In Deutschland is a 1965 album by the French pop singer Françoise Hardy. It was her first German-language album released in Germany in September 1965, on LP, Bellaphon/Disques Vogue (BWS 368).

This is Jacintha's third album for Groove Note, and her first with strings. Very popular in her native Singapore, she's beginning to get a worldwide reputation, and this release demonstrates why: Her voice is lovely, with clear diction and expressive, naturalistic phrasing. She draws the listener into a warm intimacy from the first track, "The Boulevard of Broken Dreams," a rarely covered and beautiful song with the perfect "rainy night in Paris" ambience supplied by Frank Marocco on accordion. Other highlights include a bluesy but refreshingly non-wailing "Black Coffee," with a fine, understated solo by Bill Cunliffe on piano; he's also good on the silky bossa "Manha de Carneval," where Anthony Wilson's melodic plucking contrasts nicely with the smoothness of the strings. Another unusual but happy choice, "When We Were Young," showcases the superb flügelhorn of Dmitri Matheny, which enhances four other tracks as well…

Making his first full concert appearance in Asbury Park since the ’70s, Springsteen brings the Joad tour to where it all began. Accordingly, Bruce unfurls a Shore-centric set that opens with a three-song blast from Greetings: “Blinded By The Light,” “Does This Bus Stop At 82nd Street” and “Growin’ Up.” With sympathetic support from Danny Federici, Patti Scialfa and Soozie Tyrell, Bruce moves through apropos surprises (“Wild Billy’s Circus Story,” “Rosalita” and “Sandy”), moving rarities (“When You’re Alone” and “Shut Out The Light”) and wonderful takes of “Racing In The Street” and “Independence Day” among many highlights.

Recorded in 1972, a decade removed from the last of Horace Silver's classic quintet recordings, In Pursuit of the 27th Man has never been regarded as one of the pianist's prime releases, which likely explains why Blue Note took this long to make it available on CD. But the album, which moves gracefully between quartet performances featuring vibraphonist David Friedman and quintet numbers featuring the young Brecker brothers (Randy on trumpet and Michael on tenor saxophone), has its distinctive charms. While maintaining the crispness and sense of adventure with which he has always signed his music, Silver and bands ease through some of his most appealing melodies. Songs such as Weldon Irvine's "Liberated Brother" have the early '70s written all over them, but even in those cases their light-handed lyricism and boppish vitality keep them fresh. Friedman's idiosyncratic sound adds a sense of mystery to the music, which, with Bob Cranshaw on electric bass and Mickey Roker on drums, never lacks for a solid and soulful center.

In 1998, A&M released the original Carpenters' albums for the first time on CD. Along with the reissues, the label released Christmas Collection, a double-disc that combines Christmas Portrait and An Old Fashioned Christmas on one set. Neither album offers any surprises – they sound exactly like you'd imagine a Carpenters Christmas album would sound like. Since the two albums are virtually interchangeable, relying on Richard's famously light, inoffensive arrangements and Karen's sweet, soaring vocals, they make for a terrific pairing. It is true that only hardcore fans will need this set, but they should be more than pleased by this definitive collection.

So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty.

Alastair Ian Stewart (born 5 September 1945) is a Scottish singer-songwriter and folk-rock musician who rose to prominence as part of the British folk revival in the 1960s and 1970s. He developed a unique style of combining folk-rock songs with delicately woven tales of characters and events from history.Stewart is best known for his 1976 hit single "Year of the Cat", from the platinum album of the same name. Though Year of the Cat and its 1978 platinum follow-up Time Passages brought Stewart his biggest worldwide commercial successes, earlier albums such as Past, Present and Future from 1973 are often seen as better examples of his intimate brand of historical folk-rock, a style to which he returned in later albums.

Pop, rock, and R&B hits are given a 60s makeover on this collection. Throwbackthursday 60s features 24 popular tunes.

Guitarist T-Bone Walker is one of the most influential musicians in musical history. The Texan was one of the pioneers of the electric guitar and his recordings, made in the early 1940s for Capitol, Rhumboogie, and Black & White, are some of the earliest defining moments for electric blues. His playing was influential upon others of his era: most notably B.B. King but also several jazz players and many rock greats. He made a lot of records throughout his later career, some of variable quality. The less ground-breaking albums have often been overlooked; one of the best is his 1969 Bluestime LP Every Day I Have The Blues . Producer Bob Thiele took him to Capitol studios, teamed him up with some of the best session musicians and made a crisp, slightly funky masterpiece. There are great vocal performances, such as on the title track and Sail On , and his guitar sounds amazing on For B.B. King . This album didn t sell well, is difficult to find and is largely forgotten. This is its first reissue, and is taken from original master tapes. As a bonus Ace have added two tracks that were recorded at a 1970 show at the Carnegie Hall, New York.

Here are three 20th-century violin concertos written within a 30-year period in three totally different styles, played by a soloist equally at home in all of them. Bernstein's Serenade, the earliest and most accessible work, takes its inspiration from Plato's Symposium; its five movements, musical portraits of the banquet's guests, represent different aspects of love as well as running the gamut of Bernstein's contrasting compositional styles. Rorem's concerto sounds wonderful. Its six movements have titles corresponding to their forms or moods; their character ranges from fast, brilliant, explosive to slow, passionate, melodious. Philip Glass's concerto, despite its conventional three movements and tonal, consonant harmonies, is the most elusive. Written in the "minimalist" style, which for most ordinary listeners is an acquired taste, it is based on repetition of small running figures both for orchestra and soloist, occasionally interrupted by long, high, singing lines in the violin against or above the orchestra's pulsation.

Two hugely collectable one-off cult prog rock albums, The Running Man’s self-titled debut from 1972 and Mouse’s Lady Killer from 1973. Both featuring guitarist and songwriter Ray Russell, singer and keyboardist Alan Greed aka Al Clare and drummer Alan Rushton (all ex Rock Workshop). A sought-after original pressing of The Running Man has fetched £950 on collectors’ website Discogs while an original of Mouse’s Lady Killer has sold for a whopping £1,110. Ray Russell replaced Vic Flick in The John Barry Seven, toured with Georgie Fame and the Blue Flames, led his own jazz group The Ray Russell Quartet and then brought jazz style improvisation to rock music with Rock Workshop who pioneered an exciting and innovative jazz / funk / rock fusion. After the demise of Rock Workshop, guitarist and band leader Russell, lead singer and keyboardist Alan Greed and drummer Alan Rushton re- convened as jazz influenced progressive rockers The Running Man for an impressive one-off album for RCA’s Neon label in 1972 on which they were augmented by trumpet and flugelhorn player Harry Beckett and tenor saxophonist Gary Windo. This is included on CD one with bonus tracks taken from Russell’s tape archive.

Elvis Presley La tirade est connue mais résume bien la situation : l’Amérique a eu plus de quarante présidents, mais un seul roi ! Né le 8 janvier 1935 à Tupelo dans le Mississippi, Elvis Aaron Presley ne passa que 42 années sur terre mais son influence sur la musique, sur la culture et sur la nation américaine ne se mesure pas vraiment.

With shared love for the tradition of Renaissance and Folk-Rock music, legendary guitarist Ritchie Blackmore and award-winning lyricist and singer Candice Night founded Blackmore’s Night in 1997. They have been enchanting audiences around the world ever since.

One of the most popular singer/songwriters of the 1970s, Cat Stevens won critical acclaim and a loyal following for his gently soulful songs of love, spiritualism, and the search for a better world. While he began his career as a clever pop singer in the late '60s, he changed his approach with 1970's Mona Bone Jakon, and on albums like Tea for the Tillerman (1970) and Teaser and the Firecat (1971), his earthy voice and introspective lyrics struck a chord with audiences around the world seeking comfort after the turbulent '60s. By the end of the decade, he'd embraced the Muslim faith and stepped away from his career, avoiding the spotlight and focusing on spiritual and charitable work. In the '90s, he quietly returned to music, recording Muslim-themed music for children, and in 2006 he returned to Western pop with the album An Other Cup, released under the name Yusuf.

With her signature breathy vocals, romantically nostalgic songs, and melancholy lyrics she often penned herself, Françoise Hardy was a pop music and fashion icon celebrated as a French national treasure. She was one of the earliest and most definitive French participants in the yé-yé movement and her first single, 1962's "Tous Les Garçons et les Filles," sold over two million copies and made her a European star overnight. As the yé-yé sound faded, Hardy shifted to a more introspective, folky, and dramatic sound that helped her move from a pop sensation to an artist.