A great overview of the music from this group, one of the founders of the California sound in the late '60s. This is a good collection of their unforgettable electric folk-pop songs, including "Monday, Monday" and "California Dreamin'." (Originally released in August 1969 by Dunhill Records, 16 of Their Greatest Hits, it was reissued on CD by MCA Records in 1986.)

No Tellin' Lies is the second album by New Orleans–based hard rock trio Zebra, released in 1984 by Atlantic Records. The original compact disc version was made in West Germany for the US market in 1984 and is very rare. It was reissued in 2007 as a 2-on-1 CD along with the third Zebra album 3.V, which had been deleted as well. Long out-of-print in single disc form for decades, No Tellin' Lies became available again as a stand-alone CD in 2013, with separate reissues from the UK-based Rock Candy Records and as part of a reissue of the first three Zebra albums in Japan.

Carl August Nielsen (Danish: ; 9 June 1865 – 3 October 1931) was a Danish musician, conductor and violinist, widely recognized as his country's greatest composer. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the Royal Danish Academy of Music in Copenhagen from 1884 until December 1886. He premiered his Op. 1, Suite for Strings, in 1888, at the age of 23. The following year, Nielsen began a 16-year stint as a second violinist in the prestigious Royal Danish Orchestra under the conductor Johan Svendsen, during which he played in 's Falstaff and Otello at their Danish premieres. In 1916, he took a post teaching at the Royal Academy and continued to work there until his death.

…[O]utstanding…with Perahia's playing wonderfully refreshing in the Andante and a superb response from the four wind soloists… Clearly all the players are enjoying this rewarding music.

The Collegium Vocale Gent, the Royal Flemish Philharmonic and Philippe Herreweghe join forces once again for a monument of the sacred choral repertoire: Antonín Dvorák’s Requiem, Op. 89. This work, dating from 1890, is one of those that marked a new phase in the composer’s musical creation, in which he recognized himself ‘as much a poet as well as a musician’. In addition, this reveals the veritable nature of a composer without constraint, probably being neither a commission nor an occasional work.

Jubilejní desátá kompilace v sérii 2CD o historii naší rockové muziky se vrací proti směru času. Rozmezí let vydání nahrávek je příznačné: ty první jsou datovány 1968, poslední 1989, tedy od krátkého kulturního nádechu na sklonku šedesátek až po rok, kdy zhynula normalizace.