The first official live album release from The Hawklords since the band reformed in 2008, Hawklords Alive was recorded at Live Rooms, in the City of Chester, UK, during the band's Generations Tour 2019. Performed in front of a packed crowd who all but took the roof off the building, at approximately 74 minutes playing time this is an exhilarating live set with the band exploring new grooves, new spaces and new dimensions of classic Hawklords material, plus a fire-storming version of the song Aerospaceage Inferno by Robert Calvert, the late luminary vocalist, poet and frontman with Hawkwind and Hawklords.

Vespero got together as a quartet (Arkady Fedotov - vocals, bass, flute, synths; Valentin Rulev - violin, synths; Ivan Fedotov - drums, percussion; Alexander Kuzovlev - guitar, bass, synths) in Astrakhan (south of Russia) 2003 on the common interest in playing psychedelic music. Later Natalya Tjurina (vocals) joined, and the band moved into more progressive rock-related areas. As their Moscow fellows Kaftan Smekha, Vespero are deeply influenced by avant theatre and experimental poetry. Since the very first demos their sound has been influenced by Gong, early Pink Floyd, Faust and related bands from that era. Highly recommended for all fans of these (and beyond!).

Space Debris hail from the Odenwald region in Germany. The members' main concern is to play improvised music reminiscent to 70s krautrock and psychedelic bands. The group started as a trio comprised of Tommy Gorny (guitar), Tom Kunkel (Hammond organ) and Christian Jäger (drums). Supported by many friends having guest appearances they already could produce seven albums starting with the year 2002. Their first one was the self-released double LP 'Krautrocksessions 1994-2001' consisting of early impressions mainly deriving from 1998/99 recordings. The Hammond is the main reason for a wide range of styles given within their explorations, also including bluesy and jazzy themes as well as heavy prog. Another double LP named 'Kraut Lok' followed in 2005…

This group of five musicians will certainly capture the attention of Ozric Tentacles fans. Their music is loaded with textures and colours that leave most space rock bands sounding like a sample machine stuck in loop mode. It's actually going somewhere: on all of their albums, the tracks evolve continuously, with the music occasionally returning to specific themes but with something new each time. Overall, their material sounds like a less guitar-dominated Ozric and without the heavy techno influence. Their albums are pure instrumental excursions into psychedelia propelled by Tim Blake-like droning and burbling synths, Steve Hillage-like guitar arpeggios, pulsating bass lines, phasing sitars and precise drumming with the occasional Jethro Tull flute work (simultaneous flute blowing and vocalizing) and some infectious grooving rhythm lines that make you want to move around, bang your head and dance nonsensically…

While Causa Sui have always had one foot in heavy psychedelic rock, they've had the other one deep in a wide variety of esoteric styles. On this new double LP set, that other dimension of the band is being explored full-scale.

Essentially French keyboardist Cyrille Verdeaux and an ever-changing list of collaborators, among them Christian Boule and Gilbert Artman, Clearlight was among the most well-known French symphonic progressive rock bands of the 1970s. Their massive, occasionally psychedelic sound showed a different side to Verdeaux than his later, more new age records. One of the first bands signed to the fledgling Virgin Records in the early 1970s, Clearlight has been compared to such progressive bands as Yes and Genesis as well as more experimental groups like Gong. The first Clearlight album, 1973's Symphony, presents the band at the height of their grandeur, pursuing everything from modern experimentalism to more classically styled pieces. For the project, Verdeaux took on several members of Gong as collaborators. It was later re-recorded with a great deal of new material in 1990 and released as Symphony II.

God Is an Astronaut is an Irish post-rock band from the County Wicklow, formed in 2002 by Niels and Torsten Kinsella. Their style employs elements of electronic music, krautrock, and space rock, reminiscent of Tangerine Dream.

2010 four CD anthology from the British Progressive Rock band, the most comprehensive overview of their career, focusing on Camel's long association with Decca which yielded the group's best loved and most significant work. Rainbow's End features key album tracks from Camel, Mirage, The Snow Goose, Moonmadness, Rain Dances, Breathless, I Can See Your House From Here and Nude, plus rare studio and live recordings made for Decca Records and the BBC. Housed in a hard-back book package, the lavish booklet contains previously unseen photographs, memorabilia and essay by Mark Powell. One of Decca's later signings during the first `progressive' age which began in the late '60s, Camel would prove to be one of the label's most commercially successful bands and one of the most enduring. Unlike many of their contemporaries, Camel have survived over three decades in the music business and still command a loyal and devoted following throughout the world, both in concert and on record.

The following albums are included: Hawkwind, In Search of Space, Greasy Truckers’ Party (2CD) Doremi Fasol Latido, The Space Ritual Alive in Liverpool and London (2CD), Hall of the Mountain Grill, The 1999 Party (2CD) and this set also comes with a bonus disc collecting rare single mixes called Of Time and Stars – The Singles…

British Columbia space rockers Moths and Locusts’ have impeccable timing. Their new album "Exoplanets" marks the bands’ 10 years in existence and acts as a majestic soundtrack for the world as we stumble our way into a new decade, and witness the conjunction of Jupiter and Saturn, something that hasn’t happened since 1623.
"Exoplanets" combines recording sessions from various studios across Canada with help from names like Ian Blurton (Change Of Heart/C’mon/Public Animal) Chad Mason, Scott Henderson, James Paul, and Dietrich Schoenemann. The seven tracks offer a complex, intertwining set of mind-expanding jams, shimmering soundscapes, and layers of noise with nods to names like Pink Floyd, to Black Sabbath, to Gong, to Hawkwind, to King Crimson, to Amon Duul II.

One of the most influential bands to emerge from the UK’s festival scene, the Ozrics layer ambient and ethereal landscapes with freeform dub trips, incredible rave grooves and psychedelic progressive rock. It’s an open exploration of music and the soul.

One of the most influential bands to emerge from the UK’s festival scene, the Ozrics layer ambient and ethereal landscapes with freeform dub trips, incredible rave grooves and psychedelic progressive rock. It’s an open exploration of music and the soul.

One of the most influential bands to emerge from the UK’s festival scene, the Ozrics layer ambient and ethereal landscapes with freeform dub trips, incredible rave grooves and psychedelic progressive rock. It’s an open exploration of music and the soul.

Formed in 1991, The Spacious Mind have since become known as one of the world's leading psychedelic bands. Their music owes as much to the acid haze of the San Francisco ballrooms in the late 60's, as it does to the unknown areas of space, heart and time. The twin guitars are battling over a steady drums/bass background, while the atmospheric keyboards are swirling in and out of your mind, and together they create a melancholic tapestry of sounds that should please anyone into consciousness raising or simply the message of Love.

Despite being renowned in certain parts of the world (especially in Italy and their hometown of Paris), the space-age outfit Rockets remains largely obscure – even though they arrived on the scene at almost he same exact time as Kraftwerk and prefaced Devo by several years. The multi-membered outfit originally formed in 1972, under the name Crystal, performing on-stage in their regular street clothes. But by 1974, Crystal had evolved into Rocket Men, issuing a debut self-titled single, while its members began to assume the identities of aliens; complete with silver makeup covering their skin, grey contact lenses, space suits, and bald heads. It was also around this time that the group hooked up with producer Claude Lemoine, who would remain behind the studio boards until the early '80s.