Wishbone Four is the fourth studio album by British rock band Wishbone Ash, released in 1973. It was a departure from their previous album, Argus, in that it lacked that recording's overall cohesion and atmosphere and the loose conceptual framework of a stately, pastoral and warring medieval England. Containing only hints of the extended twin-lead guitar harmonies, Wishbone Four's stylistic variety found its footing in acoustic folk elements in half of the eight-song set ("Ballad of the Beacon", "Everybody Needs a Friend", "Sorrel" and "Sing Out the Song"), two aggressive and melodic starters on each side of the vinyl release (Side 1: So Many Things to Say" and Side 2: "Doctor"), and the band's first use of horns on the semi-autobiographical "rave-up" touring song "No Easy Road".

Greatest Hits is a compilation album by the British rock band Queen, released worldwide on 26 October 1981. The album consisted of Queen's best-selling singles since their first chart appearance in 1974 with "Seven Seas of Rhye", up to their 1980 hit "Flash" (though in some countries "Under Pressure", the band's 1981 chart-topper with David Bowie, was included). There was no universal track listing or cover art for the album, and each territory's tracks were dependent on what singles had been released there and which were successful. Queen's Greatest Hits was an instant success, peaking at number one on the UK Albums Chart for four weeks. It has spent 833 weeks in the UK Charts, and is the best-selling album of all time in the UK, selling over six million copies.

Malmsteen's playing on the follow-up to the epochal Rising Force is slightly more raw and aggressive, but the most notable difference is the addition of lyrics on many of the songs. By his own admission, Malmsteen isn't much of a lyricist, and his frequent use of occult and pagan imagery (demons, Vikings, and so on) isn't as effective at producing a dark, gothic mood as his compositions and guitar playing are. Still, those aspects of the album are vital and stimulating, making Marching Out a worthwhile listen.

Months after the release of the harrowing The Holy Bible, Manic Street Preachers guitarist Richey James disappeared, leaving no trace of his whereabouts or his well-being. Ultimately, the remaining trio decided to carry on, releasing their fourth album, Everything Must Go, in 1996. Considering the tragic circumstances that surrounded it, Everything Must Go is the strongest, most focused, and certainly the most optimistic album the Manics ever released. Five of the songs feature lyrics Richey left behind before his disappearance, and while offering no motivation for his actions, they do hint at the depths of his despair.

If you believe Charles Burney, the English music scholars and European travelers in terms of music, then was hard to determine what was miserable, the Italian harpsichords or the Italian harpsichordist in the 1770s. But an exception in his polemical verdict he would certainly have done with Baldassarre Galuppi (1706-1785), whom he visited in Venice in 1770. Galuppi was not only an excellent opera composer, but also devoted to keyboard instruments truly enchanting music that was like his Opere buffe Europe estimated. The famous Italian harpsichordist Luca Guglielmi has recorded for Accent nine of his sonatas on four different types of keyboard instruments (harpsichord, clavichord, organ and fortepiano) Italian origin - a successful and very entertaining vindication for Italian harpsichordist and their instruments.

Perhaps not amongst the best known of Haydn's quartets, these three from Op. 50 really turn out to be a pleasant surprise, although all of this composer's music is quite outstanding with nothing that can be honestly described as second rate! The Lindsays bring their usual panache and sense of style to proceedings, continuing to confirm their status as one of the finest quartets around.

Like 2005's Rock of Ages: The Definitive Collection, 2018's The Story So Far: The Best of Def Leppard spans 35 songs spread over two discs. Since this is a basic hits collection, that means there is considerable overlap between the two compilations: a grand total of 20 tracks, with the remaining 15 largely dedicated to deep cuts, along with a new cover of Depeche Mode's "Personal Jesus." On the whole, The Story So Far doesn't necessarily best Rock of Ages, but it's not worse, either. The difference between the two compilations is on the margins, with the album cuts on both proving that Def Leppard delivered plenty of excellent music that wasn't always hits.

‘Perhaps the best of all my works’, said Gluck of his Armide. But this, the fifth of his seven ‘reform operas’, has never quite captured the public interest as have Orfeo, Alceste, the two Iphigenies and even Paride ed Elena. Unlike those works it is based not on classical mythology but on Tasso’s crusade epic, Gerusalemme liberata. No doubt Gluck turned to this libretto, originally written by Quinault, to challenge Parisian taste by inviting comparison with the much-loved Lully setting. Its plot is thinnish, concerned only with the love of the pagan sorceress Armide, princess of Damascus, for the Christian knight and hero Renaud, and his enchantment and finally his disenchantment and his abandonment of her; the secondary characters have no real life.

Taking their name from the scheming, parasitic lawyer in Charles Dickens' 1850 novel David Copperfield, Uriah Heep is a progressive rock institution who, alongside bands like Deep Purple, Queen, Black Sabbath, and Led Zeppelin, helped lay the foundation for the United Kingdom's vibrant hard rock/heavy metal scene. Founded in 1969 by powerhouse vocalist David Byron and guitarist Mick Box, the group went through a prodigious number of members over the next four decades – nearly 40 different musicians passed through the group over the years. Originally operating under the moniker Spice, Byron and Box eventually recruited guitarist, keyboardist, and vocalist Ken Hensley, bassist Paul Newton, and drummer Nigel Olsson, and made the transition to Uriah Heep – fans often refer to the band as simply Heep. Single Collection is a compilation album of the legendary British rock groop Uriah Heep, released by CD-Maximum in 2000.

Discipline performs some of its better known progressive art rock epics on this 2-disc live recording. Discipline are an independent rock band from Detroit (not to be confused with the moniker that Robert Fripp used pre-Discipline with King Crimson). Since forming in 1987, the band (formed by lead singer and keybordist Matthew Parmenter) have performed and recorded together in a strictly DIY fashion via their indie label, Strung Out Records. The band's debut album, 1988's Chaos Out Of Order saw the band (with Parmenter and guitarist Jon Preston Bouda) laying down the foundation for the sound that would be at their peak with both their 1993 CD Push & Profit and 1997's Unfolded Like Staircase.

With a special surprise the German power metal band Rage rewards its fans for their loyalty and patience during the long waiting period due to the pandemic: In time for the big co-headlining tour with Brainstorm in October and November 2022 and as an appetizer for what will be heard there, singer/bassist Peavy Wagner and his band mates Jean Borman, Stefan Weber (both guitar) and Vassilios "Lucky" Maniatopoulos (drums) will release an EP 'Spreading The Plague' with three previously unreleased new songs and three worthwhile bonus tracks.

These are two of the most formidable soloists on the Scottish scene, pretty much in straightahead mode.
Saxophonist Smith, as he has demonstrated with the American Joanne Brackeen, is a good duo collaborator with pianists, his more languorous Jan Garbarek-like aspect in other settings put aside in favour of a surging, hard-swinging style. But his formidable range, particularly in sustaining a remarkable purity on long, high sounds, is fully unwrapped on this collection of 11 standards old and new, including traditionals such as Billy Strayhorn's Lush Life, and Steve Swallow's Ladies in Mercedes - the latter opening with an abstractedly Monkish piano intro from Kellock…

With jazz – lite and trite, near and drear, pretentious and tendentious – seemingly on the increase, the reissue of five “classic” Parker Verve albums (even in truncated form) is to be welcomed. Newcomers (if any exist) to his latter-day recordings as well as devotees (still alive) will find much to enjoy in this Avid compilation.

From the timeless plainchant Veni Emmanuel via Jonathan Harvey to a riotous Jingle bells: Owain Park presents a programme of Christmas treats which effortlessly spans the centuries.