Death Metal meets Hard Rock on the new Debauchery vs. Blood God album! Welcome to the world of Blood Gods! Debauchery has always been unique. Those who couldn't or wouldn't accept and understand it, were kindly asked to **** off. There's one thing the band offers for everyone who's still there: Death Metal straight in your face! Blood God is the Heavy Metal/Hard Rock offshoot of Debauchery. Judas Priest, Accept, Iron Maiden, Motörhead, AC/DC - these bands were the reason why the Blood Gods started playing music. Blood God have a Debauchery feel to them, but everything's still a bit more different: a little bit more Heavy Metal and a lot more Rock 'n' Roll!

Drawing inspiration from Bessie Smith and Odetta, Janis Joplin developed a brash, uncompromising vocal style quite unlike traditional folk Madonnas. In 1966, Joplin was invited to the Bay Area to front Big Brother & the Holding Company. Cheap Thrills, a joyous celebration of true psychedelic soul, contained two Joplin "standards" in "Piece of My Heart" and "Ball and Chain," but she left the group in November 1968…

Uriah Heep's first new album in almost two years, and their first, too, since the departure of vocalist John Lawton, was all but overlooked at the time of its release, and that despite Heep being very much in the forefront of the bands lionized by the then-prevalent New Wave or British Heavy Metal…

Eleven years after their 1973 eponymous debut on Mercury, Randy Bachman brings brother Tim Bachman, C.F. Turner, and original Chad Allan/Guess Who drummer Garry Peterson together for this very decent set, also self-titled Bachman-Turner Overdrive, on a Mercury subsidiary, Nashville's Compleat Records…

Johannes Brahms - Symphonies Nos. 3 & 4
Scottish Chamber Orchestra - Sir Charles Mackerras
EAC+LOG+CUE | FLAC: 288 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Telarc # CD-80465 | Country/Year: Europe 1997
Genre: Classical | Style: Romantic

This disc was nominated for the 1998 Grammy Awards for "Best Classical Album," "Best Engineered Album, Classical," and "Best Orchestral Performance."
This is not your father's Brahms, though it may be your great-grandfather's. The concept behind this cycle-with-a-difference is to emulate the kind of orchestra Brahms liked to use, specifically the Meiningen Court Orchestra, with which he worked extensively after 1880 and entrusted with several important premieres…

The Balanescu Quartet - Possessed (1992) {Mute Records CD STUMM 111} (Kraftwerk related)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 386 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1992 Mute Records | CD STUMM 111
Classical / Avant-Garde / Modern Classical / String Quartet

Although there are three original compositions, including the title track, featured here, the majority of Possessed is made up of string quartet remakes of Kraftwerk songs. Given that the precision of the German electronic band's songs bear no small resemblance to Baroque classicism, the Balanescu Quartet needs to do little to make their covers work than to play them straight.