20 Greatest Hits contains every one of Loretta Lynn and Conway Twitty's hits from the '70s, including the number one singles "After the Fire Is Gone," "Lead Me On," "Louisian Woman, Mississippi Man," "As Soon As I Hang Up the Phone," and "Feelins'." In addition to the obivious hit singles, there are a number of lesser-known album tracks which are, with only a few exceptions, the equal of the hits. In short, 20 Greatest Hits presents the very best of perhaps of the greatest country duet team of the '70s and is a necessary addition to any country record collection.

All Time Greatest Hits is a 2002 greatest hits album by country music legend Loretta Lynn. In 2003, the album was ranked number 485 on Rolling Stone magazine's list of the 500 greatest albums of all time. This straightforward hits collection contains all 16 of Loretta Lynn's number one country hits according to Billboard, five of them duets with Conway Twitty, plus three number two hits and three number three hits, all released originally between 1964 and 1979.

Full Circle is the first new studio album in over ten years from American music icon Loretta Lynn. Produced by Patsy Lynn Russell and John Carter Cash, and recorded at the Cash Cabin Studio in Hendersonville, Tennessee, Full Circle takes listeners on a journey through Loretta's musical story, from the Appalachian folk songs and gospel music she learned as a child, to new interpretations of her classic hits and country standards, to songs newly-written for the project. Drawing inspiration from personal memories and deep connections to American music, Lynn's 13 new recordings capture the essence of these songs in intimate new performances. The album is volume one of the Cash Cabin recordings, a series of new album projects imagined and created at the storied Cash Cabin Studio.

Loretta Lynn Few performers in country music have proved as influential and iconic as Loretta Lynn. At a time when women usually took a back seat to men in Nashville, Lynn was a voice of strength, independence, and sometimes defiance, writing and singing songs that spoke to the concerns of working-class women with unapologetic honesty. She could sing of her hardscrabble childhood ("Coal Miner's Daughter"), deal with the realities of relationships ("Fist City," "You Ain't Woman Enough"), deliver proto-feminist anthems ("The Pill"), and explore mature romance (her series of duets with Conway Twitty) and sound perfectly authentic at every turn. Lynn's voice, strong but naturalistic and matched to tough, lively honky tonk arrangements, reinforced the home truths of her songs, and her success blazed trails for other female country artists.

The American music icon's 50th studio album (excluding her 10 studio duet collaborations with Conway Twitty), Still Woman Enough celebrates women in country music. From her homage to the originators, Mother Maybelle Carter and the Carter Family (via her cover of "Keep On The Sunny Side") through a new interpretation of her very first single, "I'm A Honky Tonk Girl," Loretta Lynn acknowledges her role in the continuum of American country music with a special collaboration with Reba McEntire and Carrie Underwood ("Still Woman Enough"), and duets with Margo Price ("One's On The Way") and Tanya Tucker ("You Ain't Woman Enough"), sharing the musical torch with some of the brightest lights and biggest stars in contemporary country music.

Legend is a hefty title to carry, especially if you're still kicking. The standards are high, the expectations immense. Dolly Parton, Loretta Lynn, and Tammy Wynette are, nevertheless, legends of country music with decades of albums and awards to prove it. And they are very much still kicking on Honky Tonk Angels – just in case anyone needs a little reminder. You can even hear how much fun they had singing together, setting aside any historic competition and letting their love of country music shine through, each gracefully moving between lead and harmony vocals. As for the song selection, it covers a wide swath of country history from tunes made famous by early pioneers like Ferlin Husky, the Davis Sisters, and Hank Locklin to their own more contemporary compositions. If that weren't enough credibility, Kitty Wells lends her amazing voice to the opening anthem "It Wasn't God Who Made Honky Tonk Angels." Pure goodness. In another twist, Patsy Cline sings on "Lovesick Blues" with Parton, Lynn, and Wynette backing her. The closing track sums up the humorous reverence that permeates much of country music. "I Dreamed of a Hillbilly Heaven" was a hit for Tex Ritter in 1961 and is a surprising choice that seems a bit out of place, but somehow works well enough. For fans of traditional country or great singers, this is a fun listen because it nicely captures three of the best voices around.