In 1999, Mobile Fidelity reissued Blue Oyster Cult's first two albums, Blue Oyster Cult (1972) and Tyranny and Mutation (1973) on a single 24-karat gold CD that was aimed at audiophiles. Hearing the albums back to back on the same disc, one is reminded how much crisper, tougher and sharper Murry Krugman and Sandy Pearlman's production was on Tyranny and Mutation – it's a production that's more suitable for a heavy metal/hard rock band…

The 2012 box set Original Album Classics rounds up the five albums BOC released between 1975 and 1983: On Your Feet or on Your Knees, Some Enchanted Evening, Cultosaurus Erectus, Fire of Unknown Origin, and Revölution by Night. Every one of these CDs is packaged as a mini-LP in a paper sleeve, making this a handsome, affordable way to get the prime of Blue Öyster Cult in one fell swoop.

For a band that was a staple of the arena rock circuit, Blue Öyster Cult didn't have that many hits – actually, only four of their singles made the charts. Still, they had many, many songs that were played heavily on the radio, even if they didn't officially make the charts…

Blue Öyster Cult marks time with a second live album on which they turn out good, if redundant, concert versions of recent favorites like "(Don't Fear) The Reaper" and "Godzilla" and add to their repertoire of live covers such oldies as the MC5's "Kick out the Jams" and the Animals' "We Gotta Get out of This Place." A perfectly acceptable, completely unnecessary souvenir record from a hard-touring band of the '70s. (It should perhaps be noted that the mid- to late '70s was a period when more live albums than usual were being released, especially in the wake of Peter Frampton's massively successful 1976 album Frampton Comes Alive!.)

If ever there were a manifesto for 1970s rock, one that prefigured both the decadence of the decade's burgeoning heavy metal and prog rock excesses and the rage of punk rock, "This Ain't the Summer of Love," the opening track from Agents of Fortune, Blue Öyster Cult's fourth album, was it. The irony was that while the cut itself came down firmly on the hard rock side of the fence, most of the rest of the album didn't. Agents of Fortune was co-produced by longtime Cult record boss Sandy Pearlman, Murray Krugman, and newcomer David Lucas, and in addition, the band's lyric writing was being done internally with help from poet-cum-rocker Patti Smith (who also sings on "The Revenge of Vera Gemini").

Club Ninja is the tenth studio album by the U.S. hard rock group Blue Öyster Cult, released in December 10, 1985. The album was intended as a comeback for the band, whose previous album The Revölution by Night failed to attain Gold status following the success of 1981's Fire of Unknown Origin and 1982's Extraterrestrial Live. Club Ninja is the only Blue Öyster Cult studio album not to feature keyboardist Allen Lanier. He was replaced temporarily by Tommy Zvoncheck, who'd previously been keyboardist for Aldo Nova's live band, for a Japanese tour by Public Image Ltd. and had already contributed to the initial recordings of Blue Öyster Cult's 1988 concept album Imaginos.

Cultösaurus Erectus is the seventh studio album by American hard rock band Blue Öyster Cult, released in 1980. Following an experiment with a more-polished sound on the album Mirrors (released the previous year), this recording marked a return to the band's earlier, heavier sound. The first track, "Black Blade", features lyrics by fantasy and sci-fi writer Michael Moorcock and is about Stormbringer, a black sword wielded by Elric of Melniboné, the most famous character in Moorcock's mythology. This album also features the first collaboration with British producer Martin Birch (Deep Purple, Fleetwood Mac, Black Sabbath, Iron Maiden), who would also produce the band's following album Fire of Unknown Origin in 1981.

While the speed-freak adrenaline heaviness and shrouded occult mystery of Tyranny and Mutation is the watermark for Blue Öyster Cult's creative invention, it is Secret Treaties that is widely and critically regarded as the band's classic. Issued in 1974, Secret Treaties is the purest distillation of all of BÖC's strengths. Here the songs are expansive, and lush in their textures. The flamboyance is all here, and so are the overdriven guitar riffs provided by Buck Dharma and Eric Bloom. But there is something else, texturally, that moves these songs out from the blackness and into the shadows.

76 minutes of "thinking-man's metal," courtesy of Blue Oyster Cult! Includes all their hits- (Don't Fear) The Reaper; Burnin' for You; In Thee , and Shooting Shark -plus Godzilla; Joan Crawford; Black Blade; The Red & the Black; I Love the Night; Astronomy , and six more Cult classics.

Though they've never stopped touring, Blue Öyster Cult haven't released a studio album since 2001's Curse of the Hidden Mirror. Nineteen years is a long time to go between records, and there have been changes: Rhythm guitarist and keyboardist Allen Lanier passed in 2013, while conceptualist, producer, and lyricist Sandy Pearlman died three years later. Donald Roeser (aka Buck Dharma) and Eric Bloom are the only remaining members of the classic lineup. They began writing these songs in 2017. After signing to Frontiers Music in 2019, this quintet – including veteran touring members Richie Castellano and bassist Danny Miranda, with new drummer Jules Radino – entered the studio and laid down basic tracks and completed the album with members contributing from quarantine. These songs range from punchy hard rock and proto-metal jams to hooky, cinematic AOR pop, stadium anthems, and rootsy garage rockers. The music on these 14 songs careens across the band's history with abundant energy and fantastic production.