eric Clapton, Billy Preston & Phil Spector. Ultimate Mixes, Outtakes, Elements, Raw Studio, Evolution, Demos, Jams & Yoko Live Sessions…

During the great John Lennon revival of the late '80s, Yoko Ono licensed to have the Westwood One Radio Network air scores of unreleased home recordings and demos as the Lost Lennon Tapes radio show. At the time, there was endless speculation about when highlights would be released, likely as a box set…

Sir Elton Hercules John CH CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer, songwriter, pianist, and composer. Collaborating with lyricist Bernie Taupin since 1967 on more than 30 albums, John has sold over 300 million records, making him one of the best-selling music artists of all time. He has more than fifty Top 40 hits in the UK Singles Chart and US Billboard Hot 100, including seven number ones in the UK and nine in the US, as well as seven consecutive number-one albums in the US…

This collection from Universal's popular Icon series features 11 of the former Beatle's most well-known solo tracks. Beginning appropriately with "Imagine," the set touches on Lennon's '70s highlights like "Instant Karma! (We All Shine On)," "Mind Games," and his enduring singalong single "Give Peace a Chance." Any serious Lennon fan will already have these catalog basics, but the Icon series offers up a very solid highlight reel at a budget price.

Although one of the world's best-kept secrets at the time, this was John Lennon's declaration of independence from the Beatles, the document of a concert appearance at Toronto's Rock and Roll Revival festival about a month after the conclusion of the Abbey Road sessions. Thrown together literally on the wing (they rehearsed only on the flight from England), the ad-hoc band consisting of Lennon, Yoko Ono, Eric Clapton on guitar, Klaus Voorman on bass, and Alan White on drums hit the stage to the surprise and delight of the thousands who packed Varsity Stadium…

At the time of its release, Shaved Fish didn't attract as much attention as any compilation of John Lennon's work would have either a few years before or a few years after. Lennon had just issued the somewhat disappointing genre album, Rock 'n' Roll, and was only a year from Walls and Bridges, not one of his strongest albums, and had also grown somewhat stale as a public figure…

From the haunting, funereal bells and emotional wails of opening track “Mother,” it was immediate – John Lennon’s first solo studio album was unlike anything he had made before. Recorded in 1970, shortly after the demise of The Beatles, John Lennon/Plastic Ono Band saw John stripping away the artifice and ornamentation for a visceral artistic exorcism that was confessional, raw, painfully honest, and revelatory. Inspired by the primal scream psychotherapy he and wife Yoko Ono had been practicing with Dr. Arthur Janov, John, joined by the minimalist Plastic Ono Band – Ringo Starr on drums and Klaus Voormann on bass, and producer Phil Spector – confronted his demons, professed his love for his wife, railed against false idols and declared the dream was over on his most personal album. Today it stands as the towering achievement of his solo career – the moment the biggest rock star in the world bared his soul for all to hear – as real as it was revolutionary.

Although the chaotic sessions that spawned this album have passed into rock & roll legend and the recording's very genesis (as an out-of-court settlement between John Lennon and an aggrieved publisher) has often caused it to be slighted by many of the singer's biographers, Rock 'n' Roll, in fact, stands as a peak in his post-Imagine catalog: an album that catches him with nothing to prove and no need to try…

Rock 'n' Roll is the sixth studio album by John Lennon. The album was released in February 1975, reaching number 6 in both the United Kingdom and the United States, later being certified gold in both countries. It was supported by the single "Stand by Me", which peaked at number 20 in the US, and 30 in the UK. The cover was taken by Jürgen Vollmer during the Beatles' stay in Hamburg.

John Lennon would have turned 67 in 2007. If alive, he could well be at the forefront of bringing peace to Darfur, where more than half a million have died from violence and disease during four years of rebel discord. So to create awareness of the ongoing conflict, Amnesty International (with permission from Yoko Ono) has mined Lennon's solo work and rounded up nearly two dozen current artists to reinterpret the music, which spans the ex-Beatle's entire post-band catalog (plus a pair from while the Fab Four were still in business). As with any attempt to cover Beatles-related music, results are hit and miss, with kudos going to Snow Patrol and the Postal Service for capturing the starkness of "Isolation" and "Grow Old with Me," respectively, Mexican rock band Jaguares for uncovering the fear and fury in "Gimme Some Truth," and (surprise!) Christina Aguilera for nailing the complex composition and mood of "Mother." Other highlights include Jackson Browne's piano-led "Oh My Love," Green Day's louder straight take on "Working Class Hero," and the Black Eyed Peas turning "Power to the People" into a gospelly protest. Will resurrecting 30-to-40-year-old messages of peace and love be enough to help end the brutalities in Darfur? That remains to be seen. But selecting John Lennon as the author of those messages will make people listen and, with this collection, may keep them listening.

The sessions for 1980's Double Fantasy were supposed to yield two albums, the second to be released at a future time, but Lennon's assassination tragically halted the project in its tracks. A bit over three years later, Yoko Ono issued tapes of many of the songs planned for that album under the title Milk and Honey, laid out in the same John-Yoko-John-Yoko dialogue fashion as its predecessor…

The most distinctive thing about Double Fantasy, the last album John Lennon released during his lifetime, is the very thing that keeps it from being a graceful return to form from the singer/songwriter, returning to active duty after five years of self-imposed exile…

After the hostile reaction to the politically charged Sometime in New York City, John Lennon moved away from explicit protest songs and returned to introspective songwriting with Mind Games. Lennon didn't leave politics behind – he just tempered his opinions with humor on songs like "Bring on the Lucie (Freda Peeple)," which happened to undercut the intention of the song. It also indicated the confusion that lies at the heart of the album…

After the harrowing Plastic Ono Band, John Lennon returned to calmer, more conventional territory with Imagine. While the album had a softer surface, it was only marginally less confessional than its predecessor. Underneath the sweet strings of "Jealous Guy" lies a broken and scared man, the jaunty "Crippled Inside" is a mocking assault at an acquaintance, and "Imagine" is a paean for peace in a world with no gods, possessions, or classes, where everyone is equal…