After almost a half-century, the multinational band of freaks known as Gong keeps making noise. I See You sounds more cohesive and listenable than it deserves to - especially considering that co-founder, vocalist and chief lyricist Daevid Allen turned 77 years old in January and wrote the album while battling cancer. Longtime fans will find plenty here to wrap their heads around, including “Syllabub,” the catchy, off-kilter nod to Frank Zappa; a spoken-word poem called “This Revolution,” which addresses political frustrations and name-drops Gil Scott-Heron; and the swaggering 10-minute epic “Thank You.” Gong’s Wikipedia page lists more than 30 different lineups and more than 45 band members, and Allen’s five current and capable psychedelic pranksters do not diminish the legacy.

The companion piece to The Flying Teapot, Angel's Egg is not your usual progressive rock album. Very quirky, with many, mostly brief compositions, the album is a tad less spacy than Teapot, with just a few psychedelic-inspired lyrics, and it's very technically adept. Angel's Egg opens with a true space rock cut (one of the few on the album), filled with the usual Gilli Smyth space whispering and Daevid Allen voicings, then leads into the cleverly titled "Sold to the Highest Buddha," with Steve Hillage and Didier Malherbe prominent figures. The instrumental "Castle in the Clouds" finds Hillage coming into his own, with a sound identical to his solo work. "Givin' My Love to You" sounds like a bar song, with no music and a cluster of seemingly drunken fellas trying to sing. The instrumental "Flute Salad" gives way to "Oily Way," a showcase for Malherbe's jazzy flute…

You Can't Kill Me is the title of an early Gong song from the album Camembert Electrique (1971) where Daevid Allen sang that you can kill the body but not the spirit. In a sense it is also the essence of this new album, to have his spirit live on in the music.
Back in October 2012 when Gong played at the Boerderij in Zoetermeer Allen introduced his band as the new generation of Gong. And shortly before he passed away in March 2015 in a statement published on his website he specifically encouraged the band to continue without him. He always wanted the band to be a collective, not depending on one or more individuals including himself. He had left the band before, in 1975, and after his departure Gong carried on for a few years led by Steve Hillage, Didier Malherbe and Pierre Moerlen…

Strictly limited to 1500 deluxe 4CD sets (in 64-page hardback books), the package features all of the original album artwork and inserts, including the 15 page comic book companion to the Robot Woman 2 story.
Gilli Smyth, co-founder of Gong alongside Daevid Allen, formed Mother Gong with Harry Williamson in 1978 and the Robot Woman trilogy is widely accepted as one of the pinnacles of the band's career. Previously only available on 3 vinyl LP releases pressed in small number in the 1980s this long-awaited release heralds the first appearance of Robot Woman 1, 2 and 3 on CD, something devoted Gongsters have been requesting for years. Also included is a fourth disc of fascinating 'Demos and Rarities'; 18 previously unreleased unknown and hidden extras, the earliest of which dates from 1976…

For the first time ever, Gong's quintessential trilogy comprised of the albums Flying Teapot, Angels Egg and You are newly remastered from the original tapes and gathered together in a lavish EarBook. Maintaining the incredible sound quality and repackaging of 2015's critically acclaimed Camembert Electrique remaster, each CD album has been digitally remastered by Nick Robbins at SoundMastering Studios. This hardback EarBook edition features exclusive content including 60-pages full of artwork, rare photos, sleeve notes by Mojo magazine's Mark Paytress and more, together with a fourth CD of bonus material, including both sides of Gong's impossible-to-find debut single on BYG Records, released only in France in 1970.
The trilogy is a series of progressive rock concept albums consisting of Flying Teapot, Angel's Egg and You…

The impressive Downwind is the first release from the band under its new moniker, Pierre Moerlen's Gong, as Moerlen assumes creative control and dominance. The release marks a return to vocals/lyrics, which proves only partially successful. Moerlen's voice is a hit on the opener, the rocking "Aeroplane," and the collective vocals on the fast-paced, percussive "Jin-Go-Lo-Ba" (popularized by Santana) are right on target. His singing is weak, though, on "What You Know" and detracts from the song's quality. Mick Taylor makes his only appearance here with an exceptional guitar solo.

The impressive Downwind is the first release from the band under its new moniker, Pierre Moerlen's Gong, as Moerlen assumes creative control and dominance. The release marks a return to vocals/lyrics, which proves only partially successful. Moerlen's voice is a hit on the opener, the rocking "Aeroplane," and the collective vocals on the fast-paced, percussive "Jin-Go-Lo-Ba" (popularized by Santana) are right on target. His singing is weak, though, on "What You Know" and detracts from the song's quality. Mick Taylor makes his only appearance here with an exceptional guitar solo. Downwind is also a return to compositions dominated by rock structures and styles, the jazz element minimal this time around.

A highly skilled guitarist known for his fluid, effects-heavy playing, British musician Steve Hillage has collaborated with countless musicians and influenced several genres over the course of his lengthy career, particularly space rock, prog, ambient, and techno. Initially associated with the Canterbury Scene during the late '60s and early '70s, Hillage played in groups such as Uriel and Khan before becoming a key member of psychedelic cult favorites Gong during the '70s. He launched his solo career with the ambitious 1975 prog rock suite Fish Rising.

Downwind (1979). Eagerly awaited re-press for this classic album by Pierre Moerlen's Gong featuring Mike Oldfield, Steve Winwood & Mick Taylor. Booklet with restored artwork, photos & liner notes. By the late 1970s Percussionist Pierre Moerlen had taken over the leadership of Gong and had steered the band away from Psychedelic Space Rock and took the band into a Jazz Rock direction, one in which the band excelled. After recording several albums with Virgin, the band now featured Hansford Rowe on bass, Ross Record on guitar, Benoit Moerlen on vibes and Francois Causse on percussion. Moerlen signed with Arista Records in 1978 and recorded this excellent album partially in Mike Oldfield’s studio. Oldfield guested on the superb lengthy title track with fellow guest Steve Winwood, whilst Mick Taylor appeared on the track "What You Know"…

This is a classic, the epitome of the band's early Daevid Allen phase with Ph.P.'s (pothead pixies) in full, blazing glory. In its infancy, Gong was a unique prog rock band that branched out in all directions at once while most other prog bands chose simply one path or another. Camembert Electrique is a testament to that. The band's eclectic "electric cheese" rock is a mixture of psychedelic rock, spacy atmospherics and lyrics, and doses of jazz often presented with a pop sensibility, yet always intense. From the first cut on Camembert, you are transported to planet Gong via the voice of a "radio gnome" who drops in intermittently to remind you you're not in Kansas anymore. Daevid Allen leads the band through several compositions musically (not lyrically) reminiscent of, and possibly influenced by, early King Crimson – a hard, raw-edged sound propelled by a strong guitar-sax-percussion combo.